Transcript

BRAM STOKER'S DRACULA-- (2nd half)--Table Read Tuesdays--

From Table Read Tuesdays · Episode page · Watch on YouTube

· 2 h · 17,481 words · 100 timestamped sections

This is the full, timestamped transcript of "BRAM STOKER'S DRACULA-- (2nd half)--Table Read Tuesdays--", an episode of Table Read Tuesdays published November 27, 2024 (2 h, about 17,481 words). It mentions 9 people, works and ideas, including Jonathan Harker, Mina Harker, Forest Gump, Lucy Westenra, Quincy Morris.

What this episode is about

The reading of Bram Stoker's "Dracula" continues with a cast of actors providing character portrayals and narrative descriptions. Participants introduce themselves, sharing their roles and locations, while diving deeper into the gothic tale's plot as they engage in an immersive interpretation of the classic story.

Who speaks in this episode?

What is discussed, and when

  1. – 15:00: Jonathan Harker, Mina Harker, Quincy Morris, Lucy Westenra
  2. – 1:15:00: Jack Seward
  3. – 1:30:00: Mina Harker
  4. – 1:45:00: Forest Gump, Jonathan Harker, Gremlins, The NeverEnding Story

Notable quotes from "BRAM STOKER'S DRACULA-- (2nd half)--Table Read Tuesdays--"

  • Sounds great let's go to Carla hey everybody I'm Carla Ren and I'm zooming from the Chicago suburbs I'm playing Jonathan Harker tonight she her and you can find me on Facebook…
    about Jonathan Harker · at
  • Goes Dracula to seduce our Mina meanwhile we also have another character Lucy and her intended Jack Seward also in England U Mina and Lucy are very good friends and Mina's…
    about Jack Seward · at
  • The men sag lifeless blood trickles in a puddle Madness exterior hilling H home grounds night Quincy patrols watching the same full moon howling draws closer do dogs no a wolf…
    about Quincy Morris · at
  • Mrs Jonathan Harker Mr and Mrs Jonathan Harker you will be grieved to hear that Lucy W westenra died and was buried 5 days ago aan Hing attending physician Porters load their bags onto a motorbus Harker recalls from the crush of people.
    about Lucy Westenra · at
  • Let's see this December 3rd which is next Tuesday actually we're going to we're going to read Forest Gump and I look through the script there are very few actions in…
    about Forest Gump · at
  • Descriptions which are the full length of the page as length far the lines go so but we'll see and after Force Gump I just lost my page with believe we are going into Gremlins…
    about Gremlins · at

Who and what is mentioned in this episode?

People

  • Jonathan Harker — Person · Character being performed/read · 5 mentions · first at
    A principal protagonist in the script; the group reads scenes from his journal and discusses his role relative to Dracula.
  • Mina Harker — Person · Character being performed/read · 3 mentions · first at
    Central to the episode’s read-through (including hypnosis/connection to Dracula) and later discussion contrasting Mina vs. Lucy in genre tropes.
    Can find me in penhold Alberta way up in Canada where we are fully in snow it is winter here I go by she her I am reading Mina tonight and I am on YouTube under the name of…
  • Lucy Westenra — Person · Character being performed/read · 1 mention · first at
    Her death/undeath is a major plot hinge in the read-through; later used in discussion about the Madonna/whore complex in vampire narratives.
  • Quincy Morris — Person · Character being performed/read · 2 mentions · first at
    Part of the vampire-hunting group in the read-through; referenced for his knife and combat role in the climax.
  • Jack Seward — Person · Character being performed/read · 2 mentions · first at
    Appears throughout the script as the asylum doctor; discussed in recap as Lucy’s intended and caretaker of Renfield.
  • Carla Ren — Person · Cast member (reader/performer) · 1 mention · first at
    Introduces themselves as playing Jonathan Harker; provides social links and participates in the reading.
    Channels and yeah that's it all right sounds great let's go to Carla hey everybody I'm Carla Ren and I'm zooming from the Chicago suburbs I'm playing Jonathan Harker tonight…

Books & papers

  • Forest Gump — Book · Primary recommendation · 2 mentions · first at
    Mentioned as the next script to be read in the podcast, indicating its importance in the upcoming episode.
  • Gremlins — Book · Primary recommendation · 1 mention · first at
    Announced as the Christmas movie script to be read, highlighting its seasonal relevance and entertainment value.
  • The NeverEnding Story — Book · Primary recommendation · 1 mention · first at
    Scheduled as a script to be read in January, indicating its importance in the podcast's future content.
    Course I have January 14th for some reason oh because that's a The Never Ending Story 21st is the never- ending story right 21st and 28th if we need both of those so but there…

Full transcript with timestamps

show up that's it oh yes there we are we're on YouTube we are on YouTube all right Welcome to our reading of Bram stokers Dracula we're going to hit our record button here too um oh okay guess we're not recording um there we go yeah so we are in the middle of our reading of ram Stoker's Dracula maybe maybe a little bit more than halfway through our script and continue we'll get some quick introductions and then a brief recap and then we'll jump right in um I'm going to start with player one tonight who is Jackie and if you could let us know your name who you're playing um where you're located and where people can find you if they're interested um on social media excellent yes hi my name is Ja like Zoom um though I go by Jackie I live in the Washington DC area pronoun she hers P them Theirs Whatever you want and tonight I am doing uh some of the actions and descriptions and as well as playing Renfield you can find me on

Instagram at J Yore artist it's artist with a KN at the end uh or on Facebook as jacen Elizabeth Jacqueline and Elizabeth within all right let's go to Aubrey next hi I anyone doesn't know me by now but if you don't know me my name is Aubrey I live in California uh Northern California to be exact um and just a little bit above the Bara and uh the character I'm playing is drul and you can find me on Luc and the fair on a bunch of different YouTube channels uh and yeah that's it all right sounds great uh let's go to Carla hey everybody I'm Carla Ren and I'm zooming from the Chicago suburbs I'm playing Jonathan Harker tonight uh she her and you can find me on Facebook and Linkedin uh car on as Carla Ren awesome um an hi my name is anamik my pronouns are she her I am also in the vaguely Northern California area more specifically in Sacramento uh and tonight I'll be reading van Hing and also some of the actions uh and you

could find me on Facebook awesome uh let see Vicki hello I'm Vicky Dykes uh you can find me in penhold Alberta way up in Canada where we are fully in snow it is winter here I go by she her I am reading Mina tonight and uh I am on YouTube under the name of yoga grma 10 and I'm on Facebook Vicky dkes awesome um Padmini yes my name is padmin and uh I my pronouns are she her and I am reading for the roles of the youngest bride Dr Jack seaward Quincy Morris uh Lord Arthur holwood and the conductor and uh I'm from New Providence New Jersey but right now for Thanksgiving I'm in Boston awesome and you have a few lines as Lucy also oh I love that I Love Lucy tail end of her scene I don't find that it's Lucy's listed as Lucy okay um yeah she just has like five lines and let's see I'm cat Wilson your host this evening she her pronouns I'm in Gig Harbor washhington and um tonight I won't be reading

anything today I'll just managing the script um which is a nice change of Bas and um be just jumping in as needed anyone hasn't to disappear and not be there so um we're going to give a quick little recap and it's been a month since we've read this one last so bear with us if I forget where we are going and if and where we've been and if anyone else added any details feel free to jump in um but we start off our story with um Jack not me Jack um our main character Jonathan Jonathan Harker um over in Transylvania visiting a real estate possibility um with the home of this lovely castle of Dracula um he runs into quite a bit of trouble while he is there um especially since Dracula saw a picture of his of of Jonathan's um intended um who looks exactly like Dracula's former dead wife um and love of his life um possibly you know he thinks she's reincarnated and such so he's going to keep Jonathan occupied in

