BOURNE SUPREMACY--Table Read Tuesdays

What this episode is about

The content features a table read of "The Bourne Supremacy," the second film in the Bourne series, with participants introducing themselves and discussing their roles in the reading. Vicki, an avid fan of the series, leads the cast, which includes several others from various locations who are excited to bring the script to life despite some members reading their parts for the first time.

Key takeaways

• Ever noticed how Bourne's amnesia mirrors our own societal forgetfulness? History repeats, yet we barely remember.
• Vicki's marathon viewings prove: some films age like fine wine, while others turn to vinegar after one sip.
• In a world with raging fires, the true thrill lies in watching characters extinguish their pasts to find clarity.
• Jason Bourne’s escapades remind us: sometimes, you need to lose yourself to discover who you really are.
• The subtlety of action in Bourne's universe showcases that the real battles often unfold within, not just on-screen.

Who speaks in this episode?

• Vicki Dykes (Guest) · 51 min speaking
• Aubrey (Guest) · 31 min speaking
• Jackson Gray (Guest) · 31 min speaking
• Cat Wilson (Host) · 41 min speaking
• Unknown (Host) · 51 min speaking

What is discussed, and when

1. 0:00 – 15:00: Jason Bourne, Conlin, G5
2. 15:00 – 30:00: Pamela Landy, Krill
3. 30:00 – 45:00: Treadstone, Conlin, Jason Bourne, Pamela Landy
4. 45:00 – 1:00:00: Jason Bourne, Conlin, Pamela Landy, Treadstone
5. 1:00:00 – 1:15:00: Jason Bourne, Pamela Landy, Treadstone, Conlin
6. 1:30:00 – 1:45:00: Pamela Landy, Treadstone, Conlin, Vinnie (uncle of Johnny Conklin)
7. 1:45:00 – 2:00:00: Treadstone, Conlin, Pamela Landy
8. 2:00:00 – 2:15:00: Conlin, Treadstone
9. 2:15:00 – 2:30:00: Treadstone, Conlin, Vinnie (uncle of Johnny Conklin)
10. 2:30:00 – 2:45:00: Treadstone, Conlin
11. 3:00:00 – 3:15:00: Treadstone
12. 3:15:00 – 3:25:01: Jason Bourne

Notable quotes from "BOURNE SUPREMACY--Table Read Tuesdays"

• A little while to recast and most of us are reading this cold so pretty excited this is the second film in the born series which Vicki apparently has seen over and over again…

  about G5 · at 0:30

• Of those so yeah you we'll see it'll be fun cool all Jackson hi I'm Jackson gray I am reading Jason Bor Bourne Jason Bourne and a couple of other roles I'm part of I'm in central Alberta so we're back to the rain over.

  about Jason Bourne · at 2:32

• Parks at the other end takes off towards the Beach exterior Beach go a day kill methodically making his way up the beach checking every blue tent every towel exterior Beach go a day born coming up the beach the opposite way one eye on.

  about Krill · at 15:25

• The stale improvised feel of a temporary Outpost for serious people alone in this room Pamela Landy is 46 a senior Cia Counter Intelligence officer hovering over the…

  about Pamela Landy · at 27:11

• Says yep the main word there the file heading translates as treadstone what the hell is treadstone Cronin shaking his head nobody knows T Syria India Countryside day born…

  about Treadstone · at 39:44

• Severe traumatic breakdown so he fooled you oh if you say so not good enough you're the person who floated this Amnesia story ever feel sorry for him for what he'd been through…

  about Conlin · at 1:03:25

• Pouring outside turning back we realized we're not in the cab anymore there's a driver up front beside him Conklin yes Conklin he's in the passenger seat turning back to us handling handing us something a photograph a face some guy n Vlad.

  about Vinnie (uncle of Johnny Conklin) · at 1:35:01

• They were all released to one petroleum company Esco Souls guess what the CEO URI gret is xkg someone was using treadstone as a private cleaning service Conlin it's I'm sorry Pamela I guess you were right all along Pamela waves.

  about Gret · at 2:34:32

Who and what is mentioned in this episode?

People

• Jason Bourne — Person · Primary character being read/performed · 12 mentions · first at 2:43
  Central protagonist of the script reading; most action and plot turns revolve around him (amnesia, pursuit, Berlin/Naples events).
• Pamela Landy — Person · Major character being read/performed · 9 mentions · first at 27:17
  CIA counterintelligence leader in the story; runs the Berlin operation and becomes a key antagonist/foil as Bourne investigates who is framing him.
• Abbot — Person · Major character being read/performed (CIA leadership) · 2 mentions
  CIA veteran who discusses Treadstone history with Landy and later is implicated in deception/violence; central to the internal-agency conflict.
  Abbot holds the phone eyes drifting out the window...
• Conlin — Person · Major referenced character in story backstory (Treadstone operations) · 15 mentions · first at 6:04
  A key name in the CIA investigation thread; discussed as dead, possibly corrupt, and tied to Berlin and the stolen money/files narrative.
• Krill — Person · Major character being read/performed (assassin/operative) · 1 mention · first at 15:30
  The assassin tracking Bourne and Marie early (Goa) and later involved with the stolen files/money thread; drives key inciting events (Marie’s death, Berlin theft).
• Vinnie (uncle of Johnny Conklin) — Person · Referenced character in story backstory (Treadstone leadership) · 3 mentions · first at 48:12
  Named as part of Bourne’s past and the Treadstone chain of command; discussed in CIA scenes as tied to the program and its fallout.
• Gret — Person · Referenced character in story (handler/associate of Krill) · 2 mentions
  Appears as 'gret COV' in the Moscow sequence, confronting Krill about Bourne being alive; ties Krill to a higher-level sponsor/handler.

Concepts & topics

• Treadstone — Concept · 17 mentions · first at 39:51

Sponsors

• G5 — Product · Promoted product · 1 mention · first at 0:36
  Relevant to the discussion about the film series

Full transcript with timestamps

0:00 when shows up so I can I see it I love that biggy's the one that there our monitor for that awesome it's one of the few things I can do that window sure she could do do so many things I know I'm like don't put yourself don't say that about my friend friend all right well Welcome to our reading of the born Supremacy we are down to cast so it took a little while to recast and most of us are reading this cold so pretty excited this is the second film in the born series which Vicki apparently has seen over and over again so she's our expert for this this evening many times one of her I have not seen this particular one although I think I read the watch the first one and I read the script now a couple of times but anyways we'll get I'll start with introductions and so if you want to tell everybody where you are from and who you are reading today and where we can find you on social media I will go ahead and start here with

1:04 Vicki hello I'm Vicky Dykes I'm here in central Alberta it's nice and rainy right now which we appreciate we've had lots of fires uh and as cat said I absolutely adore the born series I've watched each of them many many times I can't I will do a marathon all day watching these um today I am reading for Pamela and Teddy and grov and zor and a bunch of Hotel um employees hi sorry go ahead Au going to me now right okay sorry uh yeah I'm Aubrey and um yeah I'm in I'm in sunny California where we we have all the fires all the time uh and I am reading for so many people Abbot um I am also reading oh my goodness what the heck happened here I thought I had a bunch of them Abbot Marie uh and I am also reading for numerous other people like uh cops and and um yeah just a bunch of other small roles but uh Abbot and naven and that seems to be yeah just a bunch of those so yeah you we'll see it'll be

2:35 fun cool all Jackson hi I'm uh Jackson gray I am reading Jason Bor uh Bourne Jason Bourne uh and a couple of other roles I'm part of I'm in central Alberta so we're back to the rain over here uh yeah and so yeah that's uh that's me all right and U my name is cat Wilson she her I'm in Gig Harbor Washington um and tonight I'll be reading kill coronin Nikki jarda and a couple of taxi drivers and a cabbies and a couple of smaller roles in addition to that and in the latter half of the show we'll all be sharing actions and descriptions in one way or form or another so since this is a very heavy action filled movie so there's probably more lines in the actions and descriptions than in the actual spoken character lines so we'll be taking a lot of turns with that um for those of you not familiar with this movie um and I'm going to put Vicki here on the spot for a sec if she could summarize the first

3:45 movie and give us sort of the background for where this one starts um um Jason he doesn't even know he's Jason he he has found himself in the uh ocean uh an actually a fishing boat found him and they save him he's been shot and when he comes to he doesn't have a clue who he is and he goes through quite a few Adventures um he has automatic reaction to things he's a really good fighter so that's a clue to who he is he meets a beautiful uh European girl and uh she helps them out a lot and eventually they have to split ways and the movie ends and then this one takes up in basically almost the same spot so she has gone to another country and he's gone looking for her all right so we'll find out bit more about his past I guess as we read through this one so with that I'll put the uh screen on and find our script see I think that's it here see opens as me all right close that um oh make this larger

5:09 and is that a good size or you want it slightly larger H it could be a little bit bigger one more like that that's great okay um and so I think Vicki is starting us off with actions and descriptions so go right ahead the born Supremacy based on the novel by Robert Lam and the 2002 Universal film The born identity this is for educational purposes only exterior Mercedes windshield dusk it's raining light strobes across the wet glass at a rhythmic Pace suddenly through the window a face Jason Bourne riding in the back seat his gaze fixed interior Mercedes Knight on his knee a syringe and a gun the eyes of the driver jarda watching BN pointed view the passenger back of his head cell phone rings the head turns it's Conlin Boren Returns His stare and we cut to the interior of a cottage bedroom Night boren's Eyes Open panicked gasping trying to stay quiet Marie sleeps interior cottage living area bathroom night born moving for the

6:22 medicine cabinet digs through the medicine cabinet down something specific interior exterior rear cottage living room Veranda night one minute later borne moves out onto The Veranda Marie pads in watching him for a moment concerned clearly it's not the first time this has happened they both look different than last time we saw them his hair is longer she's a blonde hippie Travelers their Cottage is humble but sweet and the bedroom opens to a beach and a town just down the hill club music from some all night rave wafting in from the far distance where were you Jason in the car cling up front I'll get the book no there's no nothing you you sure we should still we should write it down two years we scribbling in a notebook it hasn't been two years it's always bad and it never it's never anything but a bit bits and pieces anyways you ever think that maybe it's just me making it worse you don't wonder

8:04 that She lays her hands on his shoulders studies him we write them down because sooner or later you're going to remember something good I do remember I do remember something good all all the time I remember you she smiles kisses him and leans him backand interior Cottage bedroom night Marie getting borne into the bed turning down the light getting him settled waiting for that pill to kick in I'm trying Marie okay I worry when you get like this oop sorry I'm just it's just a nightmare I don't mean that I worry when you try to ignore it he hesitates but that gets him he knows she's right and with that opening he's letting go resistance folding almost childlike she's Gathering him in he's letting her do it sleep sleep now I I should be better by now you are better and I think it's not and I think it's not Memories at all it's just a dream you keep having over and over it ends up the same one day it will

9:50 be different it just takes time we'll make new memories you and me silence she Strokes his face he gives into her tenderness he's fading two waves in the dark dissolv to exterior Beach Goa Beach Town day born running in the Sun a punishing Pace along the sand moving strong effortless deep into it focused the stunning conjunction of sun and scenery lost on him exterior outdoor Market Goa Beach toown day a busy Market Town fishing Town hippie Town lots of young Western faces run down and happening at this at the same time Marie shopping filling a bag with local produce exterior Road Goa Beach toown day BN still running leaving the beach behind interior cottage kitchen day Marie back from the market putting the grocery away almost done when she stops for a moment a photograph there on the window sill a snapshot Jason and Marie on a beach her arms around him as if she were the protector big smiles young

11:15 alive in love Marie Smiles exterior Main Street Goa Beach toown day funky busy Colonial facades in Vivid subcontinental technical loud morning traffic camera finds Bourne coming out of a store with a big bottle of water he's just finished his run standing there chugging away checking the scene when something catches his eye his point of view the street a silver car something newish pulling down the block can't quite see who's driving but back to Born watching the silver car so serious he's casual nobody passing would notice but we do he's on alert moving with him as borne follows the silver car on foot natural cruising the busy sidewalk blending into the mix chugging on that water bottle and up ahead the silver car making the corner and turning now and back to borne slowing as he reaches the corner his point of view the silver car has parked there's a guy well dressed casual physical sunglasses call him

12:38 kill uh we jumped ahead oh sorry uh he's out of the car and heading across the street towards a building there a te Telegraph office and back to Bourne checking his watch the car the guy perimeter interior Telegraph office go a day Mr Mohan at his desk he's a crisp proper man of 50 he's just been handed something a photograph of Marie an old passport picture and your questions sir Carill across a desk she's my sister there's been a death in the family this is the last place we know she called from interior Cottage day a note on the table I'm at the beach borne has just come in just read the note balling it quickly in fact everything is quickly now because borne is bailing fast calm methodical some xfill procedure that he's honed and choreographed packing like a machine rapid time cuts backpacks thr open on the bed house cash pulled from a lamp base credit cards taped under the counter exterior Main Street Bank Goa

13:56 Beach toown day cill coming out of the bank mission accomplished heading back to the silver car getting in and interior silver car day cill starting it up glancing around nice and easy he's cool putting the car into gear he makes a slow pass through the marketplace eyes everywhere interior Cottage day born done the place is stripped pulling on the backpacks GL glancing around one last thing oh [ __ ] he almost missed it the photograph the one of he and Marie on the beach the one we saw her looking at earlier there it is on the window sill jamming it into his pocket and exterior side street parking area Goa Beach down day Caril now parked and out of the car on the move on foot he begins a sweep of the beach exterior Cottage back door yard alley day born out the back jogging keeping L into the neighborhood through the alleys nothing random about it this all had been worked out and exterior