Transylvania with the help of his three lovely succubi brides and off to England goes Dracula to seduce um our Mina um meanwhile we also have another character Lucy and her intended Jack Seward also in England U Mina and Lucy are very good friends and um Mina's betro Jack Seward is the uh keeper of an insane asylum and in that insane asylum he happens to keep uh Renfield who was an associate of uh Jonathan and he's been acting a little strange eating bugs and things like that um and in Lucy's Adventure she kind of a kind of a goto happy go happy happy gol Lucky Gal and she's quite adventurous and she goes out exploring a night manages to get herself bitten by Dracula so she's currently in her bedroom and there um um her betro and his friends are trying to cure her with the help of Dr Van heling who has um been trying to pursue Dracula for quite some time and um tracking his victims and such so we

will be starting our script um after Lucy's been um been treated for quite some time and I don't think she's going to make it much longer and then we'll see where it goes from there did I miss anything all you lovely folks out there I'm sure I did um so we have uh few new people joining us that weren't in the first half and a few folks that weren't in the first that we're in the first half not here so if you watch the first half don't be surprised if our actors look a little bit different this time um they'll be wonderful no matter what I'm sure all right so let's pull up our script here um is that can you all see that okay and let me make it a little bit larger and get rid of the other stuff on there oops let's try this maybe there we go um how's that look good good good all right so we're going to start here with 109 um the interior of Renfield cell at night so I believe our first narrator is Jackie so go ahead

and take it away when you're ready interior Renfield cell night Renfield lies comos on the floor strapped in his straight jacket face bruised and beaten his eyes open wide as if summoned something is there in the darkness Dracula strides from the shadows as if he walked through the wall his face still the 400-year-old demon brenfield Rises controlled by invisible strings with superhuman strength he pulls himself free of the straight jacket Yes master thy will be done Renfield is talking to an empty room interior Seward's office Asylum night Seward ties off his arm his body quaking as he prepares an injection Lucy is dying I fear our watch is almost over Juan Hing has resorted to Spells and Witchcraft we are all becoming God's Mad Men Renfield crashes in the door armed with a Lancet good God good guess I'm merely his servant Renfield lunges at Seward slashing his arm spewing blood the men

grapple to the floor Seward stabs Renfield in the neck with his syringe the men sag lifeless blood trickles in a puddle Madness exterior hilling H home grounds night Quincy patrols watching the same full moon howling draws closer do dogs no a wolf he cucks his rifle predator's point of view a vampire's view of Quincy way across the lawn The View jumps to his rifle and gleaming knife Quincy turns sensing the presence view rushes closer he raises his Winchester he weakens view rushes over him interior Lucy's bedroom continuing action Lucy tosses unable to sleep her noctural powers alive exterior hillingham predator's Point of View continuing action the four-legged kind moving through the garden to Lucy's balcony it rises flying to the balcony doors exterior balcony Predator point of view Lucy she wakes on command her eyes filled with want and lust facing Dracula through the glass doors not the handsome creature of

Desire but a hungry demon intercut a cathedral Budapest day a nun's choir chants God's Praises in Latin a tall gold crucifix fills the view resume 114 Dracula and Lucy your impotent man with their foolish spells cannot protect me from your from my power Lucy clutches the Garland of flowers around her neck resume 115 Cathedral wedding a priest carries the crucifix leading a wedding procession Mina the bride her dress simple her veil sparse but she is beautiful all in white resume 114 Dracula and Lucy I condemn you to living death to Eternal hunger for living blood you [ __ ] of the devil you raises his arms calling forth a tempest Berserker leaps right through him Optical FX as if she were a ghost resume 15 Cathedral wedding at the altar the groom slowly turns to face his bride Jonathan Harker Ashen unsmiling gaunt eyes deep set interior Lucy's bedroom continuing action the great gray wolf

crashes through the glass into the room knocking Lucy back onto the bed winds Roar Berserker pants over Lucy the hunger mesmerized Lucy looks into the eyes of the Beast Dracula's eyes her an Glides to the Garland around her neck and rips it away revealing her neck and throat resume 115 Mina and Harker the shadow of the Cross passes over them Panic wells in his eyes he kisses the crucifix peace fills his face he is clean resum 116 Dracula and Lucy Wolf Point of View gazing down at Lucy slowly and lovingly she takes his fur in both her hands and pulls his great head to her Lucy's orgasmic whale builds and builds continuing over resume 115 Mina and Harker they kiss in holy matrimony there is no life in Harker's face there is no passion in Mina Lucy's will crescendos fade in interior parlor tight on Lucy day Lovelier than ever surrounded by white satin the same room at hillingham where she made Quincy show

her his knife is a Wilderness of beautiful white flowers and Tall wax candles giving her an Angelic glow Lucy dear it was my privilege to be your friend and guide when you came from the school room to prepare for the world of life oh please almighty God your life may be all it promises a long day of sunshine with no harsh wind no distrust and no pain I do hope you will be always as happy as I am now goodbye my dear I shall post this at once I must stop for my Jonathan is waking I must attend to my husband your everloving Willamina Harker van hing's hands placed a tiny gold crucifix gently over Lucy's lips a wreath of white flowers on her head there is peace for her at last it is the end van helon Comforts his former student with tears in his wise aging eyes friend Jack I pity your poor bleeding heart the more because it does so it is not over it is only the beginning I want you to bring me a set

of postmortem knives an autopsy Lucy not exactly I want to cut off her head and take out her heart Seward backs away repulsed stunned into silence the view moved slowly to Lucy's face super cablegram to Mr and Mrs Jonathan Harker Mr and Mrs Jonathan Harker you will be grieved to hear that Lucy W westenra died and was buried 5 days ago aan Hing attending physician Porters load their bags onto a motorbus Harker recalls from the crush of people on the street paranoid fearful a sad Homecoming in every way it seems only yesterday my last entry was made and yet how much between men and hillingham and all the world before me oh poor Lucy is gone never to return to us have lost such sweetness out of our lives and Jonathan my husband with another attack that may harm him I may never know what he suffered I dare not open the subject to him for I keep my own Secrets how different our lives were a few months

ago what has happened to us culous point of view stalking them watching hearing the view jumps closer to Harker Harker Harker buckles his legs giving way Mina struggles to hold him up his eyes wild in Terror and amazement Jonathan what is it he sees Dracula younger restored looking right at Harker from inside the dark touring car it is the man himself the count he has grown young my God Dracula has gone in the crush of people Mina looks back to Harker trying to comfort him the motorbus Rings its departure oh Jonathan calm yourself let's go to our home you've had a shock he suddenly animated Lucid with purpose you go on to exitor without me I must know if this is true and that I am sane if he is here my journal Mina unspeakable Horrors you will understand I pray you will he hands her the tattered journal and kisses her passionately she boards the motoros unable to look back Harker watches her

go with grim resolve exterior hillingham Cemetery foggy night lamps flash across the Iron Gate leading to the family crypt Quincy swings a sledge breaking the lock van Hing leads Homewood reluctantly in Seward follows interior wult continuing action the leaden coffin sits on a stone Ardo Seward and Quincy inspected with their lamps sealed tight if Miss Lucy is dead there can be no wrong done to her but if she is

not my God has she been buried alive I go no further to say she is Undead van Hing produces screwdrivers from his bag Quincy and Seward go to work on it Homewood is an emotional mess I'm Dad this is insanity I have a duty to protect her from out outrage I gave what you gave the blood of my veins I gave it freely I gave it to her my nights and days if my death can do her good even now she shall have it freely homood backs off helpless van heling prized the lead flange back Quincy and Seward remov the lid empty she is Nosferatu Undead Nosferatu is Immortal surviving age after age feeding on the blood of the living adding new victims we do not fight one monster Lucy is but one of an entire Army that grows against us Quincy is loudly skeptical Homewood lashes out lies you cannot prove this old man why cast dishonor on her soft feminine singing drifts into the Vault Homewood recognizes the voice he shrinks back van

Hing signals sewart shuts off the lantern a golden-haired woman descends the stairs draped in white she holds a young child at her breast singing and swaying Homewood openly gasps it is Lucy in her bridal gown vanh housing steps out flanked by the others in a line blocking the Crypt he shines his Lantern in her face Lucy her lips and gown fresh with a tiny stream of blood she drops the child carelessly to the ground it moans crying Seward picks it up its condition We're In Time the child will live Homewood buckles Quincy is horrified and aroused at the same time but ready with his knife Lucy approaches homood with a voluptuous Grace come to me Arthur leave these others and come to me my arms are hungry for you come and we can rest together come my husband come holwood opens his arm in a trance she leaps into them vaning shoves her back slashing the air with a curved cucking knife he flashes a crucifix

answer me now my friend am I to proceed with my work holwood falls to his knees his face buried in his hands do as you will oh dear God Lucy's eyes burn Unholy light she pushes past vanh housing and disappears into the darkness of the crypt exterior Countryside night a train Roars from the darkness interior train night continuing action Mina sits in a compartment alone she finishes Jonathan's tattered joural her breath short completely distraught she sets the journal down and backs away from it as if it might come to life oh Jonathan oh how he must have suffered whether it be true or only imagination he believes it all himself oh that fearful count coming to London the conductor sticks his head in P Min that's you exitor station 11 minutes mom me acknowledges the conductor continues his rounds Mina looks out at the night sliding past Into Dawn the compartment door opens and closes behind