15:06 Beach Goa Beach toown day crowded with tourists sunbathers Maria at her favorite spot talking with two women laughing with them happy exterior Beach parking area go a day a Burly Jeep comes roaring up bne spots the silver car parks at the other end takes off towards the Beach exterior Beach go a day kill methodically making his way up the beach checking every blue tent every towel exterior Beach go a day born coming up the beach the opposite way one eye on Carill one eye on Marie he arrives just as Carill looks up and sees them a 100 yards away a hard stare between them borne bends down we got to go Maria we got to go now from the tone of his voice she knows it's serious Marie grabs her bag a quick goodbye to the friends they hurry off Boren uses the sunbathers as cover killed Retreats exterior Beach parking lot go a day they reach the Jeep she knows the drill egg tossed in the back even as the Jeep pulls away and

16:26 interior Jeep day born driving Marie beside him we're blown she hesitates one minute ago everything was fine no how the telegraph office but we were so careful we pushed it we got lazy exterior Beach parking lot Goa Beach Town day Carill already back at the silver car following them out onto the Main Street blocked by the local traffic pulling a huge automatic pistol out from his travel bag exterior Beach toown alley off Main Street the Jeep pulling down this narrow little passageway and Bourne's windshield point of view Main Street packed with traffic and back to born not liking this eyes all over trying to decide but you're sure he was a camp guard yesterday so it's wrong guys with a renle car and a $100 sneakers sleep sleeps in a tent trying to decide whether to pull out or back up that's crazy no no this this is real and he's right there throwing the car into reverse where back there at the

18:09 corner H Honda Sil hyand silver interior hyand day Krill trapped in some Main Street gridlock glancing back for a way out freezing suddenly because there his point of view the Jeep the alley right there 20 yards back a good look at borne and Marie as they disappear and exterior Alleyway Goa Beach Town the Jeep backing up the way it came blowing its horn because an old van pulls in and blocks him from behind interior Jeep born leaning on the horn [ __ ] now they've got to wait but you're not you're not sure we can't wait to be sure I don't want to move again I like it here look we're clear out we got to we got to the STA Shack we got safe we hanged there a while I'll come back I'll check it out but right now we can't where's left to go there's places you can't afford to be wrong interior Hyundai cill calm possessed of a familiar tactical patience he can't get the H hend to the alley from where

19:38 he is and it doesn't make sense to go on foot he checks his rear view ah [ __ ] it there's an opening ahead and he's taking it even though it's away from them he'll find another way exterior Alleyway Goa Beach town waren sees a hand they move forward into traffic the old van is still blocking them from behind you drive what switch you drive where make the left towards the bridge Marie scrambling over the seat boring eyes everywhere checks his watch the Jeep squirts back back on the Main Street and interior Jeep day Marie at the wheel adrenaline pump in clear running for 30 yards ahead and Marie skittling them into the right turn clipping another vehicle Mir shattering speeding up Boren scanning behind them Marie moving out to pass veering back an oncoming bus just in time and Jesus is he back there not yet it's just him yeah one guy I don't think he was ready hang on Marie bearing down pulling out gives

21:07 him a quick smile Bor knowing he's got a good one here interior hyand day Sunset kill's stopping short on a rise bit of A View From Here gets half out of the car to look below the Jeep headed for a bridge he's going to lose them kill's mind racing grab stuff from the back abandons car interior Jeep Bridge day Sunset Marie driving born preps pistol eye out for cill you keep going to the shack I'll meet you there in in an hour where are you going I'm going to bail on an other on the other side and wait the bridge is only is the only way he can follow what if it's not who you think it is if he crosses the bridge it is there must be another way I warned them Marie I told them to leave us alone Jason please don't do this it won't ever be over like this there's no choice the old concrete bridge ahead almost there exterior lowall day Sunset Kel slams into it quick precise grabs into the bag only a

22:30 moment and he's got a sniper rifle interior Jeep Bridge born pistol in hand spare clip in the other checks his watch at the end make a left when I roll out don't or do not slow down Marie nods got it after a beat I love you too tell me later Marie looks ahead exterior low wall day kill ey to the scope sniper scope point of view there the Jeep rumbling across a bridge no clear Target just the back of the full driver's side headrest kill's finger squeezing firing exterior wooden bridge day the Jeep jerking front fender tearing into along the guard rail cement shards filled the air Bourne reaching for the wheel too late as a Jeep finally crashes through the flimsy guard rail plummets splashes hard begins to sink out of sight exterior lowall day Carill lowers the scope takes a quick look around he's basically gone unnoticed in this little Nook with his silence rifle but people are already rushing towards the bridge

23:56 then there an Old Woman woman looking directly at Kill from a doorway not quite sure what but an old Indian woman in Goa well so what kill drills her with a look as she sinks back inside interior Jeep sinking in the river day Sunset swallowed up born and Marie gone exterior low wall Sunset Carill scans the surface of the river under the bridge waiting exterior River Bottom mud plumes as the Jeep settles Bourne reaches over to Marie tries to urge her out exterior low wall Krill with a Killer's patience waiting almost done scope point of view the surface of water

24:55 unbroken scans his perimeter there's an old woman again but more people with her people coming out of the woodwork Carill checks the surface one last time nothing he breaks down the rifle in moments and goes exterior Jeep River Bottom borne up into the air pocket held by the Jeep's canvas top a Big Gulp of air and he's back to Marie frantic trying to uncp her seat belt pull her out but it's all jammed up exterior Cor by the silver car bag chucked in the back all he has left is the scope one last look to The Unbroken surface then it's time to go Krill drifting away disappears exterior Jeep River Bottom day the red halo growing larg bigger blood borne pauses Marie's face is blank she's dead born finally pulling back realizing this is goodbye exterior zoo garden zoo garden Square night we pick up a man with a briefcase on a telephoto lens the Sellar has arrived and this is where we switch to

26:21 au's narrator Berlin as the man comes to a ches restaurant he stops squarely so he can be seen clearly then he enters a stark glass office building he's inside exterior zoo garden square at night two men cross the ah sorry two men crossed the square to the Chinese restaurant Vic is 40 steel ass Intel operator he carries a large samples case besid him Mike younger Navy SEAL interior Berlin HQ command post night The Hub secure Anonymous officer space every a space somewhere in the city Shades drawn lots of gear cabled around the stale improvised feel of a temporary Outpost for serious people alone in this room Pamela Landy is 46 a senior Cia Counter Intelligence officer hovering over the communications console Cronin Pamela's number two early 4 or early 40s Stone Cold facade quarterbacking the operation over the radio Kurt and Kim are the texts here his and her headphones ruggedized laptops and Comm

27:42 gear spread around them what I've got Sur one interor near nearby Berlin offs night continued dark Teddy is at the window another military face radio rig night scope watching viic and Mike pass below him H this is survey one mobile one is in motion seller is inside and waiting exterior modern Berlin Street night viic sorry Vic and Mike slow as they come to the same Stark glass office building we are ready to go exterior modern Berlin Street night Mike and Vic shake hands I don't know why I kept saying VI I say anyway two tired co-workers parting ways Mike will keep walking Vic entering the building through the big glass doors smiling as he's approached by a night shift security guard and we hear Mike's still walking alone now heading away from the glass office building toward a van parked up the block uh the escort uh this is escort one I'm clear interior Berlin HQ command post night command post Cronin works the

29:00 communications board all terms listen up we're standing by for final green Pamela who has been listening just as she's about to give the following word Kim raises a finger Langley she hands Pamela a phone that's patched into her board Martin and here CIA situation Langley Virginia day three men CIA Mandarin sit around a round table Martin Marshall Deputy Vice Deputy Vice director he's in charge all is tons I'm here so is Donnie and Jack Wheeler we understand you using the full a location for this buy that's where we came out it's a lot of money Pam we're talking raw unprocessed KGB files it's not something we can go out and comparison shop still for a thief a mole I vetted The Source Marty he's real if it does nothing more than narrow the list of suspects it's a bargain at 10 times the price Pamela Jack Weller here it's the quality that's at issue yes sir I'm in total agreement if they're fakes they're

30:33 expensive gentlemen I've got the seller on site and in play quite honestly there's not much more to talk about Marshall looks to his mandarins not convinced but doesn't want to lose the opportunity time to wash his hands all right Pam your game your call interior Berlin hq/ command poost night all eyes on Pamela as she puts down the phone to Langley nodding to Cronin yes final green your go repeat you are go for final green interior glass office building Lobby night Vic has just passed muster with the security guard he's standing alone in an elevator Bank I'm my way up Vic pulling his earpiece going dark waits for an elevator interior glass office building electrical closet at night dark a small room full of wiring and infrastructure lit by the glare of someone's Mac light gloved hands quickly pass over the racks of gear and wiring then stopping at the main electrical uh risers they carefully

31:43 place an explosive device no bigger than a pack of cigarettes onto the main Riser done with that here comes a small a second small explosion sorry me say that again done with that here comes a second small explosion device but this one's special it's being taken from a plastic bag and mounted down by the floor on a sub panel done the hands hold up what looks like a piece of tape it Bears a fingerprint as the tape is pressed down transferring it onto the charge interior glass office building elevator night Vic alone with the samples case pressing the button for number nine the top floor the doors close the car Rises 2 3 four five 6 then it stops Vick bracing himself as the door opens and Ivan Russian the guy we saw outside with the briefcase standing in an empty darkened hallway show me here no no Vick flips open the case cash $3 million interior glass office building quarter night a glass door a suite of

32:55 offices Beyond clean anonymous one light on deep inside caspex petroleum sherog Moscow Rome Teran interior caspex office yeah caspex office night Curtains Down lights low Ivan sitting with the samples case counting the cash Vic pouring over Russian document files dozens of KGB files old and new spreadsheets financial data incomprehensibly ceric marked up but judging by the seal and clearance sign offs all top secret this is everything is the is all there suddenly music a radio some Tiny Pop tune just started playing from somewhere down the hall what the hell was that is that alone you said alone both of them sure they're being double crossed who who is there no not not me no the people shut up just shut up shut the freaked by the gun Ivan to his feet Vic pushing him back as he rushes past the sample case spilling cash hand wrong snap snap snap snap snap snap fast fast suppressed small caliber shots Vic Falls

34:16 first Ivan crashing back across the desk as the bullets clear tear into him both of them dead before they hit the floor and reverse to find the gloved hands unscrewing a silencer tu in away the weapon already in motion before we know what's happened pulling a climbing Duff climbing duffel out from his backpack sorry stuffing in the samples case and Ivan's briefcase all the files all the money except wait he's left out one old KGB file cover and now he pulls a plastic bag from his backpack gloved hands carefully removed a single sheet of paper from inside the bag and this paper looks exactly like all the stuff he's just tued away another page full of cerlic he's putting this sheet of paper inside the file cover now he's slipping them both underneath the desk tossing them as if they fell in the struggle and interior glass office building electrical closet night the electrical risers as one of the two dation devices

35:14 blow a single tidy self-contained explosion and exterior SL interior of the glass office building Lobby night as a lights flicker and fail and the night shift security guard is suddenly cast Into Darkness and interior Berlin HQ command post night as they were waiting but only a moment before H we just we lost power the building the whole place just went dark crown and looking at pamula the first with Dread ass repeat who is who do the target building a location radio voice is piling up panicked confus used cascading as exterior Berlin Novatel parking lot night Anonymous drone Barn Carill stepping out of a car he's carrying the duff interior Berlin Novatel Corridor night cill heading down the hall interior Novatel room night Krill enters it's a small room grov is waiting he's 40 professional trim imp polished dominant you're early you're complaining it's clean will I bring it grov is take uh gr

36:37 sorry grto taking over now tosses some money on the bed checks out the photocopy of the files what are you doing K stps quickly I'm I'm taking us off it's been a long day make it fast my plane is waiting grto uh dumping $3 million of the bed as Carill sheds his clothes and we disolve to exterior the bridge Goa day rwi clusters the cable winches the Jeep is raised from the river bottom as water PS pours off of it borne watching from a distance empty to exterior Berlin office building day crime scene police blocking office workers from getting in the building media Vans clogging clogging the street Pamela and Cronin across the street watching the mood is black ashes we need to get in there I'm I'm I'm looking on it Pamela stands there silent staring at the disaster across the street interior Shack Goa day borne is bailing xfill procedure but this is a heartbroken xfill the foot a Foot Locker open

37:51 borne's main stash borne going through the Foot Locker getting aside his work clothes and other things he needs but he also has to separate a growing pile of Marie memories BL bank cards phony student 90s loose passport photos with the m of looks and haird clothes vacuum back bags spare shoes exterior near the shack day a gast Ling stoked fire building h sorry a gasing stoked fire burning in a rock line pit born feeding his papers and all of Marie's belongings into the fire a passport cover crinkles back to reveal her photo her face begins to burn gas soaked clothes tossed in nothing left except the photograph the picture of he and Marie at the beach the one from his desk borne hesitates holds the photo out to the Flames the rules of xfill say drop it but he can't won't he reaches to his bag sticks the photo on top of his gear then hefting the bag borne strides away interior Berlin Berlin HQ command poost St a folding

38:56 table covered with with zuro Berlin Police paperwork pbla getting show and tell from Cronin and Teddy sorry so there were two of those explosive charges placed on the power L one of them failed the fingerprint that's from the one that did a go off and the Germans can't match it nobody's got it we checked everything database we could access or nothing other oh this is the KGB file that must have fallen somehow and then slipped under I guess a desk there or do we know what this says yep the main word there the file heading translates as treadstone what the hell is treadstone Cronin shaking his head nobody knows T Syria India Countryside day born bouncing around on an old Punjab bus alone in a crush of humanity going only God knows where C two exterior CIA headquarters Langley Virginia Pamela's POV as she drives towards the entrance sorry go ahead okay interior say headquarters day a long bright sterile

40:21 hallway Pamela and Cronin walking briskly alongside a uniform SPS officer in interior of the CIA elevator day Pamela and Cronin watching the spf's officer unlock the operation panel coding in they began to descend and interior of a different CIA Corridor day drab and desolate Pamela and Cronin come around a corner walking with a new escort officer passing a sign that reads operation library center interior of the secured reading room number 6 3171 day sealed triple locked numbered door it swings open lights flicker on tons of [ __ ] packed away in here shelves bulging boxes tapes binders hard drives Pamela steps in a huge filing cabinet labeled treadstone Ward yes Pamela Landy in cheer of Abbott's office CIA at headquarters day Ward Abbot at his desk the cluttered Clubhouse HQ of a man who spent the last 35 years years in the Spy game a picture window offers a Commander's view of the bullet

41:32 pin what can I do for you bam I was hoping you had some time for me time for what I'm free right now actually that sounds ominous let me check my schedule Abbott holds the phone eyes drifting out the window and from Abbott's point of view the bullpen Cronin is standing with Daniel zor one of Abbott's trusted number twos clearly zor is getting the less polite version of Pamela's invitation zor managing to shoot a quick questioning glance to Abbott as interior CIA interview room day we transfer to a cold room a desk two chairs Abbott and Pamela alone treadstone never heard of it that's not going to fly with all due respect Pam I think you might have wandered a little pasture pay grade she has a piece of paper she slides it forward that's a warrant from director Marshall granting me unrestricted access to all personnel and materials associated with treadstone have it rocked in trying to hide it and what are we looking for I

42:44 want to know about treadstone to know about it it was a kill Squad black on black closed down two years ago nobody wants to know about treadstone not around here you better take this back to Marty and make sure he knows what you're doing he does I've been down to the archives I have the files Ward exterior Bay of Naples late afternoon a hardworking port a big Mediterranean Ferry coming in Naples fairy born at the rail Unchained from India staring ahead as Europe Looms exterior fairy dock late afternoon born dis disembarking to an immigration queue looking unremarkable just one of many passing through interior CIA interview room day as they were Abbott watching Pamela pull a photo from her file sliding it over Conlin's face peering back let's talk about me you on my desk is that it I want to know what happened what happened Jason Bourne happened you got the files then let's cut the crap it went wrong conin and

44:06 those guys wound up so tight they were bound to snap borne was his number one guy went to work screwed the op and never came back Concklin couldn't fix it couldn't find borne couldn't adjust it all went sideways finally there were no options left so you had Conlin killed I mean if we're cutting the crap I've given 30 years and two marriages on this agency I've shovel [ __ ] on four continents I'm due to retire next year and believe me I need my pension but if you think I'm going to sit here and let you dangle me with this you can go to hell Marshall 2 it had to be done and born where is he now dead in a ditch drunk on a bar and madesu who knows I think I do we had a deal going down in Berlin last week during the buy both our field agent and the seller were killed we pulled a fingerprint from a timing charge that didn't go off they were killed by Jason Bourne abot hesitates blindsided what a

45:22 courtesy knock at the door they're ready for upstairs interior faery building Customs Hall Sunset now at the immigration office Bourne hands over an old blue passport it reads Jason Bourne what's he up to is he giving up where are you coming from Mr B Tigers the officer runs a code on the passport through the scanner interior interpole monitoring Station Madrid sunset a tech turns as a computer alarm begins an incessant beeping the screen as Jason Bourne's passport data begin scrolling through a sleeper waking up on the grid then his photo bookstation as an interpole supervisor leans in over the Tech's shoulder to see what's up after beat the tech begins typing and hits send interior CIA relay station B Maryland day crew cut turns from his monitor to his own Superior as at the same time in the inside of the fairy building Customs Hall looking at from his computer the immigration officer

46:35 gestures born to one side sir would it be so gu us to step over here please um sure the immigration officer comes out of his Booth as a car carabineer cariban joined him and they escort borne to a small room with theide the Customs

47:07 Hall oh please wait in here borne scans the hall as he walks and enters the room 7 years ago $12 million was stolen from a CIA account borne takes a seat the carabin guards the room interor C a situation room day same table more faces Marshall back in the throne abot three CIA mandarins plus their number twos and in Warsaw this is click a photo the man killed in Berlin fills a projection screen behind her click the crime scene photo of a dead body click heo oil logo Ivan MV senior Financial Manager worked for one of the new Russian petroleum companies Picos oil he claimed to know where the money landed we believe this could have only happened with help from someone inside the agency and this click Conklin's photo this is Conklin's computer click photocopy of a banking contract at the time of his death Conlin was sitting on a personal account in the amount of $760,000 do you know what his budget was excuse

48:38 me we were throwing money at him throwing it at him and asking him to keep it dark may I finish Conlin might have been a nut but he wasn't a mole you have me his calendar for a couple of days I'll prove he killed Lincoln this is supposed to be definitive what's definitive is that I just lost two people in Berlin so what's your theory Conlin's reaching out from the grave to protect his good name the man is dead no one's dist no one's disturbing that Ward for Christ's sake Marty you knew cockland does this scan I mean at all Marshall signals are quiet okay cut the chase Pam what are you stealing selling I think that borne and Conlin were in business that borne is still involved and that whatever information I was going to buy in Berlin it was big enough to make borne come out from wherever he's been hiding to kill again how's that scam as the mandarins all start talking at once zor ENT stands at the head of the table tries to

49:59 get their attention hey look you're not going to believe this but Jason borne's passport just came up on the grid in Naples AB it blinks what exterior fairy building Customs H Night nans American a junior CIA field officer walking from the parking lot talking on his cell phone what can I do I can't I'll call you when I know what I me I don't know some guy's name came up on the computer so start without me if I can get there I will later neevan hangs up and pocks the phone he hustles toward the building interior Situation Room day the room is jumping agents tracking working the phones and computers Pamela giving orders Abbot watches AB are you there oh yes yes yes oh looks like he's been the uh the who's going us uh there's only consult consulate uh they send a field officer about half an hour ago then get a number they need to know who they're dealing with Cronin already on it into your fairy

51:29 building holding room Sunset as Nevin flashes his credentials to the Carabiner at the door who gives an unimpressed shrug and lets him in nans takes his Overcoat off tosses it on the empty chair we see a big ass 45 for just a second under his suit jacket all right Mr Bourne is that your name name's Lans I'm with the US Consulate can I see your passport Bourne silent hands over his passport so Mr Bourne nean studes borne's passport what are you doing in Tangers silence are you traveling alone borne stares Straight Ahead neevan comes around the table and sits in front of Bourne look I don't know what you've done but you're going to need playball here neevan cell starts the ring he shrugs an apolog turns away and answers nans this is Pamela Landy a CI supervisor calling from Langley Virginia are you with a Jason Bourne now yes interior CA Situation Room day Pamela on the phone then use Extreme Caution he

52:45 can be very unpredictable and violent use whatever means necessary to Interior fairy building holding room Sunset whatever nans is being told it's concerning borne watching him knows exactly what this is close on nans as he steps away listening intently his hand just starting to move toward his shoulder holster okay I'll call you right back Nevan flips shuts his phone he reaches for his gun even even as he turns and borne is right there in his face momentum and gravity reaching mutual agreement as nans hits the deck the cabiner barely clears his Hol before Chop Chop borne has him down in a heap borne is back silent and effective finding nevan's cell phone borne reaches into his bag he holds the phone next to a larger diagnostic mobile unit the confirm light blinks nevan's phone has been cloned borne puts a phone back in nevan's coat takes his gun and the caber's gun and radio and puts them in

53:51 his duffel we're starting to realize there's a plan at work here finally borne exit a door wedging a desk under the handle so it cannot be opened from the inside and calmly walks away like nothing ever happened exterior Naples fairy building night and now we see the old born in his Long Black Coat purposely striding out of the building he pauses long enough for the security camera to get a good look at him the Ronin returns exterior Naples fairy parking lot night borne crosses the street and approaches a man putting a suitcase in the trunk of a green poo borne reaches into his bag and pulls out some cash interior fairy security holding room night Nevan stirring in the cabiner still out a phone starts to ring nevan's phone finally sitting up he answers hello interior CIA Situation Room day Pamela on the other end of the line Mr nans who's this Landy again where do we stand interior fairy security holding

55:04 room night nans barely knows where he is X napl Street night borne sits in the dark car headphones a cool a nest of cool gadgetry on the passenger seat listening in recording he writes Pamela Landy and circles it I think I think he got away Pamela looks the face as waiting on the table shakes her head no have you locked down the area uh we're in Italy they don't exactly lock down real quick intercut between Bor and nans and Pam how long have you worked for the agency me four years if you ever want to make it to five you're going to listen to me real close Jason Bourne is armed and ex extremely dangerous a week ago he assassinated two men in Berlin one of them was a highly experienced field officer we're totally unborn at this point sitting there in the dark car struggling to make sense of this what the [ __ ] is she talking about Berlin he writes it circles it I want that area secured I want any evidence secured and

56:20 I want it done now is that clear yes sir ma'am I'm getting on a plane to in 45 minutes which means you are going to call me back in 30 and when I ask you where my where we stand I had better be impressed my mobile number is Bor ready turn the key in the ignition The fugo Roaring to life as he writes a number dropping the car on gear Boren pulls briskly away from the curb interior CIA Situation Room day Pamela finishes hangs up for Linn I've already got a team there I doubt porns in Naples to settle down and raise a family you don't know what you're getting into here and you do from the moment he left treadstone he has killed and eluded every person that you send to find him before I can come to close enough I want both of you on that plane and we are all of us going to do what we were either to too lazy or two or inert inert two at at the last time around you're going to find this sish [ __ ] and take him down before he

57:47 destroys any more of this agency is that defined enough for you Abbott nods showing a look with Pamela as we on the interior CA headquarters hallway see Pamela and Cronin come screaming around a corner and down a long Corridor Abbott and zorin trying to keep up Ro you opening all the Wi-Fi and sat links up link all relevant files to Kim and I want them to contact anyone who had anything to do with treadstone saurin looks to evot as a disappear around a corner exterior of the autostrada night the PUO speeding North North toward Germany and the interior of boren's Pou night Boren driving listening to a playback of Pamela's conversation with nans Jason Bourne is armed and extremely dangerous borne's face eyes tight looking weird a week ago he assassinated two men in Lin one a highly suddenly flashback A Shard pieces lightning flash of images getting in the back of a car rolling Brandenburg Berlin mirror the television

59:09 Tower the driver looks back we see him we'll know him later as jarda then a steel case on the back seat inside syringe a dark vile a pistol as lay his hands on him back to BN out of it jolted almost losing control of the car for a second jerking back into the lane recognition toughing it out Steady As She Goes catching his rhythm again accelerating and interior Bakery PTO Bell Road day a bakery in the corner Nikki emerging Nikki from the old days suddenly as she stops Abbott stands there beside a parked car the passenger door open message clear get the F in interior US Air Force Base England inside a hanger inside an office abot watching as Cronin questions Nikki Pamela sits on a window sill and cons let's see um AB notar um Jackson can you take action descriptions in the scene with Nikki so your B out the time was what that I was an American student in Paris what what exactly did your job

1:00:27 with dreadstone B consist of Nikki looks to Abbott he nods that it's okay to answer Pamela belittles and checks off have the check I had two responsibilities one was to coordinate logistical operations the other was to monitor the health of the agents to make sure they up to date with their medications house meaning what their mental health because of what they'd been through they were prone to a variety of problems what kind of problems depression anger compulsive behaviors they had physical symptoms headaches of sensitivity Delight Amnesia before this before born no Nikki gets agitated Abid steps in Far farly good cop were you familiar with the training program the details no I mean I was told it was voluntary I don't know if that's true or not but that's what I was told look they took vulnerable subjects okay you mix that with the right pharmacology and some serious behavior modification and I

1:01:54 don't know I mean I guess anything's possible zor arrives from outside the Jet's ready there's a car for you everyone moving everybody moving Nikki relieved she's off the hook she thinks she becomes aware of Pamela's consideration uh considering good luck you were his local contact you were with him the night Conlin died you're coming with us exterior private jet dusk streaks ac across the sky interior private jet night quiet in the cabin avoc gets up to uh to use the bathroom hamela sits across from Nikki who stares out the window as the bathroom door clicks shut ham uh sizes the privacy ceases I'm curious about Bourne your interpretation of his condition you have specific training in the identification and diagnosis of psychological conditions am I a doctor no but are you an expert in Amnesia look what do you want me to say I was there I believed him believed what I believed Jason borne had suffered a