her someone sits opposite her she properly avoids eye contact she sees the white kid gloves a chill runs through her in the dim light his blue eyes flash Dracula young and handsome as she has always seen him she wants to cry out no I beg you I had to see you but I am a m Man Without You he glads his hand to hers she fights at Gentle Touch oh please we mustn't my husband she raises the joural as if in defense he bats it from her hand he does not deserve you who are you where are you from what do you know of him I beg you this is as it was meant to be M love has no hold on you ours last our eternity I am a married woman you must understand leave me the train Roars into a tunnel cab lamps flick out can you conceive of my loneliness constant never ending until I found you I cannot go on in my cursed life of Exile without you I lost you once before I'll not lose you again she weakens smoothing her hand to

his face she recoils refusing to succumb I cannot think or reason you I know I am only alive when I Am with You passionate kiss he opens her bodice her fresh pale shimmering he reclines her back on the bench she pulls him down to her he kisses her arms her fingers she arches herself to him willing wanting his hands lift her neck to him her entire body shutters intricut van Hing in the Crypt Lucy lies in the coffin in state van housing holds a cruel meter long stake charring the tip in the lamp flame a surgeon preparing his instruments moment's courage and it is done take the steak in your left hand and placed the point over her heart Homewood whimpers taking the steak and the cold hammer in his trembling hands trying to maintain control Seward covers Lucy's face with a shroud pressing hard vanh housing begins to read the Latin death Mass wmer weeping raises the hammer he strikes Lucy Rises

twisting in Wild contortions Seward holds her down smothering any cries swallowing his own resume 120 two Dracula and Mina he jerks back suddenly the darkness clutching his chest ring around yowling like a wounded animal intercut Homewood van Hing reads louder Homewood strikes again blood sprays the wall trickling in delicate rivlets resume 122 Dracula and Mina he slams against the compartment door hurling Mina back no they deny us the train Roars from the tunnel Dawn's light flares in Dracula is gone she curls in shock oblivious to her state of undress she frantically closes up her bodice interior Crypt continuing action the men gaze in shame and wonder as they had seen Lucy in life with her face of unequal sweetness and Purity and now my child you may kiss her for she is no longer a foul thing for all eternity no longer is she the devil's Undead she is God's true dead her soul is with him

vanon guides Homeward down to Lucy their lips meet Seward can't take it Quincy's shrinks back sickened now leave us I am not finished Quincy leads Homeward from the Crypt weeping silence Seward opens a case of autopsy knives van Hing chooses and places the large knife to Lucy's throat he sacks for a moment his will finally giving out Seward looks away he weeps at the slicing sound fade to black interior carf Chapel Dawn Dracula tormented to auy yeah uh interior Carfax Chapel Dawn Dracula tormented sharpens the point of a makeshift staff feverish desperate he staggers to the center of the chapel Standing full in the Rays of Morning Sun begging to die with the angrish Cry of an animal he raises the Lance to his chest to kill himself Elizabeth she lives in you suddenly jks jerks Lance away no I cannot lose you again I cannot let them take you for me he hurs the Lance in Anger burying it deep in the wooden

image of Christ on the cross hanging above the altar exterior London docks day Harker shakes hands with the Customs clerk places a sheath of documents in his satchel and strides away barely using his Cane September 25 Jonathan har Harker's Journal I thought never to write in this journal again but the time has come I felt impotent and in the dark and distrustful of the reality of my own events but now I know I am not afraid even of the count he has succeeded in his design in getting to London to create more demons he must be stopped how did he grow young then Hing is the man to ask he will unmask the count and hurt him out interor hillingham parlor Journal continued day van hon reads Harker's Journal like a child reading a comic oh if the professor is anything like what Mina says he finishes the journal in silence he inspects several of the gold corns Harker hands him Harker Waits nervously Madame Mina asked that I read

your so wonderful journal for fear you were suffering and in great need she gives me hope there are good women still left to make life happy the coin the warrior Prince on one side and the Order of the dragon on the other the ancient dracul himself you may sleep without doubt Mr Harker strange and terrible as it is it is true I will pledge my life on it you've just made a new man of me do you know what it is to doubt your sanity to doubt everything even yourself Professor BH housing artist's large eyebrows scoffing no you don't who could doubt themselves with eyebrows like yours anding Roars with laughter then scows turning Harker's face to his checking him over like a man buying a horse John Harker you have suffered much from what I have read you are a nobleman your brain and heart are well you did not taste the blood of those of your infidelity you are safe from the Fate that took dear Lucy and will heal have

no fear Harker is a new man at this news they Shake earnestly I am with you heart and soul we must find the author of all our sorrow and stamp him out your bloodthirsty count have you a plan I I know where the bastard sleeps Parker opens his brief and lays the documents on the table van Hing expects them in shocked amazement son of the devil we must hurry exterior Asylum grounds Carfax in view morning September 25th Mina Murray's diary Jonathan left early this morning to meet with Professor van Hing but I slept late sick with apprehension it is my haunting fear that this terrible Affair I'm involved in will destroy Jonathan he was never so Resolute never so strong as I saw him this day I'm afraid to tell him but I must you purchase the Iron Gate Gates I am Carfax and the BG tentative nervous BG tentative nervous Seward hurries to let her in he is completely exhausted Mrs Harker Mina their hands be

in awkward silence Dr Seward I know you cared much for Lucy let me hear how she died I must know she was in great pain tell you not for the wide world horrible story she is at peace silence Mina can't ease his pain has Jonathan arrived yet he's en root with Van hell Singh with some news of the count the professor has been blowing your trumpet Mrs Harker I too admire your courage Professor van H helin is a shrewd man do you trust him with my life there is even a patient here in my care who vanon Hing is convinced is connected somehow to Jonathan's mysterious count and Lucy Mr Renfield Renfield he was in his associate of Jonathan's Jonathan took over his dealings do not let me see him you must do let me do let me see him you must the man has made two attempts on my life showing her his risk bandages Nina insists then you must risk a third and here Renfield s day his room is quite spotless save for a new menagerie of bug

Renfield meditates placidly excuse me meditates placidly on a stool Mr Renfield a Mr Renfield a lady would like to see you Renfield opens one eye at Seward oh very well but just wait a minute till I tidy up Renfield moves to his Menagerie and simply swallows the insects present stands at attention and slicks his hair Mina enters approaching him gracefully extending her hand good day Mr Renfield Renfield properly bows and shakes his shakes her hand eyeing her all over with a keing intent he looks her deep in the eye he smiles Dracula on her his eyes grow fearful you're not the girl the doctor wanted to marry you can't be she's dead seart is shocked by his knowledge I am Mrs Harker do you remember me yes your thieving husband took you my sweet then my life he will pay my master will punish him Mina remains steadfast Seward steps between them that's quite enough how did you know I wanted to marry anyone what an

asinine question my master informed me he tells me everything grave sadness softens the lunatic's face he takes Mina's hand gently she holds his gaze you tell tell me about you as well Renfield uh whes her scent WIS her scent like an animal Mina doesn't Flinch motioning to Seward to let him be he does tell me about your master you ask me when I smell him on you you are in danger do not stay I pray I may never see your face again he kisses her hand and hides trembling in a corner interior Corridor continuing action Mina exits Disturbed and fascinated by Renfield may he bless you and keep you uh Seward closes the the cell door Renfield grabs at him through the Viewpoint view let me go sorry let me go let me go I am no lunatic I'm a sane man fighting for his soul he feeds on her I smell him he wants her soul get to your bed and behave you will do me the Justice to bear in mind that I did what I could do

to convince you Seward shuts the viewport friendfield Broods in silence gazing through the bars at Carfax rejected Master you favor the pretty bride more than I you promised me interior Seward's guest quarters day Parker's Journal sits open on a table van Hing Harker holwood and Quincy plot over a map battle plans van Hing vampire killing tools are spread by his bag Seward and Mina enter wonderful Madam Mina she has a brain a man should have were he much gifted with a woman's heart Mina flushes as the Wy Dutchman kisses her hand Mina how good of you to join us in an instant he is overwhelmed with grief Mina Comforts him like a mother he sits down head in his hands uh is that me uh ma'am a woman's the only thing can help a man when his Hearts broke oh Quincy Lucy called you her Texan with the big knife I know what she was to you they share a warm laugh his handshake rough but sincere uh sorry we're late Mrs Harker wanted to

see Renfield van hing's eyebrows go up Harker takes Mina in his arms pulling her aside I brought you here to keep you safe Mina stay away from that man he's mad he won't harm me Jonathan I must speak with you alone please are you ill is something else wrong she looks at her husband to be strong again renewed she is completely torn Harker extends his hand to her she takes it tightly to her in love and respect I am with you do what you must for Lucy's sake for everyone she places her hand in his gesture of love and respect you may count on Nina and myself Professor much approval around the room Mina acknowledges each man then we are all agreed a fortnight ago you would laugh and ridicule if I said there are such things as vampires our own experience with Lucy gave us evidence they exist we were too late to save her holwood breaks down Mina is shocked Lucy a vampire Ben hson van Hing beckons to