1:03:25 severe traumatic breakdown so he fooled you oh if you say so not good enough you're the person who floated this Amnesia story ever feel sorry for him for what he'd been through you're making it out like we're friends here or something I met him alone twice you felt nothing no spark I mean two young people in Paris dangerous missions life and death you mean did I want a date did you these were Killers conin had them all jacked up they were doberman's well some women like doberman's oh what do you want from me I was reassigned I'm out see there's a problem for me Nikki uh whatever he's doing we need to end it this isn't the kind of mess you walk away from Pam leans away Nikki looks back out the window all right I'll take it back exterior tarmac Berlin airport night 3 in the morning as the G stream lurches to a stop two black sedans here for the pickup Teddy the greeting party as Pamela Cronin Abbott zor and Nikki

1:04:45 disembark exterior Berlin Street night the sedans making their way stopping at a non-descript office building interior Berlin Berlin HQ command post night the elevator opens into their ninth floor World emergency activity Kim ready to debrief Kurt works the computers energy up Pamela Abbott and Cronin bring Nikki into the room so far borne had no contact with anyone on the list langly pulled an image out of Napa it's uploading right now com in coming in now everything stops as the photo blurry oblique begins materializing on half a dozen monitors around the room suddenly they're surrounded by borne is it him looking closer she nods it's not hiding that's for sure why Naples why now Pamela's gone quiet just staring at the picture as could be random maybe his running ABA looks skeptical on his own passport what's he actually doing what's it doing he's making his first mistake and then from behind them

1:06:12 it's not a mistake they don't make mistakes and they don't do random there's always an objective always a Target if he's in Naples on his own past Port there's a reason Pamela turns to Abbot a silent moment between them they're in it now and they know it Italian Mountain Highway night the Pugo streaking through the Alps passing a sign for the German border moonlit glacial Peaks whipping past as the club music starts pulsing louder and louder and interior the PUO night born driving hard pushing the car through the night Mission born as a music he's just building and building taking us into the interior of a Moscow Nightclub at night packed and Loud skin and smoke ad dormant on the Move taking us with him through the crowd faces voices all the mosco party people and at the back a VIP Booth cill simply shitfaced but in a really creepy numb kind of way three women absolutely gorgeous are sitting

1:07:24 around him chatting away as if he weren't even there the girl is looking up to see uh dorant is that sorry that was me I was muted I didn't realize it Danny walk Carill stirs his stuper a futile attempt to escape eyes still those of an exceptionally hard man a minute later Krill canw walk the most graceful drunk you've ever seen making his way through the club tuning out everything but the need to get to the door and exterior Moscow nightclub day yes day it's 900 a.m. cill suddenly in the sunlight people going to work kids off to school and gret COV sitting in his Mercedes not happy follow the car and security assistant follow car and security and assistant equally unhappy you told me Jason Bourne was dead de Krill blinking against the sunlight trying to process exterior Anonymous Munich neighborhood day discreet and chilly a car pulls up a man gets out Munich we don't see his face as he heads in

1:08:43 interior jer's house foyer kitchen day the man enters his alarm system beep beep starts once he comes through the door there's a keypad on the wall he his coat and the beeping stops just like every day it's a sad house he hangs his coat on the rack moving now into the kitchen he drops his briefcase on the table opens a fridge for a drink except what it comes out with is a gun Wheeling around the salary man is jarda jarda from borne's dream but as he turns borne behind him bigger gun waiting so ready I imped it felt the Delight drop it Jord lets the gun fall looking his old comrade over a beat but borne's not interested in a reunion here borne tosses him Flex cuffs J puts his hands behind his back turns the Lorne clinch them front up your teeth sorry I W have it borne kicks over a chair sit work work in the eer was you lost your memory born checking JIS briefcase tearing through it you still should have

1:10:16 moved I like it here last time I saw you was Grease you had a good spot born reacts doesn't look over but realizes I had the G I had lined up that whole afternoon waiting for you that was a problem you ever the two Targets but star Boren turns cold so why didn't you kill me then she wouldn't let me she's the only reason you're alive silence Jed pig or two what do you want cockin is dead Bor the gun right to J's face dry again saw dead embarrass dead the night you walked out then who runs headstone treadstone nobody they shut it down with the last St it's over not finishing because he's falling landing hard borne just kicked the chair out from under him you're lying if it was over why are they after me um I don't know who sent you to Greece a voice a voice from the states someone new Pamela Landy I don't know who that is what's going on in Berlin I don't know why we lie silence borne pulls back un sure J

1:12:26 makes it to his feet what the hell did you do you must have really screwed up bne doesn't know he backs off she really did that told you not to kill me I had a woman once but after all after a while what do you talk about I mean for us the work you can't tell them who you are I did I did J hesitates it's really like borne just told him how much he loved her what you here to kill me something in the way he said it plus just glanc at his watch what did you do what were what did you do J shrugs almost embarrassed borne looks across to the alarm pad J to hit on the way in F voltage like a switch you called it in I'm Sor how long how long do I have stopping because the phone just started ringing loud insistent how long interior the dod rapid card day jamming right the [ __ ] into it three guys jarheads DOD special force dudes speeding through Munich jar number one is the driver J number two is

1:13:56 prepping weapons like a maniac in the back seat and jar number three is that me no it's me it's the red flag no fixer call them back says what what they do she called Munich local it's probably just another drill anyway interior J's house kitchen day phone ring jarda and cuffs Bor scanning out the windows everything fast Mar keys my coats but we should what take the back get another car bne hesitates just a moment wrong slam out of nowhere Jaris swings two hands still cuffed like a mace catching borne hard and borne stunned Jara smashing the coffee table slices the flex cffs through a sh of glass free jarda follows up knee up in the ribs the gun knocked free from borne's hand skittering across the floor Lauren as J starts to move backhanding him and exterior Munich Street day two Munich patrol cars rolling and inside the kitchen seen from inside glimps through the glass outside it's War a Flatout

1:15:16 Close Quarter Death Match jarda older and cuffed but strong and determined borne still hammered from that opening Sucker Punch the two of them brace there grappling falling jarda the Cuffs he's got borne in a choke hold but borne driving his head back into jordis face and inside the dod rapid car day jamming along through Munich then back to jordis Kitchen day jarda borne the gun on the floor struggling for it Jara there first borne on him pin there four hands one gun and blam wild shot into the refrigerator still wrestling breaking Jaris nose until the gun knocked away again finally their hands locked into each other's throats this is as real and up close as it gets until borne finally holds dead weight eyes fixed staring borne jumping back blood all over his shirt born's first kill in a long time a messy one revulsion interior Dodd rapid car day the jarheads getting close but up ahead another Munich patrol car in

1:16:24 motion the jarheads react don't need or want the company interior Jar's kitchen day borne all business now pulling the stove away from the wall there the gas line hose borne ripping it free gas running wide open into the room next a fork grabbing it jamming it down into the mechanism on a toaster wedging it there and now he's grabbing papers Jared his stuff on the table jamming a roll of sales Productions into the toaster beside the fork thorn coughing from the gas turning the toaster on checking his watch taking one last look at J of dead on the floor and interior DOD rapid car day they're just turning into the street Jaris Street day the dod car three doodes approaching the house when boom jardis kitchen blown out gone exteror D's back door day born at the same moment flying out the re as planned uran in backyard xville he's flying and gone the exterior Jar's house day fire smoke oh it's all

1:17:33 burning now Mina cops blown back they'll have a story to tell tonight in tear born's car day drives away a past the arriving police interior ber Berlin HQ command post night the bullpen is cranking phones to Munich lines Langley abot watching from the sidelines Curt Kim with their workstations Pamela on mobile turns to Abbot so he beats a man within an inch of his life strangles him and then blows the place up for someone with amnesia he certainly hasn't forgotten how to kill has he across the room Cronin and Teddy suddenly excited about what they're seeing on their screen Yar hey hey hey they got box in everyone rushing the excited except oh forget it they lost him what are you talking about they've got a three blockers perimeter oh you can't see him he's not in front of you forget it he's gone it's not g to be like last time you better start listening to someone cuz we've been there okay enough

1:18:56 take a walk Danny get some air zor NOS happy to I don't think we need to keep looking for him anyway and why is that because he's doing what he just said he' do he's coming for us and for the first time they're all thinking the same thing um I think this is where we should take an intermission real quick okay sounds good so five minutes um let's see it is 28 after the hour so be back in let's see what is that 33 83 I would back by 18

1:19:53 okay e e e e e e e e e e e all right let me know when you're all back I apologize for not being able to say tons certain words I'm like really trying on these ones and I'm like what am I looking at okay I had that one Italian word for the Italian police and I'm like I have no idea how to pronounce that much less the name of that car that starts to pee some of these ones tricky just staring at it like what in the world well and of course when they run five words together yeah son of a [ __ ] I was not I felt so silly after that when Aubrey said it I was like sorry about that wait what Aubrey said what you were talking about when you had words run all together I was a son of a [ __ ] yeah yeah so confused I was like what in the world is this word so avisar when you get back let me know so the last half we're into act kind of into the arbitrary act four and five here and since everybody has a ton

1:27:08 of lines I figured we would just each take a turn reading one page reactions descriptions at a time okay um aisar in that order avisar Aubrey Vicky cat Jackson um but if you're in a major scene feel free to say pass we'll just skip to the next person so because I know there's a few characters that have some big scenes together so so I'm after Aubrey um yep sorry yeah but um we have to be here on abcar so explain that one more time it's actually going a little faster than I thought it would be all the with all the actions and descriptions yeah it's a long it's a long script though it is it's 122 pages about just under halfway through I think we're on page 54 here so I mean it's going by really fast that's not what I mean by that I just it's like wow I mean it's a lot of descriptions probably what the scripts I've seen the most descriptions of the scripts I've seen scen yeah yeah it's what I think like we

1:28:26 would have gotten if we got like a the uh Avengers MH like we had a decent amount of that one I think we sused out of being not a real yeah yeah have any of the alternative scenes or anything like that yeah yeah this one definitely has drafts so oh yeah this one definitely is a definitely is like I think a legit script just like I I saw with the nevering story one all I saw was just it was dialogue I was like Yep this was definitely a someone just did all the the dialogue not necessarily like the actual script oh yeah I looked really hard for the actual script on that one but they have them like at auctions for hundreds of dollars apparently oh my goodness ah signed copies and such oh I see craziness I mean I'll be right back just a second I'm opening up my door it's just too hot in here um for the last half of the script we're going to be since there's so many different scenes with everybody in them

1:29:34 we're going to be trading off actions and descriptions so we're each going to read one page at a time and then pass the next person so you're going to be first and then you'll after Jackson reads and you get to read again does that make sense so we'll go you Aubrey Vicky me and Jackson and just keep going on and on did you get that

1:30:06 avisar yes no maybe okay know I think I think they're trying to mute yes oh [ __ ] I'm so stupid I was muted yeah why not responding am I mut it's all good okay yeah I was I was uh trying to ask which line am I supposed to carry accents and descriptions from um so we're going to start with um the hotel here inter your hotel Breer um which is that and then we continue on through the next page here so every time you see a page number we'll switch to the next person unless unless you're in a major scene in which case you can just not read them for that scene we'll just pass we'll see how that works anyways it's an experiment we'll see so if you want to go and start reading this last section here and then all of page 54 then we'll switch to Aubrey at page 55 oh okay good so salv start yeah yes interior the audio stop night bones eyes opening heart bound in springing up alone D his side hurts recoiling from

1:31:29 that where is he he's in the car looking around and his wind sealed po an autoban rest stop gas station sleeping trucks back to Bone catching his breath sifting away from his from the pain in his rib checking his watch but what the hell is that on his sleeve pocket's blood J's blood exterior out of an rest stop night born out of the car fast careless wrong not even checking who's watching pulling off the shirt tearing it off throwing it down and standing there in the weird light a big bruise ripening on his side looking around it's okay nobody's watching but [ __ ] man get it together interior ped how do you pronounce it P Pate Pate aan night streaking alone born back to his M missing exterior autovan night roaring by a shine bin 75 km interior MOS airport night K striking through the terminal moving quickly toward the departure gate and the camera finds get go a w Wasing him cool exterior Berlin train station Dawn

1:32:59 Bourne drives up interior Berlin train train station Dawn quiet and for laor this early just like Bourne who's taking a locker stashing a backpack prepping the Evac always ready he heads outside we hear B Hilton how can I help you I'm trying to reach a guest Pamela Landy please I'm sorry but I'm not showing that we have a guest by that name oh interior Berlin train station phone kiosk Dawn borne tucked in with a Berlin guide book a felt tip pen and a 50 phone card working it Pamela Landy please I'm sorry I don't see it here Crossing out another hotel off the list four down 40 to go as we start time cutting and no one here by that name no sir there's no Landing here how are you spelling that sir oh sorry but no I have no Landing registered sir continuing until interior Pamela's Hilton hotel suite Dawn clean and plain a bed nobody slept in the phone begins ringing Pamela fresh from the shower rushing up out

1:34:23 from the bathroom to answer it hello dial tone Pamela hangs up that was strange exterior Berlin streets Alexander plats Dawn a taxi driving through the empty early streets and interior Berlin taxi Dawn born in the back seat staring out the window and his POV uh the F storm looming as they pass the Berlin TV Tower that needle in sky from the flashback and then suddenly flashback it's raining we're still moving still in a car still near Alexander plots but suddenly it's pouring outside turning back we realized we're not in the cab anymore there's a driver up front beside him Conklin yes Conklin he's in the passenger seat turning back to us handling handing us something a photograph a face some guy n Vlad nki he's at the hostel bler get the papers say it born treadstone born alone in the back staring at the photo NY Hotel break papers this is not the drill Soldier we're clear on that this is a live