Harker who presents a file 50 boxes of Earth was Savaged from the wreck of the de demer at hillingham and were as stated in fact delivered to CarX Abbey I have traced others to nine locations in a circle around the city they are the property of Count Dracula Seward shakes his head in Grim Wonder van Hing exalts H part of his battle strategy is to conquer us Jack the black devil is your neighbor exterior Asylum Courtyard night the Vampire Killers assemble Homewood tends to hunting Terriers tugging and yowling Quincy Harker Seward bear revolvers and rifles knives in their belts Ben Hing totes only his bag like a doctor making a call the foe we face has the strength of 20 men as Jonathan can bear witness he must indeed have been that V Dracula who won his name Against The Turk he is king of allos feratu he can direct the elements the storm the fog Thunder He commands the meaner things the bat rodent wolf

but his powers are weak in daylight as are most evil things he must rest in sacred Earth of his homeland and that Earth is where we shall destroy him Seward sheathes his military saber Quincy loads his Navy cult snapping it shut Mr Morris your bullets will not harm him he must be dismembered his head decapitated to ensure death I suggest you use your big knife I wasn't planning on getting that CL I wasn't planning on getting that close to him doc Ben Hing Roars with laughter until tears come to his eyes Quincy wasn't trying to be funny exterior sewards quarters continuing action Harker says farewell to mina by Seward's quarters I almost feel pity for anything so Hunted as this count oh Mina you are Perfection your sweet pity makes my hate for this monster seem despicable I aided bringing him here and now I must send him back to Hell Or Die in the jaws of it when this task is done I shall never

leave you again Jonathan kisses her full then pulls away she watches him join the Vampire Killers heading toward Carfax God keep you all unfield screeches at the night from his cell window oh forgive them Master they know not what you do interior Carfax belfrey Dracula's point of view night vision watching the Vampire killer approach The View jumps closer closer right up to Renfield screeching at his window then to mina watching from Seward's quarters interior Carfax Chapel entrance night the Vampire Killers survey the Eerie site electric light lamps fall on the coffin crates sitting like PODS of some alien life form waiting to be opened I have seen these very boxes at the Count's Castle he was resting in one I should have killed him then and there the my God I found Renfield here another of his disciples We Must Destroy every box if we fail here it is Not Mere life or death it is we become like

him van heling removes a flask of holy water from his bag hanging around his neck then his rainment man Harker takes the lead fire axe in hand he surges driving the axe through the lid with a cry of Rage he chops again moving to the next smashing it the Vampire Killers follow methodically breaking open and boxes and dumping the white moldy Earth van heling sprinkles the Earth with holy water and crumbles holy wafers in crates while reciting the communion Sacrament all as if out out on a Sunday stroll Dracula's point of view looking down the men doing their dirty business The View leaps and Glides toward the Asylum no effort no sound interior Seward's quarters night Mina in her bed gown is bed gown is at the window unable to sleep renfield's painful cries continue off center she covers her ears wanting him to stop her point of view the grounds in the distance CARFAX is dark no movement a thin streak of white M snakes across

the gr grass towards the Asylum almost invisible resume Mina suddenly feeling lethargic Mina climbs in bed Renfield screams louder off center off camera she buries her head in the pillow exterior Seward's quarters continuing action the streak of mist climbs to the wall of the Asylum he mocks you you cannot destroy him he comes to her full fools interior Renfield cell continuing action the tendril Mist pours in his window Renfield watches coiled in a corner to Spring my master promised me eternal life but he lies he wants to give it to the woman I tried to warn her she would not listen I will spare her master you cannot have her die Renfield leaps grabbing at the Mist a powerful force hurls him head first repeatedly against the bars or is it just a lunatic purging his personal demons interior Carfax Chapel continuing action Harker chops the others stack the boxes High Seward methodically spreads

coal oil on the pile high pitched squealing Echoes around them a sparkling swirl of mist forms rolling across the floor rats appear from it Quincy and IES his cult at them Homewood and Seward slash and chop at them with saber and axe Harker pulls Rats from Van hing's neck and shoulders biting them off as he lights his torch this is his doing burn it Harker finds fights through the Swarm tossing the torch onto the pile of crates it erupts in a ball of flames interior Seward's quarters Mina's room night the street dream of mist Billows across the floor and under Mina sheets coiling toward her like a serpent Mina in near stuper watches the Bulge slide up toward her suddenly it feels warm the fear leaves her face ecstasy returns Dracula slides from underneath the sheets handsome sensual intoxicating kissing her passionately she she responds wanting him hungering him oh my love oh this can't be true I'm

Dreaming I must Mina my most precious life I want to be with you always you can't to know what you are saying hundreds of years of resistance melting him as she touches his face tracing his lips his eyes yes oh something inside me has always known she kisses him she opens her legs and buries his face in her neck sliding him down to her breasts her gown slips down her pale shoulders his mouth meets her flesh her legs wrap around his waist she arches against him Dracula stops at her throat her pulse pounding in his brain he grabs her hand placing her Palm over his bare chest over his heart G stiffens the realization there is no life in this body she shrinks back reviled horrified but you live what are you I must know you must tell me Dracula turns away covering his face in shame he suddenly the wicked evil hideous 400y old creature I am nothing hated feared many have suffered because of what I am I

have committed unspeakable acts to find you without you the life the love you give me I am dead to all the world Mina tears of compassion gently Strokes his hair and I must love you to keep you his entire being swells with the power the hunger he turns slowly to face her his face once again young filled with eternal Tender Love interior Renfield cell continuing action Renfield is a twisted Mass Seward enters followed by van heling both smoke burned Seward makes a cursory diagnosis Renfield moans Seward pokes his leg with his Lancet nothing no feeling back broken cranial and Demon he couldn't do this to himself poor devil tonation release the cranial pressure it is his only hope Seward pulls a round Trine boar from Van hing's bag you promised me eternal life but the Pretty Woman won him from me always some woman then Hing holds Renfield sew bores a hole in his head what woman talk to me man what woman

Renfield van Hing I must be dying I smelled him on her I warn Dr Jack the master is here he he feeds on ha's M she is his bride hi um free he spasms eyes resume Mina and Dracula Dracula rises above her holding her gently in his hands in vampire wedding command me and I will leave you let no man come between our love I want to be what you are see what you see love what you love me to walk with me you must die to your breathing life and be reborn to mine you are my love and my life then I give you life eternal ever Everlasting Love the power power of the storm and the beasts of the earth walk with me to be my loving wife forever yes I will yes forever Dracula caresses her face as tenderly as a child he gently turns her exposing her neck kissing her Softly She moans a tiny Grimace of pain as he enters her veins with his long thumbnail he opens a vein over his heart fresh of my fresh BL Blood of My Blood he pulls her

submissively to his chest she drinks she swoons as his life runs into her drink and join me in eternal life he faltered welling up Suddenly fighting his desire he shoves her back in anguish I cannot let this be you will beest as I am to walk in the shadow of death for all identity I love you too much to condemn you she shutters pleading holding him caressing him hear me I am the monster the breathing man will kill I am dula Nina breaks down all her faculties collapsing pounding him feudly her own guilt fueling her oh God forgive me I love you I do love you she forces her lips to his chest I do love you the door bursts open van Hing and the men men rush in they freeze at Dracula Mina at his breast Mina Dracula his eyes red with rage Mina wailes in guilt and horror Dracula Springs at them catlike protecting her Harker fires a pistol point blank blank Dracula reels from the impact he HS Harker beside Mina she holds him back

Quincy slashes at him with his gleaming Bowie knife Cuts with his saber Dracula stops the blade with his bare hand smiling cruel wrenches the saber away vaning advances raising a large pointed crucifix and Manus to us Domin old fool you would destroy me with your Idols me who served the cross me who commanded Nations hundreds of years before you are born my revenge has just begun I spread it over centuries I live long after your bones of dust time is mine and she that you all love is mine more we follow my arm do my Bing your armies were defeated you murdered thousands with unspeakable tortures now you must pay for your crimes Dan Hing stabs the cross at him Dracula blocks it it bursts into flames Dracula flings it to the floor wailing in pain like a wild beast caught in a trap then taking a final longing look at Mina he bows and leaps out the window Vanishing into a vapor Quincy rushes to the window

peering out nothing gone silence the Vampire Killers regard each other numbed Harker tears himself from Mina and storms out reviled by her appearance her actions unclean unclean unclean staring at her bloody hands and she van Hing cradles her in that fatherly manner she sobs like a child fade in exterior Carfax day a burned out ruin interior Chapel continuing action the mound of crates and Earth now a scorched Monument interior chamber continuing action Dracula's silver brushes and combs lay next to an elegant porcelain Basin filled now with with Dank water in the burn debris a face stares out the photop plate of mina charred and broken the remnants of Dracula's lonely existence he is

gone got one more shot there interior Seward quarters day van Hing leans into view he is worn aged with the stress and riger as old as Dracula first at his castle how do you know child Mina stares into space gaunt pale her gums receding back she is changing transforming he speaks to me he still has a strong mind connection to you he was in life a most wonderful man Soldier and Statesman his heart was strong enough to survive the grave had we not crossed his path he might be the father of a new order of beings whose Road must lead through death not life you admire him much so his mind is great but greater is the necessity to utterly stamp him out that is why I want to hypnotize you Mina help me to find him before it is too late Mina wrestles with the powers ripping her insides oh must you fight must you destroy him even as you did Lucy Bening shutters remembering what they did to Lucy but not in hate oh

the poor lost soul who has wrought all this misery to the saddest of all of us you must pity him too as you must me then heling size and grief knowing Mina's inevitable end I know I am becoming as him My Mind Is Made Up When I find in myself a sign of harm to anyone I love I shall die you would take your own life Mina nods with firm conviction must not die until this other who fed your sweet life is true dead his destruction is your salvation help me find him help me then Hing hypnotically caresses her hand moving his free hand slowly before her she fixes on it weak fatigued yes yes I I must go to him he calls she nods staring glassy eyed van heling checks her vitals knowing what he must do he puts her deep in a hypnotic trance tell this dry old man of science what you see with those so bright eyes is dissolve to exterior High sea day Library footage a Clipper ship heads East Under full sale super the Zarina

Catherine London to Vara Romania sleep has no place to call its own I am drifting floating what do you hear the zaren crashes through waves speeding With the Wind mother ocean resolve to Interior Arena the hold the view Glides over boxes and crates to one last coffin crate resting in the shadows we sail he's beside me a train whistle blows exterior European Frontier night the Orient Express speeds East through blinding snows where are you going interior private railroad car tight on Mina deep in hypnotic trans home home then heling gently closes Mina's eyes she sleeps then Hing sponges her head Seward unpacks transfusion tubes then Hing stops him the vampire has baptized her with his own blood her blood is dying my friend Ben heling raises her lips her gums have receded Mina suddenly grabs vaning barely able to breathe he calls me to him promise me promise me on your honor as men in the

sight of God you'll not tell me your plans against him Parker takes her hand biting his tears she is wise as he Wills her to him she could betray us oh Jonathan she is one of God's women fashioned by his own hand to show us men that there is a heaven at the other end of the car holwood sleeps in his Bush gear Quincy wets the edge of his Bowie knife in his Rough Rider gear Harker arrives with a map and two whiskies sharing his natural sense of command he shows Quincy their progress against Draculas I know one tooth for sure Quinn if I find out that Mina must be a vampire in the end I'm not letting her go into the unknown alone princy clinks his glass pledging his loyalty exterior ocean night stock footage a full moon land is visible in the distance the zarena sails on that haunting lonely howl Echoes exterior Varna Romania railroad siding Dawn redress London docks super 15 October Harper Harker's

Journal Varna Romania I must keep this journal or go mad we've beaten this Zena Katherine to Vana thank God this is a country where bribery can do anything we are well supplied with money I will kill the count myself with the first blow Mina is in his mind she brings him to us he is weak at Dawn Parker Paces a dock outside the private Railway car like a caged animal fighting the cold Quincy busies himself sharpening long wooden Stakes while we're waiting for the count to show why don't you ask the doc to put Mina wife in one of those transes and and tell us where we can find some decent food Parker appreciates Quincy's levity but he's too intense to laugh homward hurries up with a cable gram distraught we've been had on this wire just came from my clerk at Lloyd's s Serena Catherine reported entering gallets at 1:00 today then look at each other in shock I'll be damned she sailed right past us in the T night she's headed up

river that black devil is reading our minds Parker explodes Quincy Stakes about no he's reading hers with Mina approaching in a horse coach with Van heling Seward drives she is even paler there's a gleam of Triumph in her vacant smile dors slide back on the private car Quincy holwood and Jonathan ride Exquisite English mounts down a ramp they rain up beside van hing's we'll follow the bastard up River try to hit him off you head for the castle whoever goes to the Borgo first will have to do the job Quincy hands van heling a seal skin rifle Scabbard holding a well-oiled Winchester he hands his Navy cult to mina respect and Grim understanding passes between the Cowboy and the lady Seward mounts the horse Homewood leads for him he dos his F hat to mina then to Van heling who gives him a warm clasped hand farewell like the Pope blessing the flock Quincy and Seward wheel and ride away after hward

Mina and Harker face each other he leans to kiss her she reaches to him his horse rears skittish at her Mina stay behind I beg you my Powers will help John If I Stay he will find me and follow I am his Parker shouts in Anger no do you know the place you take her Prof every Speck of dust that whirls is a devouring monster embryo have you felt the vampire's lips on your throat old man be not afraid for Madame Mina it is she who will protect me we are all in God's hands may God give him into my hands just long enough to send his soul to burning hell he gallops after the others Mina watches him go a final Silent Goodbye then Hing Wheels their coach in the other direction ction exterior gallet docks Dawn redress London docks Dracula's coffin crate is lowered onto a horse cart 12 s gypsies guard the crate with guns and Blades interior Dracula's coffin traveling his handsome face aging rapidly hair graying he

whispers you are near exterior the Carpathian Sunset Dracula's beloved snowcapped PE Peaks stretch before us exteror Borgo Road continuing action then Hing and Mina approach both wearing bulky fur the horses are fatigued the old man even more so Mina reclines in a near Kom State suddenly she wakes animated excited like a child this is the way they Crest the top of the Steep Rising Hill the castle appears in full view on its precipice Timeless Sentinel exactly as Jonathan described it in his journal the end of the world then heling studies Mina's exuberant reaction troubled why are we stopping we must go on it is late child we rest here full of new energy Mina jumps down and starts walking no I must see it now and Hing takes her arm gently she flares struggling against him let me go I want to go to him he fights harder he grabs her dragging her back I must see him can't you understand just let me

go I know what I am he needs me I can take care of him be with him leave me I am vowed to protect you I have lost Lucy I will not lose you to him this will comfort you and bless you he pulls a tin coat from his a tin from his coat and produces a holy wafer Christos child deliver her from Evil he presses the wafer to her forehead her skin Sears at the touch Mina screams falling back a Scarlet Red Mark branded on her forehead I am his if I cannot be with him then I pray you cut off my head and drive a steak through me as you did Lucy promise me she convulses and gasping sobs prostrate on the cold ground van Hing kneels beside her his tired body giving up out the winds rise around them mixed with a tingling laughter andh heling listens sensing a presence sun set exterior campsite evening then Hing throws more wood on a roaring fire Mina sits upright on a couch of Furs wide awake and energized by the night then