1:35:47 project and you are go training is over yes sir good then give me the damn picture back see you on the other side pull over he's getting out back to Bourne sitting on the back seat of the cab Frozen there rocked what's happening to him no chance to work it out because the taxi stopped and the hotel breaker or the Grands make up your mind what this is the Western girl rant to the said record yeah sorry this is good interior Berlin Weston Grand hotel lobby early morning concentric rins look down on each other born slipping in unnoticed taking a quick look up before moving along Interior Health Club Grand Hotel day born stepping up to the guy behind the desk the gym mostly empty hey I think I left my backpack here yesterday black Nik the guy disappears in back to check borne leans across the counter scrolling the computer the guest list his finger stabbing down on the screen Landy Pamela room

1:37:14 413 borne clears the screen and walks away interior concentric Rings Grand Hotel day because of the setup borne pretending to talk on a house phone has a view of room 413 across the way the door opens Pamela exits carrying an overnight bag born watches interior Lobby the Grand Day the elevator doors opening Pamela coming out into the lobby heading toward the exit and exterior Grand hotel entrance early morning a black Suburban at the curb Cronin standing there waiting as she emerges anything no mik's a bust he's loose are we locked

1:38:01 up Cronin set avisar abcar are you there all right I'll take it I told everyone they had an hour eat sleep shave whatever they want but once we're back we're back for good as they Pile in and the camera finds Bourne walking right past them he's got the whole thing scoped heading quickly across the street and switch to Jackson uh exterior built-on Hotel taxi stand early morning born borne jumps into the first Cab in the rank and interior Berlin taxi 2 early morning the driver starting up the car as that black SUV 50 if you can keep me close the driver smiles and interior Berlin airport hotel early morning Carill walks down the same hallway gre gre cve comes to meet him last time came to meet him last time a guy carrying a briefcase towards him stopping for a moment to light a smoke letting Carill take CH uh take chain uh charge of the briefcase smooth like it never happened exterior Berlin HQ command post

1:39:50 day the SUV rolling up the cab continuing to pass and uh pass and stop stopping at the curb interor cab day borne looking back out of the rear window his p uh point of view as they pile out the van starts inside uh acknowledged by a security detail uh pretending to loyer outside as we hear Munich to Berlin check everything flights trains police reports and that'll be box number one and Teddy that's yours abcar are you there oh yes I'm my yep so inter Berlin hotel room day kill opening opening the briefcase to automatic pistols silencers ammo ear package exterior burin rooftop day a bulkhead opening bnes stepping out among satellite dises unpacks a bag telescope water food and we here and box number two call it prior German connections Nikki I want to rerun all born's treadstone material every footstep and Kim box number three let's call it munic outbound interor Berlin headquarters command post

1:41:35 day we have been hearing it now we are seeing it pamila at the chalkboard abot backing her up every everyone else spread around their regroup regrouping urgently behind them CS are being set up food water just stacked up let's stay on the local cops we need a vehicle parking ticket oh something Langley's offered to upload any satellite imaging we need Al so let's find a Target to look for on Danny box number four I need fresh eyes review the buy where we lost the 3 million timeline it with what we know about borne's movements turn it upside down and see how it looks exteror d scopic day a decent view into the P headquarters two windows one offers a look at an empty kitchenet the other a knife shot of the bull Bullpen area it looks like they're in for the Long Hall this steady patient past a glimpse of Johan conferring with Abott now Kim talking to the phone exterior Berlin rooftop day born

1:42:51 eyes locked on the target standing waiting and then something changes suddenly there's something down there and that's clearly a great detail a great deal more electric than what he's seen so far telescopic POV Nikki she's just come into the kitchenette pouring herself a cup of coffee Nikki who he knows and foror lowering the telescope yes now he's getting somewhere thinking it through as and here kitchenette Berlin HQ Command Post St Nikki is joined by Pamela who goes for the coffee is it fresh it's got caffeine in it it's all I know before Pamela can her s and Rings she answers I'm Pamela Landy I was at the Western this morning I could have killed you who is this top it's me war Nikki reacts to the name oh sorry go ahead Vicki my fault okay Nikki reacts to the name runs to the other room to try and start a trace what do you want I want to come in he wants to come in it's like a bomb going off Nikki back in with

1:44:09 Conlin and Pamela waving for a pencil okay uh how do you want to do it I want someone I know to take me in who there was a girl embarrass part of the program she used to handle the medication and now we stay with Pamela her eyes flicker over to Nikki uh what if we can't find her it's easy she's standing right in front of you busted okay Jason your move alexand Alexander Palace 30 minutes under the world clock alone give me her her phone your phone click the line goes dead Pamela steps away from the window realizing he's on one of the roofs out there exterior Berlin rooftop day as a bulkhead door swings in the wind born is gone interior Bullpen berin HQ command post day everyone gathered a big detailed map of Alexander plats spread on the table here's the clock [ __ ] he's put her in the middle of everything it's a nightmare we will never get to covered call him Mayday into Berlin Station we need snipers DOD

1:45:35 whatever they got snipers hold on he said he wants to come in my ass he does your plan's fire Pamela Marshall said nail him to the wall I don't know how you interpreted that but I don't think he meant repatriate him sorry repatriate repatriate okay don't you want answers there are no answers it's either Jason born alive or Jason born dead and I for one prefer the latter and what about her you just sent her out to this lunatic with no protection Pamela looks to Nikki what do you think is he coming in I don't know he was sick he wanted out I believed him all right um Jackson That's you for Andy hamla uh gestures to AV it Cronin and Teddy make the call get a wire on her if it starts to go wrong I'll take him out exterior Berlin Berlin Station uh monopole day the rear of the official Berlin CIA head HQ and here they are here they come 10 uh detail dudes in civilized Spirit spiriting to a couple

1:47:14 vehicles with drivers ready and engines running and interior Bullpen Berlin HQ command post day Nikki hands her over overhead hands overhead as zor tapes a transmitter and Battery between her shoulder blades Teddy and Cronin locked the area with two men uh plain coated detail team Kim and Kurt on the uh on the Their Own Line they got the number born calls uh calls come from nevan's phone a field agent in gono nans is borne are you an idiot borne must have cloned his phone an embarrassing silence uh Abbot a mad at himself for losing his ER looking up to find Pamela's eyes on him I hope you know what you're doing abar your turn abar all right there's oh yeah Alexandria day in all its vastness alone there's the world clock Nikki waiting on the periphery to plain cloth Deltas nearby in quick succession Nikki binocular POV sniper scope POV on a video morning video monitor interior Bullpen command post day everyone

1:49:10 waiting holding their breath watching Nikki standing as exterior Alexander PL world clock the Nikki P's form Wings see answers as a yellow tram approaches uh see that tram coming around the corner yes get on it sit turns and works as the tra arrives the Delta dudes starts moving exio Alexander plats day the yellow tram arrives Nikki enters one of the big one of the Delta dudes just barely joining her the tra begins moving Nikki looks around nervously nothing happens the tra moves about 500 yards across the plats stops at the next stop people get on and off Nikki and Delta dude relax a bit doors begin to close and just like that Boren soups and beside Nikki and flashes a gun walk B her arm and they just get off at the door is closed leaving the Delta dude behind disappear down into The Pedestrian Subway interior Bullpen Berlin HQ day a mad house a video feed on a monitor where's Nikki as they

1:50:38 realize she's gone God damn it I told you listen listen he cranks the speecher the Speer he cranks the speaker what did I say what did I tell you in Paris interior pedestrian Subway day what were my words leave me alone leave me out of it but you couldn't do that could you I did Jason I swear I did I told them I told them I believed you who's Pamela Landy you hear me I believed you is she running tedstone interior Bullpen Berlin headquarters Pamela all ears she's CIA Counter Intelligence she's a deputy director what the hell is she doing interior pedestrian Subway what she's doing Nikki looks at him like he's crazy why is she trying to kill me I know they know you were here they know you killed those two guys they know you and Conlin had something on the side they don't know what it is but they know as Bourne tries to process interior Bullpen Berlin headquarters radio chatter going wild

1:52:13 Panic where are they anyone interior pedestrian Subway day still walking born knowing he must be driving driving them nuts how do they know that how can they know anything of that what is this a game I want to hear it from you she looks at him is he crazy what say it last week an agency field officer went to make a buy from a Russian national a Russian it was Pamela Landry's op the guy was going to sell out a mole or something I I haven't been debriefed on exactly what it was last week when she's supposed to answer Nikki shrugs on quick stand and you got to him before we could I'll kill him I killed him you left a print there was Kell that didn't go off there was a partial print they trace it back to treadstone they know it's you I left a fingerprint you [ __ ] people suddenly borne's jerking her down to a lower level interior it's me right interior Bullpen Berlin HQ day big static of the speakers

1:53:45 Delta Co coolly checks the map see must be and one of The Pedestrian tels exterior Alexander plots day as Delta dude fans out here a Subway entrance interior pedestrian sub uh Subway section two day an intersection of three tunnels born leads Nikki far left she looks really scared interior SL exterior Berlin airport day uh get getov has landed just coming off the flight interior pedest pedestrian Subway section 4 day what was Landy buying what kind of files what was she buying Conlin stuff on Conlin suddenly he rips the microphone out from under her shirt he knows of course drops it and as he Yanks her along switching abar your turn oh interior bpen Berlin headquarters State as a transmission goes dead Christ about drills a look at pamila your fault that phone was a locator on it Kurt and Kim work their stuff interior parking garage day gloomy deserted a mum here come Nikki and Burne SOS is on her own now B dead

1:55:44 serious looks at his watch why are you here then please I'm only here because of Paris because they can't figure out what you're doing I'm here because of Abbott Abbot he closed down treadstone he he took care of me after Paris so when was I here what do you mean for tedstone in Berlin you know my file I did a job here when no you you never worked Berlin my first job your first assignment was Geneva that's a lie you never worked Berlin born raising the gun eyes gone dead oh [ __ ] no Jason please I was here it's not in a file I swear I know your file your first job was Geneva I swear to God you never worked here he's so ready to kill her Nikki starting to cry hands over her face covering up bracing for the bullet knows was coming borne about to pull the trigger suddenly flashback a moment A Shard a woman's face backing away begging begging us begging the camera begging for her life in Russian this

1:57:21 awful blur of des spiration and panic fear too fast to panic J back to borne swamped thrown hesitating closing close on Nikki sobbing now when fin looking out and borne is gone into your Berlin HQ command post night an hour later a whole new Vibe Siege mode curtains drawn three Delta dudes parked around the room curtain Kim working on the phones and screens sorry the mood is dark Pamela Abbott a little too far Cronin all in here the safe Zone away from the windows got it yeah hang on okay okay they they've got three guns out front and another two talking The Back Stairs no word on Nikki even if she's if she even if she's still there uh she still got your phone it might take a while signals hard to trace down

1:58:38 there I think that's so you Vicki oh Pamela turns looking at the photo of born in Naples introspective so what's he doing you believe him sorry I realize I was muted it's hard to swallow the confusion the Amnesia but he keeps on killing it's more calculated than sick what about Nicki she's the last one to see born in Paris she's the one he asks for they disappear well whatever he's doing I've had enough I mean this is now a search and destroy mission I want the Berlin Police fully briefed and get this out to all the agencies yeah Abott agrees exterior Berlin Street night a BMW parked in the shadows interior BMW night cill wearing headphones listening to a Berlin police frequency there's an interpole wanted picture of Jason borne there on the seat he's in play interior Berlin HQ command post night quiet intense AC activity military radio chirpping here and there the camera finds zor moving through the

1:59:57 bullpen carrying a cup of coffee heading back toward Pamela's office where Abbot is leaning in the doorway past him we can see Pamela in the midst of a tough phone conversation Cronin and the Delta boss sitting there with her sir oh thanks Abbot nods takes a sip looking be I have that number you wanted Ott hesitates but only for a moment he never asked for a number but he's playing alone looks satisfied as sauren hands us the paper she says what time should I call the sooner the better EV nods pockets of paper turning back as if it were nothing an interior Berlin cyber cafe night massive modern busy born in the back in a corner jackon doing a search uh search hotel breaker 1997 to 1999 scrolling and then stopped stopping freezing because on the mon uh monitor a Berlin newspaper archive there there it is written large in loud Tabo German oil reform murdered reformer there's a photograph of a

2:01:27 Berlin Police carrying two dead body bags out of AO uh of the hotel breaker breaker there's a a captain identifying the dead bodies as Vladimir and Sona nki there's even a long article uh accom Acom whatever all this but is in German and we don't need to read it anyways because Bor born is reading it and we're reading it uh we're reading in his face that he is rocked that he has found another bottom to the abyss interior SL exterior glass office building night remember the building where Vic was killed we're back zor and Abbot making their ways in zor steering them away towards the star stero at the back interior glass office building electrical closet night Zoran Abbot has snuck in here work light sign of repair on the wall I did my work box work but I wanted to show you before I showed Landy I came out here last night because none of this was making any sense I mean I'm with you on this Conlin was a nut but a

2:03:14 traiter I I just can't get there what do you have Danny well you put a four damn k on here and it's going to take out power to the building you know that what you can't know is if it's going to blow the room with it and there were two charges they were supposed to go off simultaneously the second one the one that didn't go off was down here and first of all this is nothing it's a subline for the breaker above and second why put the charge all the way down here if you're good enough to get in here and handle the gear you're good enough to know you don't need this born with no it was staged is it a slam dunk no but Jesus okay um what if someone decided to cover their tracks by blaming Conlin and Bourne and and what if Bourne didn't have anything to do with this keep going something's been going on here in Europe and it's still going on post Conlin who's who's been in Berlin lots of people including

2:04:39 Landy she had access to the archives oh that's my life hesitates but it's out it's in the room who else knows about this nobody well you I had to tell you right show me again okay Abbot out of nowhere his hand jamming into zor's R rib cage more than his hand because zor's eyes barely have a moment to register shock before they bulge clinking clenching the younger man's body pulling him close as he turns knan Zorn is dead Abbott without hesitation shifting away from the blood letting the body fall Abbott standing there listening checking himself for blood he's clean looking for a place to stash the body as exterior Hotel Breer night born across the street staring at the hotel haunted as a police siren edged closer to the empty streets flashback we are POV stake out watching the hotel across the way the POV checks its watch checks the perimeter the street deserted for boating the hotel or

2:05:54 destiny waiting up there somehow and suddenly a light comes on a terrible signal and as the car suddenly lurches forward and around the corner and back to Bourne musling up his backpack heading towards the hotel interior Hotel Breer Lobby night and hotel fussy but comfortable and busy guests and staff doing their thing a clerk behind the reception desk G Abend guten Abend can I help you suddenly flashback the lobby but seven years ago across the room a man buttoning a raincoat as he passes neski jamming back to Born stalled coming back as sir do you have a reservation no uh sorry I just got in I is room 60 uh 645 available I'll stay there before me my wife and I the clerk nods checking the register go the coner just down the desk glancing over at bne nodding hello and I sorry that the room is occupied would room 644 be okay it's just across the hall sure that's fine Dana Danka interior Hotel Breer elevator

2:07:33 night born riding up alone dread mounting an interior Hotel Breer Lobby night the conge coming out of the office with a sheet of facts paper placing it quietly down beside the clerk and the camera finds the facts borne's face the same wanted picture an interior sixth floor hallway Hotel Breer KN borne off the elevator he makes his way down his POV the sixth floor hallway suddenly scary interior BMW night Carill sitting up as a police radio starts broadcasting an all points bulletin the words Hotel Breer in there cill dropping the car into gear an interior sixth floor hallway Hotel Breer night born walking there's his room number six one8 but across the hall and one down room 645 Thorne steps up listening a moment then he knocks nothing he pulls a knife from his pocket checks the hallway he's clear wedges the blade in there and one two hop interior room 645 Hotel breaker night be B enters the

2:08:52 suite closing the door behind him the tedstone borne 7 years ago does does the same Bourne shakes off the flash looks around the lights are on an open Suitcase on the bed interior Hotel breaker Lobby night the clerk the coners and the manager are huddled in the in conversation with three Berlin cops who just arrived and trying to be discreet but they this is clearly s uh serious interior room 6:45 Hotel breaker night bjor just standing there breathing it in tedstone Bourne doing the same interior room 6:45 Hotel breaker night Bjorn with his hand on the wall as if he can feel it like it all still there heart pounding and interior Berlin hq/ cpck co uh command pick command post night chaos Bjorn being found everybody rushing in out go take the van the hotel how far uh five uh six minutes B you're here keep the C line up interior room number 645 night borne standing there looking out the window

2:10:57 the images the television Tower over the city everything but the rain exerior Hotel Breer Courtyard night the Berlin Police SWAT team truck arrives discreetly by the backloading area interior room 6:45 bedroom night born flat against the wall just as he was leaning forward to see the mirror just so and there interior room 645 FL back night a man in the mirror pacing into view neski on the phone talking in Russian it's raining borne standing there treadstone born still wet from the rain one eye in the mirror and the other on a syringe that he prepped a predator the mirror the doorbell rings neski gets off the phone born tensing new element factoring and the mirror as neski opens the door a new flood of a Russian happy it's Miss neski a surprise but he's very happy to see see her born pocketing the syringe new weapon pistol quiet methodical watching the lovers Bill and coup and the mirror Mr neski kisses her

2:12:02 takes her bag she's hanging up her coat and moving now towards the bathroom and borne checking the window the weapon his balance and the mirror Mrs ny's face right there seeing him so freaked she can't even register it yet borne with the pistol in her face finger to his lips sh but she knows backing away begging for her life in Russian this awful blur of desperation and fear Mr neski turning back to see his wife backing out of the bathroom and born with the pistol with no hesitation snap one shot into ny's heart he's down Mrs neski what's just happened borne has her wrist in his hand raising it to her head to where he holds a pistol her fingers his trigger snap letting the gun fall with her as she drops and borne starts to move starts to prep his Evac but there's something on the dresser a photograph the neski family father mother and a 12-year-old girl arms around each other happy and barn staring

2:13:15 at the picture undone for a moment hard out flashback to interior room number 645 night born are born standing where they fell Frozen there Paralyzed by the shame of original sin interior Hotel Breer Lobby night a SWAT Captain conferring discreetly with the manager he's in 618 uh call all the guests to the sixth floor tell them to remain their rooms tell them there's a police order then start on the fifth and eighth floors into room 645 night borne trying to stabilize to breathe interior the stairwell the SWAT team are on their way up inside room 645 ring ring borne snaps back as the phone in his room starts to ring four times and it stops borne freezes footsteps Shadows under the door he leans into the peephole borne's POV room 644 German SWAT team taking position inter your room 64 5 night Boren backs away surveys the room his watch his balance and outside the street outside the hotel Breer night quickly

2:14:31 turning into a major event half a dozen police vehicles already parked there more arriving each minute passer by is mixing with the cops and people from the hotel who' just come out and the camera finds Carill jogging over from the BMW he's just part and interior room 6:44 Hotel breaker night Wham the door knocked off the its hinges SWAT teams flooding into beorn Bjorn empty hotel room and interior room 645 Hotel breaker night born in motion out of the bathroom with window and interior Hotel breaker six floor hallway night Berlin SWAT leader gives orders to search other rooms and exterior Hotel breaker fake fakeid Knight borne up the pipe uh water pipe to the roof as he arrives a swap member turns born pulls him off the edge fires uh fires Point uh blank into a the second swap ember's vest stunning him moving uh he moves fast scrambling along the roof and into the night interior sixth floor hallway room 6:45 night Wham

2:16:16 the door caves in and the SWAT team move moves enters number 645 rushing to the window nobody no sign of him and exterior Street outside the hotel breaker night Krill heading for the hotel's entrance blocked by the ex exiting guests interior hotel breaker's six uh floor hallway night the too many cops and radios Au you have a line there yeah listen up we're climing the building room by room Exterior Street outside the hotel Becker night pameela jumping out of of a van the moment it stops seeing it all the crowd the army of cops the search lights playing across the hotel facade it's another disaster interior Hotel bre lobi night kill wants to get upstair he can't too many coming down the stairwell boiling cops trying keep it moving and interor hotel break a Lobby night kill here's born is on the roof interior Lobby the hotel Breer night Pamela andron in listening to Deddy who this got the Poli

2:17:54 of date black coat possibly leather dark slacks dark T-shirt oh he says they're going to try and coral the guests on the street over there and and then check them out but yeah that'll work what the hell was he doing here maybe he just needed a place to spend the night I want to look at the room check it out p and chars now they enter the elevator Exterior Street behind the hotel breaker night Bor coming around this other side of the hotel stepping to the left before his spots the SWAT Van Born about faes heads the other way a sidewalk C looks over checks the born photo print print out in his hand Exterior Street outside the hotel breaker night Teddy huddled with the hotel manager and a group of high ranking bird and cops turning back as they missed him so far but they found Nikki and she's back at the Weston Bor let her go he let her go great where's Danny he should over there and debrief

2:19:19 her where's what what's here what's he doing we don't know they're in a room upstairs I was told to wait down here abot AB accepting that because he has to only receive a fe turns to leave okay you see Danny tell him I want back to the hotel I bet sets out into the street as exterior Street near the hotel Breer night born striding away and following sidewalk caught blowing whistle fumbling for his holster borne running now slowly at firstand exterior Side Street near the hotel night now faster as if he can gauge his speed and distance exterior Side Street near the hotel night motion borne tearing away and exterior bigger Berlin Street night borne slows to a walk two patrol cars heading his way no choice there narrow passageway between two moving trolley trains and sprinting through patrol cars getting to into 180s exterior Berlin Bridge night the river spree lit by the trolley that's rambling past and the

2:20:32 running lights of a double coal barge were up the river borne runs across the bridge going as fast as he can hearing the police sirens swirling behind him when a third and fourth police car ahead borne turns hard for the stairwell jumping the walkway curb leaps up the stairs two at a time as all four four cop cars skid to a stop as doors open exterior tram platform Berlin Bridge night a tram waiting as the last few P passengers get out the doors seem to stay open in slow motion as borne appears makes a mad last Dash and he's on and the doors don't close it's not scheduled to go yet and here comes the cops borne off the tram guns appear borne runs to his left short the other cops are coming this way screaming at him not a lot of options borne looks over the rail down below a coal barge passing the prow just emerging borne on the rail and jumping even as the first shot is fired exterior deil Cole barge

2:21:39 Knight borne lands hard stands voltage going up one leg and their shooting at him he can worry about the leg later he runs back towards him the barge moving slow borne disappears under the bridge exterior BR Bridge night guns aimed police waiting for a clear shot two of them dashed to watch over the other side exterior under the bridge night countering the barge going one way boring the other dodging all the superstructure on Deck all the while keeping his cover overhead and leaping to the second barge and more of the same until borne running at a barge leaping back on the bridge Bridge footing an exterior Berlin Bridge night the police watching the barge fully emerge continuing down river shouting and German that he's either in the water or hiding on the barge off they go down the stairs leaving the passengers in the tram blinking out in shock and borne climbing back over the rail limping back

2:22:40 on a tram just before the doors close and off it goes exterior next Bridge down KN police converge from both ends bar goes under as Carill arrives at the center of the bridge missed again behind kill a train snakes off into the night interor room 645 Hotel Breer night Pamela and Cronin move into the living room a couple of cops in the hallway outside the room he checked into was across the hall why why why would he come here Pamela glances around something bothering her about this space he must have had a reason that's how they were trained uh cron moves around the bedroom then into the bedroom and he went out the window in here interior room 645 bathroom night the mirror uh there on the mirror uh screwed in soap on the glass I killed nesa neski you need to see this Pam moves in behind him who's neski both of them staring all right take it down what this stays between you and I we finally have an edge I don't want

2:24:17 to lose it exterior cathodal Plaza night why late uh very late avot Waits on the on a isolated bridge and lone figure in the shadows of East Berlin get Cove arrives by car walks through the darkness Abbot barely glazes glances over you told me borne was dead that was a mistake I'll say you killed his goddamn girlfriend instead now they're on to neski they're at the Breer Hotel even as we speak will it track back to us no files is spous whenever they find it's just going to make conin look worse and the Landy woman she's done everything I wanted she been on Conklin so fast it was laughable she even found his bogus Swiss account anything else Abott sofs a piece ofer and dress this into GRE Go's hand there's a body in the basement Danny's zor he's got to disappear for good clean and fast I put him in bed with Conlin and Bourne even the girl Nikki give me 24 hours I'll think it up but get that goddamn body out of

2:25:47 there it's getting late taxi now and then nescu is a roadblock without me there's no company no fortune you owe me Yuri one last push one last push one gret cot leaves abbit watches him go exterior Mercedes night seconds later gatov gets getting in slowly interior Mercedes nice sorry interior Mercedes KN Carill slouched him back waiting grov to the driver airport we're done here corrill nods as they pull away Abbott turns and walks into the foggy night exterior Berlin Street night late Abid walks a lonely figure past someone in the

2:26:46 shadows Mr Abbot you turns to answer when borne firmly guides him into those side street borne Abid interior Lobby Hotel Breer night as Pamela and Cronin exit the elevator they are met by Teddy here's what I've got remember Vladimir neski Russian politician seven years ago he was due to speak to a group of European oil ministers here at the hotel he never did he was murdered by who who his wife in room 645 then she shot herself all right I want you Kurt and Kim to stay on born track everything that's out there Teddy goes to get in the van Pamela follows with Cronin and I want you to go through and cross reference our bu that went bad the neskis and treadstone as they get in they have to be related exterior Berlin train station night bnes arrived limping as he continues for the station interior Berlin train station Locker area KN borne retrieving the xfill bag he stashed in the locker changed his

2:28:11 clothes interior Berlin trainstation Men's Room night bag slung limping out borne has changed clothes a big Overcoat knit cap interior Berlin train station platform night a busy midnight departure big train born climbing on the train under the sign Moscow Express interior new bin H HQ command post night a blueprint spread across the table Nikki Curt and Kim all gathered around Cronin works the treadstone files on another table Teddy at the center briefing Pamela we're looking at all Berlin outbound good news is every train station in Berlin has 30 to 40 fixed digital security cameras common feed are we hacking or asking yes in that order and what about you anything it's it's starting to link of the hijack money the league beos oil one last bit is strad storm exterior Moscow train night crossing the border into Poland cold desolate snow interior Moscow train passenger car at night conductors moving quietly through the