Hing brings her a bowl of food you must eat something child I am not hungry come come over to the fire he leads her she stops tugging away sitting where she stands on her hunches watching leave me alone her eyes gleam then Hing watches her horses nay and Winnie in Fright the tingling laughter echoes in the darkness Mina hears it she stands excited the brides of Dracula materialize beckoning to Mina come she is the image come she is the oh come come sister come to us he is theage of Lucy Mina raises her arms to greet them van Hing pulls her back he grabs a stick from the fire and quickly draws a crude ring around Mina Mina Mina you are safe here do not move outside the ring why fear for me oh none is safer in all the world from them than me I am their kind not while I live no he crumbles a holy wafer around the circle waving the Flaming stick at the brides leave us this is Holy Ground the

youngest laughs cruy hissing as his at his Antics he stands before Mina his flaming stick in one hand his holy book in the other the brides swirl past him the horses nay and fright one Beast is yanked down by the brides leaping and tearing at its Great Neck van helsen covers mea's eyes he gags at the horrible sight as the horses cry and nay in death interior Dracula's coffin traveling a smile of Triumph spreads on his aging face exterior campsite Dawn the Red Dawn appears the fire smolders Mina sleeps soundly covered with Furs inside the circle fresh two-legged tracks lead away from the camp past the two dead horses heading for the castle in the distance exterior castle entrance continuing action the the tracks go through the same Gates Harker entered interior Castle Chapel afternoon the ground covered in a blanket of white follow the tracks to Van heling his face and hands bitten with the cold limping

in his great fur coat up to the stone altar he gazes rently at the dragon Arch Dracula the three Brides lay in their tombs more beautiful and more voluptuous than ever their hunger sated then he opens his bag as a the doctor making a house call laying out his instruments of dismemberment his postmortem knives three long wooden Stakes his Mallet with ritual care he kneels before the youngest overwhelmed by her beauty he straightens her hair lovingly her robe lays open revealing her per perfect breast aroused and weakening van heling bends kissing her exposed nipple her eyes open glowing hot she presses his mouth harder to her breast waking his desires a second bride wakes pulling him down to her her loins arching against him he recoils chastising himself in one fluid motion he places a stake on her chest and Strikes exterior Valley Castle in view afternoon a scream Echoes through the valley exterior campsite

continuing action the scream is Mina struggling awake Beneath The Furs exterior the Borgo Road continuing action 12 mounted gypsies escort the wagon bearing Dracula along the river toward the castle resume campsite continuing action van Hing staggers through the snow his furs covered in vampire blood Mina Madam Mina Mina rises in her fur he Embraces her exhausted barely able to stand he comes he grabs the seal skin of rifles and a ruck sack and drags her down the hill after him exterior Borgo Road continuing action the scanny approach the coffin crate drawing closer to the castle in the distance exterior Transylvania Battleground continuing action van Hing and Mina take up positions in the jagged Rock Fortress overlooking the road they race the sunset we may be too late God help us wolves begin to howl off cema in the Hills van Hing climbs up on the rock with his field glasses exterior Borgo

Road his point of view field glasses the Caravan makes the turn heading right at their position further back two Riders are closing fast resume van Hing and Mina look Madam Mina two Horsemen follow fast exterior Road two Riders emerge from the snowy Gloom Quincy's Unforgettable Rebel Yell flanked by Jack Seward his saber drawn Quincy fires his Winchester rapidly Indian style One scanny Drops the Riders Clash Seward slashes one across the chest dropping him to the ground exterior Jagged rocks continuing Action Van Hing yells Mina is riveted exterior Borgo Pass Road Harker and Homewood appear leaping their horses into the road both steady their mounts and level their weapons out the lead Gypsy Bears down fearsome blade in his hand holwood calmly drops him with an expert shot Harker Spurs up and leaps AB board the Gypsy driver turns to strike Quincy drops him Harker slashes the bond holding the box it

breaks free the Box buries itself in snow still shut tight Mina watches in horror Harker fights to the Box Seward rides up leaping over the Box chopping a gypsy one Gypsy slashes Quincy he fights hand to hand bleeding profusely vanh housing yells pointing to the sun strike now hurry man interior coffin Dracula roaring with all the powers left in him exterior Borgo Pass Road Harker struggles with the lid the coffin Quakes the lid explodes smashing over Harker Harker raises to strike Dracula and Harker face to face Dracula Rises grabbing Harker by the throat roaring the Beast knives bowy knife deep in Dracula's heart he screeches flinging Quincy into the Dracula rides clawing at the knife deep in his chest a great Beast is dying severing his neck Crimson blood spatters white snow Dracula stands erect facing his ass salance blood streaming from his severed throat Bowie knife stuck deep in his heart his body

shutters his skin is slowly oozing away God no Parker raises to strike again a gun reports the bullet kicking the blade from Harker's hand he Wheels stunned Mina rushes to Dracula aiming a rifle wildly at Harker then sewered Homewood all shocked by her her action Mina dra Ula turns to her his face horribly transformed almost a skull bulging cheekbones teeth Beed his voice rasps cracking like broken glass Mina holds his dying gaze fighting her repulsion as he purifies returning to a 400-year-old corpse before them his sunken eyes find the setting Sun a moment of Triumph flashes across his face he staggers backwards snarling in pain wrenching himself through the snow toward the castle gate refusing to die like an animal Mina backed slowly after him her gun trained on the men you must pity him when my time comes will you do the same to me will you and Hing holds Harker back using all his strength to restrain him

she'll shoot man let me reason with her our dead is not finished until Dracula is dust Harker knocks vaning down and rushes at her kill me if you must I love you Nina squeezes Point Blank at Harker she trembles lowering the rifle unable to shoot Harker reaches for the barrel Dracula reaches the gates he sees Harker and Mina with all the power left in him he summons the powers of Hell a powerful force swirls the snow blinding Harker a pillar of the blue flames erupt swirling around Harker obscuring Mina from view andh heling is blown to the ground in a shower of golden coins Panorama Battleground the Sun sets behind the castle Harker kneels on the mound of treasure obsessed with the Sea of wealth calling to mina holwood sits motionless on his Mount head bowed end of the trail Seward cradles Quincy he dies then Helen climbs a mound facing the castle madness madness God Rest him let him sleep in

peace interior Castle Chapel Sunset last Rays strike the Magnificent Dragon Arch pan down to Dracula collapsing sprawled on the marble altar the same position he discovered Elizabeth in centuries earlier now a h of his body is All That Remains as he oozes away deep in the caverns of his eyes Fierce life still Burns Dracula's Cav's hand framed in the Crimson snow reaches up up to his precious night visible through the vaulted ceiling Mina's hands appear taking his withering bony fingers kissing them caressing them she kneels beside him fighting her revulsion Dracula cracks a hideous painful smile coughing up blood and a rasping gap where is my God he fores me I I'm here I'm with you always he reaches feey to the blade Mina grips the handle and pulls with all her strength his fingers nearly bone creep up the shaft resting around hers stopping her you must let me die please I love you she kisses his horrid lips smoothing what's

left of his once strong face you are my bride for all eternity I live in you no no she clutches him to her throat to feed but he Cann she tears open her cloak clutching him to her bare breast to suckle her blood he cannot you must release me give me peace I'm begging you feeding begging crumbling In Her Arms his voice a

rasp you she Quakes knowing what she miss forget my glory he cries out Mina closes her eyes prays for strength and falls on him with all her weight driving the knife clear through his flimsy chest arching reaching up to the altar cradled in Mina's arms Dracula crumbles dust Mina sinks in a dreamy silent motion across him the mark on her forehead vanishes she is free the ruins Echo with Mina's tender weeping Moonlight streams upon her cradling his remains beams strike the Magnificent altar the dragon Arch Illuminating his name Dracula the warrior Prince is at peace fade slowly out wow what nice ending good job you all that was a lot of talking it was like the van Hing and show yeah I didn't I didn't quite I didn't quite G gauge that right in terms of line distribution I apologize I thought he had only a few lines in that scene I guess I was wrong but you all did great it was a really short one an hour and a half so um read

so wonderly yay yes you made a very nice Dracula Aubrey the dying scene was just Romanian Romanian accent terrible but you know it's fine I need to practice it a lot a lot more well we'll have to give you something besides something vampiric appreciate it I love being vampires it's fun love being so we usually stay and discuss the script for a little bit um if you have to go um but if you can love to have you stay for a little while um so even you haven't seen um the whole script um what you guys think of it the as a script I mean there's a lot of action a lot of stage directions way too many stage directions I think this is a movie that like obviously you have to watch you know because reading it I was like okay let's go St Direction after stage Direction I was like oh a little bit of Talking Now Let's go back to Stage cut two cut two cut two that's right and one of the reasons we read this the the actions in

descriptions is because the camera in the film is essentially a character you think about it you know it's it's where we where we focus the action and how we look at it is a very essential part and this one obviously does not a lot of dialogue um compared to some of the scripts we read but but there's a lot of visual it's a lot of visual effect I think um with the camera that's why it's so an action heavy I mean cuz there's so much going on it's not just about the action of the characters but it's also the action of everything else it's the way that The View Camera moves through the this movie that's what kind of gives it you know it's as you're saying it's its own character so it's it's really important for something like this because there's so much symbolism in here more than just hey it's a vampire doing things it's also there's a lot more going on underneath the service and I think that's why it's so action

heavy yeah it was interesting to me I've never seen this movie before and so this was cold for me tonight and the idea that uh that Dracula is more of a sympathetic character is kind of a cool twist yeah I think he's that way even in the book I have the book and I think he actually does even though he's different he's actually a much more sympathetic than we even give it credit for you know he's not just a non-thinking evil V villain he's I mean maybe it isn't that way it might be that this is more and it's I mean I think it's because we know more much more about Vlad the Imp tlor at least than we did when the book was written we actually know that he was actually a hero and not a villain like he was often betrayed in much earlier texts and M in much more um in older like you know by that stuff that was spread by the Turks by by turkey and all that was spread you know for him being a villain then we find out actually no

he's a hero he died a hero he was he was um and then he was villainized for many many years and so I think that was why the shift in him becoming more sympathetic character was so important um cuz he protected his people that was something that he he actually did he he did a lot of good for the people while while inovia in fact they're they're pissed they're pissed that he's he actually Brandon as such a villain because he did so much for that country fascinating fascinatingly enough so but we I don't know if um brim stoker knew that at the time so I don't know I have to go back and read the book it's been a long time for me I have the book too um and I'm not sure if I can reread it I have a feeling the print is too small oh no yeah and when was this film made and in the 1992 or 19 so the the the book was written in in 1906 it might be 1896 it's one of those it's like really early turn of the

century I can go look I actually hold on on one second let me go grab my book I and go see what I'm just going to go grab mine I'll let you all right I have I can go get it really easy it's just right here because yeah it's it's amazing how popular a character Dracula is not just in this one book or this one movie but he shows up in a lot and sometimes it's just television episodes you know as a bit part and sometimes it's a whole movie de dedicated to him but it's a very um I was really close it was 1897 1897 yeah so here's the book that I've got I don't know if you can see oh there he is yours is a much newer Edition is it this was this wasn't this is oh this is supposed to be like a first edition paperback so it's very old actually yeah it is this is this one is gotta do all the real man numeral math huh 1965 first signant printing October 1965 okay so fairly old version of the book but I knew it was like a first

printing but it's a of this publisher I'm guessing when when was yours the that you have I think she went she's went to go get it y mhm we're we're we're saying whose book is older or newer that's so funny this actually was given to me by a lovely author friend actually um who was an author and he gave me quite a few old books because you knew I I loved like he did um the World of Tomorrow he gave me that one and he gave me this one and they're both really old versions so the number of actions and descriptions also make a difference into obviously how much action there is is in the action you know there's a lot of fight scenes and such um also I wonder how much of it is is the script writers um intention to get across to the director um the part that were relevant okay so this is actually read this is actually written all in journals so this is all like journalized that's the thing about it meaning it's all written in the

in Mina and Jonathan's journals so that's what it it's all that's why you have all the journal pieces and the script is because it's all by the journals by that okay it's really fascinating it's it's a good book though I mean it was as I said it's public it was published turn century and for how in some ways Progressive it is it's really really interesting so is Jonathan the bad guy in this thing no no he's still the hero he's still a prot he's the protagonist okay yeah I mean again I don't I don't think either men are men I don't think Dracula is that is I think he's a much more sympathetic character especially in the movie but I don't think either of them are necessarily bad I think in a way you know it's kind of that whole victim of circumstance victim of of what you know he became and how he survived all those years and I kind of think that's what it was like that's what he you know he

recognized at the end of that he was like I'm not meant for this world you're you're alive that's enough I'm gonna I can I can die now knowing that you're going to have a second life I think that's kind of what the message is at least for the movie um it it's funny because then you see if you I don't know who's seen League of Extraordinary Gentlemen but Mina Harker who shows up in in that movie is one of the best about it I I had not made that connection in that I've seen that movie several times actually um but yeah I hadn't I hadn't put those two things together she she says unfortunately a one night a night a night with a Vampire kind of changed everything and it you know she shows the two and that's like the only mention you get that it's it's her but she's got like vampire powers in there and it's pretty awesome like that CU they all think they're meeting Johns and Harker and it's it's not it's Mina and she

still basically looks the same because it didn't really kill the vampire out of her so she's so she's like a human vampire hybrid it's like a I know it's pretty cool cool take on the thing I I don't think that movie got enough love when it came out I think people really did not like it and I'm one of the weirdos that did well this is an interesting script too um to contrast with interview of the vampire which earlier cuz that the V not the vampires are most sympathetic I think but the the characters that get bitten and transformed I think have different viewpoints on whether they appreciate being turned into vampires or whether they are really really upset that they've been turned into vampires well like with lat his he did not want to be a vampire he did not ask to become a vampire in fact it's that I would it's very much like like um like assault like uh like sexual assault I don't you can say that on YouTube but

it it's very much that that that's the allegory of that actually in in that in that case I mean grandpar are technically very sexual anyways but the the it it's very much framed as like you know being forced like whereas Louis was it was consentual more or less it's like lack of consent yeah there was usually stat turning was very brutal that F tooth and nail he did not want to be turn into a vampire Magnus was creepy and crazy just saying and about the women characters the there's some contrast there too even within this one between Lucy and Mina I mean it's that horror horror Madonna com Lex right you know Lucy was the more venturous the more more sexually free character and she died dies in it whereas Mina was very virginal and not in that context yeah it yeah exactly it's the the horn none complex you guys can talk it's not just us please Unleash Your mics and and conversate please I

appreciate it sharing your input no I think the vampire genre is one that you know you can do whatever you want with it and we see that with so many different TV shows and movies I mean van Hing um they made a TV show a Canadian TV show which I watched the whole thing actually it's bunkers it's an insane show um where you know van Hing is a woman now called Vanessa oh uhuh the vampires evolve in many different stages throughout the seasons like they they they're not typical vampires that we like read in books so yeah it's it's always interesting to see like how are vampires seen and like Twilight we know they're seen as like both monsters and as like beautiful and nice and heroes like it's interesting I'm writing a vampire book right now so cool I mean it's a series of books but it I'm writing them all consecutively right like all like as this like the from different character viewpoints so they're all from

the first first person point of view got a vampire a werewolf a beastling yeah I've got a bunch a witch he's like there she's not a witch she's actually like more like a anyways I'm not going to spoil it but it she's she's not so like we have a my friend and I have been working on this story for a really really long time and we it's a whole base on this whole world building that has been done we even wrote a role playing book for it and everything so yeah so it's like so so just to go I'm only saying this not to self-promoted but only to add to the context of like how different you can make like vampires cuz they're they're actually based very differently than how they are in a lot of other places so they're um there's a race called the so Le in this book and uh uh it was due to blood magic that they got turned into vampires basically I'm kind of spoiling it but that's kind of the whole idea of

it so so did gram Stoker's Dracula were there a lot I mean did he and this is just a question out there did he invent the were there vampires before the story too right absolutely before this movie yeah talking about well not the movie I mean the B the book The the World building of yes Empires you know where did it where did it and old folklore because what would happen is that because they didn't have normal embalming like they did in the way that we have medical science that really tells if someone's dead so what would happen is that someone will go into a you know coma or whatever and their blood their signs would would almost go to nothing and so people would often mistake them for being dead and then they would bury them and these people would wake up later in coffins and dig themselves out and so that's really where they found that they're or you know scratching or whatever and people made stories up

based on that I mean we can trace that back even to the 1400s 1500s sometimes even in some places even earlier so vampires or dampers have been around for a long time tomato huh tomatoes and bringing tomatoes from the new world to Europe Tomatoes reacted with PE plates and they would cause those people to look like they were dead for a few days um you were and they would bury them and that's when they would when they would dig themselves out they would eventually learn that maybe they weren't actually dead and they would put bells in the coffins with the string that's where you get the word you know you're a dead ringer for because you come up back to life and you're like oh you're a dead ringer for this person I just that just died like no I am that person that just died right um but yeah it's that's now that you mentioned it that that reminded me that part of History i' had forgotten about and the tradition of having the

deceased in the home on a table and everyone's you know eating and drinking around them part of that was in case they were actually in a coma and you sat up and joined the party uh caught awake because they were hoping they would wake up they might wake up yeah yeah absolutely but yeah during the medieval it was a lot I mean in Victorian era I think it was a lot more acceptable but in medieval times you know when these were this was like pre Lutheran uh Lutheran Lutheran Reformation you had you know they would just go and kill them cuz they were like no these are demons just terrible like you know these are vampir or vampires you know same with werewolves and such like that kind of whole thing came out that way too actually usually some from fears Fay too poor Fay I feel bad about the Fay be really cool to see how many different worlds you know that we've created um in literature and film and