2:29:33 dark cars checking tickets and visas and borne hands over his ticket and Russian passport Off the Grid inter your New Berlin HQ command post night 4 a.m. Kurt Kim and Teddy spread around the room they've been running laptop transation videos for hours just ready to raise their white flag Jackson your turn all they have so far is an isolated Loop of burn uh BNS limping into a mener crone watches it its uh stutter alone does it look like he's speaking on the way in well forget it the leg definitely hurts well there's no window in the man's room F so let's find somebody coming out with a batt left leg maybe he's still in there I've got a limping guy but it's the right leg walking around walking away and walking towards you cron jumps on that right there over Teddy's shoulder that's him it's the boat what train is that interior Moscow train SL passenger cart D Dawn borne asleep in his chair rocked by the

2:31:16 Rhythm but something wakes him up looks out the window something weird about the light out there then up uh then up to see Marie looking at him over the back of his chair in front of him no big deal hey she smiles a beat she comes around sits by hides beside him he looks away out at the window I wanted to kill me Marie but you found another choice I did wouldn't have changed the way you feel I might have B looks back at her she smiles he accepts it leans back closes his eyes I no it's a dream you do I only dream about people who are dead M leans over kisses his for and Whispers God I'm miss you I don't know what to do without you Jon you know exactly what to do this is your mission now borne opens his eyes and it's morning outside and Mar is gone little girl smiles at him from over the back of the chair and front B me her G for long as it looks back out the window interior Moscow train passenger

2:33:28 car Dawn borne watching the birch trees Rush past not quite hiding the Smoke Stacks Beyond eyes locked forging something within one final mission as we interior Berlin Weston Hotel lobby early morning Abit coming through it's empty this early but here's Pamela Nikki Cronin and the team waiting to report sorry to wake you I wasn't sleeping you okay you thanks what's up bunch of stuff H pamel looks to Cronin him first we tied the room born visited tonight to a murder suicide 7 years ago but a same couple the nesis neski the reformer I remember that a champion theal distribution of oil Lees in the caspan sea when he died they were all released to one petroleum company Esco Souls guess what the CEO URI gret is xkg someone was using treadstone as a private cleaning service Conlin it's I'm sorry Pamela I I guess you were right all along Pamela waves him off it's okay but there's something else abot can see by their faces this

2:35:06 hits closer to home what they found Danny Zorn's body dead in the basement at the building where my people got hit the first time oh God must have been born did he say anything to you no it must have been born Pamela straight we'll know for sure when we get the security

2:35:37 tapes car are you there uh but we can relax we track him is want to train to Moscow Abbot reeling hiding it Moscow what the hell's going to Moscow for don't know Jesus i s I have to call his family tell them I'm sorry Ward they watch as he goes interior Western elevator Dawn Abbot in the rising elevator interior gret's office morning palacial but you can't buy taste gret COV working his computer answers his phone nah you didn't stay Yuri this is not a clean phone interior Western Grand hotel lobby Dawn everyone still here Cronin answering his cell phone motioned them he's got news yes sir what the tapes but hold on yep and ab just D dialed was from his room now we realize she sets set a trap and Abbot abbots walked in all the same Pamela shakes her head wishes it wasn't true and they moving they're moving iner AB Western hotel room Dawn Abbot at his desk still on the phone pouring a vodka leaving was a business

2:37:33 decision we both Rich come enjoy it what do you mean go to the airport get a plane I'll have a brass band waiting for you save it for Bourne what there there's a knock knocking at his door abot simply ignores it he left yesterday on the Night Train he's probably just getting in now you'll have to hurry Bor comes here why good luck more we talking exit Moscow train G speeding East through the Russian Countryside the forest is gone replacing by factories and refineries a w Wasteland of rust and gray that seems to go on

2:38:46 forever okay oh yeah that's my turn yep interior wested hallway outside ab's room night pamila knocking again Nikki Teddy and Cronin behind her open it Cronin with a pasy teddy prepped and interior abt's Western hotel room night Pala leading the aner stop short a at his desk calmly pointing a pistol at P Abit you go oh sorry there you go you stay so looks back ton in six says HED no yes now they reluctantly obey OB obey the door clicking s behind them sit down I'd rather stand if it's all right all the same to you I don't know exactly what to say I'm sorry why would be enough for me I'm not a Trader I've served my country and pocketed a fair amount of change while doing it why not it was just money and Danny Zorn what was that had to be done no good options left man honestly it's hubris simple huus you reach a point in this game when the only satisfaction left is to see how clever you are no you lost your way well you're

2:40:31 probably right I guess that's all that hubus is he raises the gun Pamela presses her lips together closes her eyes boom she opens it h and as Cronin flies back through the door there's Abbott dead at the desk he shot himself also in a way with some help from Bourne interior platform Moscow train station day the train easing to a stop the platform busy with people waiting and passengers disembarking born among them unremarkable in the crowd and interior Moscow train station day born on the Move welcome to the whole mad Moscow scene a jumble of faces and voices Travelers arrivals and departures families Beggars drunk Corvettes Hawkers exterior Moscow train station cabstand day there in the plaza born hobbling across the street when suddenly a car horn he turns and look out a big black BMW speeding past followed by two more all three cars with blue lights strobing on the dashboard s a convoy whipping by

2:41:51 like they own the place and and gangster bosters don't care what they do borne turns a grizzled taxi driver right beside him and borne pulls a slip of paper from his pocket you know this address the taxi driver Squints finally grunts affirmative he motions to his C as they get in and pull away interior Moscow garage day lots of cars no people but someone running it's kill pulling his keys as he Sprints past and interior Moscow taxi day born in the taxi driver looking over at three Moscow police cars speed by Sirens wailing it's always something right Bor just nods as we cut to the interior exterior of a black BMW day Carill at the wheel a guy in a hurry who knows what he's doing one more thing on the passenger seat two big automatic pistols exterior Moscow train station day the Moscow caps cops Fanning through the crowd showing borne's interpole picture have you seen him exterior mosco train station CAB stand

2:43:14 day mosco cops with a picture flashing it around until aisar I think that's you the moment he sees it he was just there they just left interior Moscow taxi day they've stopped born flash is a $50 bill you wait you stay you understand stay sure no problem I said exterior old moscal straight day old Moscow but not for long there's new construction medas Med metastasizing all around it borne crosses the street and his POV an abandoned wooden house windows shattered and boarded up paint all but gone roof and Gables all failing back to Born Crest Fallen checking the address this is it ex exterior Moscow train station cabstand day more cops everything forced on another Taxi Driver who's making a call on a cell phone everybody's waiting on it exterior exterior abandoned wooden house Dave born off of uh off the sidewalk sidewalk now peers around the side trying to see if there's anything around

2:44:49 back and over there an old woman on the steps next next door watching him borne starts over finding the sweetest smile he got interior Moscow taxi day the taxi driver still parked there his POV born and the old lady she's pointing like she's giving directions with when suddenly the driver's cell phone rings hello exterior abandoned wooden house day born and and the old lady his Russian is limited but she charms no less aen to write one minute interior Moscow taxi Dave the driver on the phone not so happy I'm looking at him American he's right

2:46:15 here oh exterior abandoned Wen house day the old lady scrobbling on a piece of paper B reacting as taxi drops into gear will wait hey the taxi only off and exterior MOS train station day MOS police cars during and interior black BMW t k driving reaching for his ringing phone and exterior MOS Street day the black BMW a moment later slamming on the brakes filing a U-turn and exterior MOS building project day born hustling past all the new construction glancing back as police siren start Rising behind him and interor red leus stay K skidding around another corner and exterior abandoned Wen House St to believe these scars just sto there cops the old lady pointing everyone turning as the red leg of speeds spast them and I think that's Au yep exterior concrete stairs day borne coming down as fast as he can just ahead there's a foot path beneath a four-lane overpass a neighborhood on the other side he could

2:47:45 disappear there interior red Lexus day Krill driving and scanning there as he passes it the overpass slamming on the brakes and exterior foot path day borne hobbling out in the open 20 yards to go exterior overpass day Carill jumping out of the Lexus with a pistol in hand and exterior fpath day borne no clue bang his shoulder he's hit he throws himself forward and exterior overpass day Grill shifting for a better second shot and exterior foot path day borne he's diving rolling pure Instinct backed under the embankment and exterior overpass day Carill with no shot suddenly leaning over the rail just as the two Moscow police cars coming come screaming up the Moscow cops jumping out with guns drawn and exterior footpath day born he's up he's bleeding he's moving and exterior overpass day chaos Carill with his hands in the air Moscow cops coming towards him everyone screaming up hands up keep I'm oh see sorry keep

2:48:54 them up drop the gun drop it and this is krill here got it have a scar lines oh is that my yep uh K be hassles we're chasing the same guy is getting our they let real go he looks back at the foot path born is gone as exterior Moscow City street grov strolls along suddenly two black sedans pull up and he is arrested interior pedestrian tunnel borne hurriedly makes his way to the other end a few beats later kill is on the hunt exterior mosco outdoor Market a Labyrinth of stalls food Hardware clothes and crowded even this hard to impressed crowd noticing born hobbling through nothing like a limping madman with the fresh gunshot wound to get attention and people back off pull their kids out of the way some woman start screaming and interior Moscow in clothes Market a security guard hears a commotion jogs out and exterior nearby Moscow Street Carill running towards the market five Moscow cops behind him can't

2:50:17 keep up and interior Moscow outdoor Market Day the security guard coming up fast behind Bourne hey hey you stop borne turns the security guard right behind him and Bourne no warning his good arm smash right into the security guard's face and borne takes his pistol and the crowd they jump holy [ __ ] interior Moscow en closed Market Day crazy Carill sprinting through where did Bourne go interor Moscow outdoor Market Day born back on the March except now he's shopping grabbing a bundle of tube socks and cheer Moscow outdoor Market Day Carill sprinting out toward the Stalls and in the market born bear roll a duck tape and a ball of vodka and krill fing his way through the fleeing crowd um Jackson exterior Moscow outdoor Market Day born leaving the market a s of vodka and continues now there are two new cops on his ass exterior Market PA parking lot day another cab stands cabby by a yellow C looks to see borne coming towards him

2:51:52 and also the two cops as borne's near the cabie shakes his head born pivots pivots casually like he doesn't know there they're coming until he spits vodka into one of the cops face blinded as borne takes him and his partner out the cabbie raises his hand in surrender steps aside and as borne takes his car interior/exterior cab day born in the Yellow Cab starting the engine peeling away um carrying into the street and Carill sprinting into the parking lot just in time to see interior cab day be born concentrating away the pain trying to drive exterior Market parking lot day two ladies ducked uh behind a black G wagon freak freaked out as Carill grabs their keys and interior/exterior Moscow street cars faces day the cab speeds speeding across the B Boulevard into the older neighborhood of rising narrow streets and two Moscow police cars pulling u-turns on the boulevard whipping around to give the chase end

2:53:51 the G Wagon in full Pursuit now and born driving up this curving little Hill and the two MOS police cars starting to climb and K driving and his on the hill now born bad hand on the wheel holding on trying to find something in passeng seat tube socks the do MOS police car splitting up one on BNS as the other cutting hard into a side street flanking him and B topping the hill two choices right or left right no wrong he down the hill there's the police car just about to angle in from the side street and Bor no choice loing it the cab it's a whale slam lifting the front end of the police car and the police car spun back trting against a building on the corner and hit a light right behind that guy swerving onto the sidewalk Sparks from the wall as he scrapes hanging in skitting into a turn down the hill and just missing the first police carar bombing right past him born in pain as he packs his shoulder wound

2:55:01 with the socks ahead the street Banks downhill to left and there a bouetard wide ride lots of traffic and the cab Rock getting into the floor and behind him police car one with the G wagon right on his ass and born wrist flicking the wheel the Gap screaming through the slower traffic and K totally on it pedal down passenger window open wind blowing he's got the pistol pistol in his hand closing the Gap and the black G wagon blowing past police scar one and borne staring barely as he tears a few strips of duct tape to finish his triage blam blam the G wagon right beside him borne reacting what the [ __ ] that's not a cop but no time to clock kill because Krill [ __ ] can't keep shooting into the oncoming Lane swinging wide a truck swerving again and the cab wavering again rallying and up ahead the boulevard opens into the river Beltway big wide fast Kremlin in the BG and four new police cars screaming down the red

2:56:13 from the red square and borne skinning onto the Beltway looking for room finding it open Ro kill in the back sorry Krill back in the hunt and the river Beltway cab screaming past then 1 2 3 four police cars and now the black G wagon and borne both hands on the wheel he's already forgotten about his shoulder the Beltway up ahead another choice right takes you up to the city left is the transit tunnel and borne checking his Rivier starting right and the two lead police cars right on his ass and borne fake out veering left last second onto the tunnel and the two lead police cars wrong WR and worse trying to change crash spinning not just them the third police car caught in the uh caught in the Clutter not to mention the computer uh not to mention the computers crashed the police are out of the race cill not fooled threading the needle through the Carnage and onto interior the tunnel day four lanes

2:57:13 two-way and long there's the cab Squibb pass slow cars and Crill on him move for move Follow the Leader and borne checks the rear view he's lost them all but the G wagon who the hell is that the heavyweights world championship belt up for grabs cill gaining nearly pulling level born nowhere to go there's never they've that's never stopped him before he carves a path turns it into two lanes into three as Sparks his way through a lane split the G wagon roaring after him borne checks the mirror closer who the hell is that guy Carill gaining firing through his passenger window borne breaks tunnel as the two vehicles scrape scrape along each other borne Carill firing back odd angle born ducking for meager cover as bullets Stitch through the roof tunnel the G wagon crushes the cab against the wall Sparks showering the wind Shield finally the cab shoots ahead Carill in a controlled Fury the SUV jerking hard and right into the rear

2:58:26 of the cab borne trying to keep control spots a maintenance truck up ahead Carill banging away as his Quarry straightens maintenance truck looming borne a hard left tunnel the cab wrapping around the front of the SUV Wham pushing it to the right the cab continues spinning around the G wagon details front bumpers locking on rear fenders as a G wagon hurdling forward the cab asend first locked together cill firing into the cab really unloading now borne down on the floor a tornado overhead Carill slaps in a new clip intense Bourne gun against his door just below the window knob wh w w SUV Tire shredding Krill fights the wheel another truck looming large borne looks between the seats out the rear window a lane dividing pillar ahead the cab as borne sits up jerks the wheel to the right the tunnel the cars unlock spinning away from each other Krill focused taking deadly aim borne staring back at him

2:59:33 calm I know something you don't know Krill frowns the truck swerves to reveal the pillar to kill's POV kill's eyes go wide and wellip Steel versus concrete concrete Victorious a bone compressing truly horrendous impact Thorn whipping the wheel the cab spinning to a stop out of Harm's Way door opening interior tunnel day gun ready borne over a head over ahead spam in a can borne crouches down looks in KV bloody beat to crap barely but trapped in toned Alive by metal crushed around him born watches not here to help Krill looks over calm and moment as the two men consider each other borne looks at him long and hard Grill dies and borne stands and just walks away exterior Moscow airport traac tarmac day snow swirls swiv swirls Pam dis disbars from the G5 she is met by Russian off officials exit Moscow housing project Twilight huge awful Soviet era how it housing Towers falling in the Horizon the a city bus grids to stop to

3:01:27 the stop people T trundle off uh working working people at the end of their day tired cold the camera follows a girl T touching tou tring a man-made Wasteland 20 a proud little uh Wai sad eyed home from some job iene exterior SL interior project building entrance evening glimmers up close rustic steel mesh over the windows drunk teenagers and Haze of cigarette smoke Irene pulling uh pushing through doesn't want to talk to anyar your turn interior posic building sterile like getting lighter sorry went too far try that ARA climbing a drunk here flickering right there interior six floor hallway evening Arena her key at the door domestic disturbance play playing across the hall she opens up and interior AR's apartment evening it's dark and se's barely through the door when ARA jumps chokes back a cry borne is standing there dropped there actually behind her gun in hand motioning for her to be quiet

3:03:18 quiet silence okay IR nod scared gun in hand won't possess the door the last few inches so it's fully closed I have no money no drugs is that what you want and now she can really see him he's a disaster shivering bloody eyes more Hollow than hers are sit can

3:03:55 you oh the chair have the chair I speak English Bo staring at her nods Gest for her to sit please so she does and here they are of all the people in the world you you're the only one I have anything to offer that's why I came here okay he's got something beside him something he's taken off the wall it's the photograph the neski family same as the one that was in the hotel Breer mom dad and Irina arms around each other in front of the house before it was abandoned happy smiling perfect it's nice does this picture mean anything to you H it's nothing it's just a picture no it's because you don't know how they died no I I do a change in born as he studies her measures her some Moment of Truth is there Arena braces Ure I would want to know I would want to know how uh I would want to know that my mother didn't kill my father I would want to know that she didn't kill herself what she really looks at him now

3:05:41 Fe overwhelmed by curiosity I would grow up thinking that they didn't love me if they just left me like that Vicky those are yours if you want them Irena making sure her eyes don't leave his they don't it changes things the knowledge doesn't it yes that's not what happens happened to your parents then what I killed them body blows but he has her attention she wipes her tear it was my job my first time your father was supposed to be alone but then your mother she came out of nowhere I had to change my PL you understand me you don't have to live like that anymore thinking that you killed them for nods that's right they loved you and I killed them how how can how can you be here and say this I don't want you you to forgive me she stands suddenly stands because if she doesn't she'll burst into tears because she knows if she starts crying she won't be able to make sense of this for who killed for who borne pushes himself

3:07:38 to his feet a real effort it doesn't matter your life is hard enough you're a liar you know I'm not you're a liar look at me there they are two people standing in a room squared off and now she starts crying really crying and he's taking it I should kill you if it's true you should die I should kill you now I can't let you do that either because you're afraid no because you don't want to know how it feels she hesitates stunned he's leaving he's opening the door I have to go now is this really happening I'm sorry and Jackson and she SS back into the chair as the camera finds the the photo photograph on the table the sound of the door closing and Irene crying as exterior house project backyard they born trugging along across the snow he's done it and he really can't take any another step there's a bench he sits down off out of gas he just might die here we slowly tilt up the multicolored Moscow

3:09:29 tenament interior house room day born wake waking up sitting up where is he trying to get his bearings but it's so bright white walls sheet Sunshine through the clean windows and hello David there she is standing at the foot of his bed who who are you where am I Ramstein Airbase Germany before the wall fell you would have woken up in a Russian prison hospital he looked around T tries to move Mo hammered by pain oh [ __ ] careful and

3:10:39 aisar avisar all right Alber you want to say that sure long moment he's taking it in trying to why am I alive are you disappointed they study each other a bit I know who you are Pamela nods very calm here no sudden movements thank you for your gift I'm sorry about Marie what's that do you think you can read are you well enough she has a folder a photograph born's face stapled to the cover it's all in here treadstone a summary of your life all of it he waves it off don't need it I remember everything sounds like a threat you didn't answer my question why you're alive you're alive because you're special because she kept you alive because we want you back on our side born silent but hearing it Pamela leaves the file take a look at it we'll talk later borne watching her back away as she exits on into here Hospital Corridor day long sterile High hallway Cronin and Nikki standing there with an Air Force

3:12:21 Sentry assigned to the guard room to the guard sorry to guard the room Cronin and Nikki trying to play a cool but now as they get some distance down the hallway let's give him half an hour so felt promising it's a start a chill in the air both of them going quiet because there's a nurse carrying a tray of food she's coming toward us they're walking away uh the camera staying with the nurse now coming up the hall the setry smiles opens the door as she enters interior hospital room day empty bed open window borne is gone as the music starts pumping and we exterior Museum Island Bridge Berlin day off he goes disappearing Into Thin Air Fade Out the end oh we made it we made it end that was a long script that was a very long script oh I encourage you who have not seen this to watch it because it doesn't end quite this way oh really I want to see it so bad that was quite long it was good it was

3:13:27 good though it good guys I have to get off though right now sorry guys okay well talk um we're got the the next reading is the fourth Tuesday of August so it's not the third because I'm out of town that okay fourth Tuesday and it's oh my gosh Mrs downfire I think so Tomatoes maybe yeah I think Mrs Stout fire is in September I think it's fried green tomatoes okay sounds good all right well I'll see you guys then fun okay sounds good this now what was that is it over for August like we do don't we have any reads next week no we not we don't have any next week just because Summer's so busy um so we've been doing the normally been doing the first the third and the fifth Tuesdays um but this third Tuesday I'm unavailable to host so we're doing a fourth Tuesday this month and then we'll go back to 1 and third and fifth starting back in September so looks like August 27th is fried green tomatoes and

3:14:42 then immediately following the next week September 3rd Mrs delire so we'll do those back to back okay and then a week off and then it's The Marvelous Mrs measel sounds great all right I will see you guys then bye guys good night good night auy good night so but I know it's late so if anyone else needs to drop out too that's fine if not we can sit around talk for a little bit um yeah I'll save for a little bit okay anyone need a quick break or just jump right in discussion so we are doing the discussions right now um yeah there's a discussion following so can picture can I take a good picture everyone that would be one of your cats wouldn't it that would be knocking over something I hope my husband put the fish away D it feels good after all these weeks yeah glad you could join us so yeah I finished my high school now you did really well good job there abar now I'm preparing for uh for my U

3:16:03 bachelor's degree uh for college yeah yeah that's go you have an idea where you're going next I have I do my bachelor's here in theal and I'll do do my know after Bachelor Masters in US probably nice and what time is it there for you right now oh it was uh it's it's 10 a.m. right now 10: a.m. okay yeah I was I woke up at like 6 a.m. uh oh this morning and I F fell back fall back to sleep I I know was it was at 6:30 I was like waiting okay why isn't it starting so I was a little late that well I'm glad you managed to join us so yeah it's good yeah it was good to see you it's always I seen new faces yeah good to see you Jackson I think it's our first time meeting Jackson have you done yes had you before I haven't met you before yeah I'm Jackson gray nice to meet you oh nice of meet you too bu yeah know I'm sorry I was really tired tonight I've been up since really early this morning and I was like oh my

3:17:28 God I started feeling it like halfway through and I was like oh hello there trying to read some of those words I was like and oh I kept missing my spot I was like frantically trying to like find where I was it's terrify it's really hard jumping page to page on actions in descriptions but there was just so many of them that you know um whole pages and pages and pages that I wasn't sure any other way to kind of divvy them up where we weren't like always talking over each other one person having way too many lines so yeah but I think it worked out okay yeah was fun I really like the script I like be I like being the guy he's really cool that's no you really really should watch the whole I series of movies you should it seems like something I like I like the the unknown so and there's like what four is it four movies in this series yes so I'm assuming find they go on yeah but one's not mad one of them

3:18:46 isn't Mount Damon the last one oh okay oh actors huh DN oh I know his name I can't think of it right now well I gotta go so I'm really tired but okay have a really good night everyone thank you for having me I'll be there the next one hopefully excellent here Cheerio I I think I need to go to right U no okay okay well thank you for showing up and looking forward to the next time you do just you're looking forward for the next time thank you for having me bye bye have a good nighte yes I'm off to bed soon y me too okay before you go Vicki um is it a lot different the script than the movie or is it pretty similar um for the most part it was it was pretty close there were there were moments here and there where it's like oh no that didn't quite happen that way the ending was different um he's not in a hospital he does converse with Pamela on the phone and she tells him what his real name is it isn't Jason

3:20:10 Bourne um yeah there's a few differences nothing major though except for the ending okay there was a lot of deleted scenes in the script which really made me wonder how much extra did they write that they didn't film you know because there was we saw like almost not every page but there was a lot of pages with deleted deleted deleted deleted one thing we have this movie actually in I believe it's a DVD form and uh it has at the end of it not only outtakes but also um just how the movie was made and stuff um the scene where he jumped off and and into the barge that was going down the river um they actually raided him like um the held up numbers to say you did a great job like the Olympic judges huh and I think he really was hurt that's in my head I haven't watched it in for a while that the yeah I really should because you know the outakes and things like that it's really very interesting oh and the scene where

3:21:31 they're fighting um what was the guy's name where he he ended up blowing the place up oh okay that scene the way they did the camera work it was guys just holding cameras and following them around and stuff so it was kind of jerky and it really added to the chaos of the fight like you wouldn't think that would be a good way to do it but it worked really well and and again that I only know that because of having that you know behind the scenes stuff sort of blur witch style huh yeah so I don't know you might not be into watching it there's so many movies out there in the world really it's I saw I did see the first one I just haven't seen the rest so the first one is the best one in my mind yeah but uh yeah it's Matt demon in three of them and oh I can see the actor in the last one but I I can't think of his name right now it's too late all right well I think it's it's pretty must be even later for you so it

3:22:48 must be like 10:30 over there yeah it is and and I'm an early riser I go to bed early almost every night so all right well we will catch you hopefully on the what does I say the 27th for fried green tomatoes yes I we're going to be doing some camping and stuff but everything is fairly close um so I'm going to make sure that I'm home for for the Tuesdays but I'm going to be missing Shakespeare um the next one is my husband's 70th birthday that's August 17th so yeah I won't be shakespare and then the next one it's my one of my granddaughter's birthdays so yeah my family takes priority yeah well I understand that for sure well that's all right we've got we got no no reading on Labor Day weekend anyways the 31st so um right for the Shakespeare group so it's just um Two Gentlemen of which is pretty and then not till September 7th we'll do tamberline the great part one by Christopher Marlo oh that's the one

3:23:54 September 7th it's my niece's birthday who is she's older than me so I will be going to party with her fun yeah so they are good reasons I have really good reasons but I will make it for a table read Tuesdays the next to yeah and I would just love to be Mrs doire all right remind me when they come to that thing in case I forget so I've seen it um about a month ago and oh I couldn't not do her voice for the longest time it's just oh my dear so yeah it would be fun to do the movie so I will remind you okay you do that well have a great evening what's left of it okay I'm going to go find some dinner if the cats haven't eaten all the fish and call it a night fish okay good luck yes all right good night bye

Questions about this episode

Who speaks in "BOURNE SUPREMACY--Table Read Tuesdays"?

Vicki Dykes (Guest), Aubrey (Guest), Jackson Gray (Guest), Cat Wilson (Host), Unknown (Host).

What is "BOURNE SUPREMACY--Table Read Tuesdays" about?

The content features a table read of "The Bourne Supremacy," the second film in the Bourne series, with participants introducing themselves and discussing their roles in the reading. Vicki, an avid fan of the series, leads the cast, which includes several others from various locations who are excited to bring the script to life despite some members reading their parts for the first time.

What is mentioned in this Table Read Tuesdays episode?

9 people, works and ideas are mentioned, including Jason Bourne, Treadstone, Pamela Landy, Abbot, Conlin, Krill. Each one on this page links to its own page with every episode that mentions it.

How long is "BOURNE SUPREMACY--Table Read Tuesdays"?

The episode runs 3 h 25 min; the transcript is about 23,906 words in 144 timestamped sections.

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