such um you know what the different rules are for this vampire World versus that vampire world and what they can do here what they can't do there and what I will say it's really interesting that briem stoker did is that he humanized in many ways vampires uh I don't think they were very human before like they were you know like he was in his demonic form um they were often depicted as being you know just basically walking corpses uh not thinking so I think that's something that BM stoker brought to and that's why he's still looked at as you know the the the grandfather of the modern vampire basically he brought in the modern her because he gave him a personality and a and technically like a soul kind of thing he gave him the guide guys of looking like a man cuz um in a lot of tales that's not what it's something more like you see in the in the silent movie NOS forat to actually it's more closer to that is what a lot

of the the folktales uh depict which is really interesting yeah like um Bella Leo see that that type of movie like I've seen some very old films of of vampires and they're really tall and white and more zombie I mean zombies There's that's another kind of version in a way you know that's going to be southern hemisphere I guess maybe yeah I mean zombies are very different than how they are very yes before George A Romero was not living dead zombies were looked at very very cly there's an actually an old black and white movie called so I walked with a zombie and it's such a great film it's so good it's beautiful I don't know if anyone's seen it um but it's it's a fantastic movie I I I haven't seen it in years but I it's still so memorable to me cuz it's it's I mean it's one of the first films I think that stars a black man in it it's one of the very first ones um and he is the hero basically in

the story which is such a great I don't know to me it's such a great film because it really shows but it also shows like Haitian zombification in a way I don't know if it's correct but it shows it which is really cool but um yeah if anyone wants add and I'm just talking now what was the name of that film again so I walked with a zombie so I walked with a zombie the I may have gotten the the title you know to me that's what it I'm sure that's what it's called but my memory of me I may be saying the name wrong but it's something like that so I walked with a zombie or I walked with a zombie or something like that cool I walked with a zombie yeah I just found it you found it and you said it was black and white it's an old black and white film yeah it's beautiful it's beautiful f so if anyone gets a chance to watch it again that's my memory of it being a beautiful film it's been a long time since I've seen it so and it's really

hard to find so you know but that that's my memory of it that it's a really it may be a terrible movie but that was my memory of it being beautiful it's 85% on rotten rotten tomatoes that's there we go then I am not a liar thank goodness my memory is correct it's a really well done film from what I remember I just wonder though who the black person is because they don't post they don't mention post three white people the like leads so was like that's so funny because he's the hero in the end he's the hero he saves her so the the leading lady he saves her so that is so weird that they don't even mention his name [ __ ] is sorry excuse me YouTube wow what blasphemy is this s some some of the words we have to say in the movies we read are much worse than what you just said so I know but it's YouTube's out you know YouTube yes well I try to I try to minimize what I my swearing uh a lot when I'm on when I'm you know on

YouTube but it's a good idea yeah yeah um I said to my husbandi I'm on YouTube immortalized saying so many incredibly horrible things that I would never say as me it's it's really amazing uh Annie uh is that your name your name is an yeah an um and yeah know if you want to add do you have anything to add to this this discussion like it's just us three talking like over talking everybody so I feel I feel very OD because I like good you have a lot of knowledge I love it and we have Jonathan Harker I can't I think it's car correct yeah you have anything to say I would love to hear love to have you guys I already said what I had to say anyways yeah it's fun all right well um if there's other comments we'd love to hear them um I'm going to tell you what we're doing next um in the next let's see this December 3rd which is next Tuesday actually we're going to we're going to read Forest Gump and I

look through the script there are very few actions in descriptions it's mostly dialogue um for incredible yeah there are some granted but there's a lot more dialogue and far fewer actions in descriptions it's so few enough we might be to get through the whole film in one reading right if we don't then we'll have the following Tuesday the 10th for the second half of Forest Gump um but there what's do you know the length of the movie like um in terms of the script you mean in terms of pages um no in terms of the movie itself I idea the movie is long that's what I was thinking yeah the movie is very long yeah so we'll see like said I could be I could be just over over uh cuz I read really fast yeah no we read really fast too like the movie is 2 hours and 22 minutes but like there you go if we if we read the clip maybe we'll be faster than that so might be fine um I know because I usually go by Pages the number of pages

in The Script because um the dialogue takes far less time because it's only this much of the page as opposed to descriptions which are the full length of the page as length far the lines go so um but we'll see and um after Force Gump I just lost my page with believe believe we are going into Gremlins on the yes that's our Christmas movie yes and that's the last script of the Year correct yes because we're not we don't have a reading on the 24th it's Christmas Eve which ises so if we want if we need part two of Gremlins we'll have to bump it into the first Tuesday of January with the 7th and then of course um I have January 14th for some reason oh because that's a The Never Ending Story 21st is the never- ending story right 21st and 28th if we need both both of those so but there so excited for yeah so um got the nice nice script to that one so feel free to join us for any of those we'd love to see you

all and if you have you know part preferences for any of them let me know um I'm happy to honor requests for these things um yes we are setting our season for next year so if you have movies or TV shows uh you can give us those ideas it's not a guarantee that it'll be in next season but it will be considered for sure and if you can find the script that really you know UPS the possibility because we don't currently have anything on our schedule past January so not yet it's wide open for scripts um and if you have on that you have written that you want us to read feel free to submit those too and we be happy to read your scripts and give you a chance to hear it read out loud so now what we've done in the past is actually do um like a where you vote you you'll have like four scripts that have been written by people we know and then we'll vote to see which one is is uh considered to be the the one we're

interested in doing and I believe in the end it was actually Jacob that they made the final decision but uh yeah I I really think we should do that at least once next season and we'll probably put some more polls in too instead of having a full set schedule the whole time so we have a little more flexibility to add scripts in in between so but yeah get us your scripts cuz you know we have a few on the back burner that we haven't read that we had to not choose to put on a calendar this year but um we'd love to have other ones added in so awesome well thank you all you you were wonderful tonight I I was really excited about this read and hey you proved that I should have been excited about this read CU is great I'll try and distribute the lines a little more fairly next time I was in a rush this week so it's okay you're awesome cat we just appreciate you thanks everything you do yes not to

be under I was actually saying to my husband earlier this evening if only I was more like cat I could actually cast a few of these shows and but I'm I'm a technical dinosaur so well you know Vick if you want to help cast if I can get the script know the lines and stuff counted out you're certainly welcome to help cast anyone is really so that because that's the hardest part for me you know I can the count the lines and making the whole thing that's easy that's just like you know OCD and I'm I'm really OCD but actually figure out who who does what where that that part always stresses me out so oh okay I can definitely help yeah I can lot I said I can confirm it is a lot of fun to cast with cat I've gotten to do that once and it was it was a yeah so you like reading Shakespeare I do a lot of too so love Shakespeare well then you should come join us on Saturdays Aubrey unfortunately I work this Saturday we're

reading Titus andronicus yeah I'll be joining for once y be fun that would be fun I think we have 17 people sign up for that we might have to break it into two casts every time yeah you you do a Shakespeare like lots of people come out of the Woodworks and you're like oh okay hi hello guys I see that you guys have de said Jo you guys come from well and yeah and Titus too you know this bloody G and and uh not I don't think it's performed very often but it's not it's too um it's too complicated in terms of like violent things and yeah it's very violent lots of blood but I mean there are lots of violent plays though let's be real like is violence yeah on film it doesn't seem as real as in a stage play though in a stage play you can actually see there's real people there and you know see did you see Julie Tamar's version of Titus like the movie it was it it's it's heartwrenching yeah this is a long time

ago but yeah I haven't seen any movie of Titus I know it's been done I've seen the one on the BBC the they did all the Shakespeare I'm sure they they did Titus I could remember seeing that one I think the version I'm talking about is just called Titus if you're looking but I like it I mean and it's also like really brutal in terms of what happens to linia but then again like I said there's lots of plays that are really brutal about essay and yeah other tough subjects well after Titus it be the Spanish the Spanish tragedy and that's by Thomas kid um okay I've seen the Spanish tragedy in the DC area actually performed must been live because they not on film though I don't think when I was looking for it I couldn't find any video or film of his Spanish strategy just play live action have you guys ever done Oh Brother Where Art th um here I don't think so we can yeah film oh brother we though oh no we

haven't done that no so good if we can find a script we should do that one that's a wonderful movie get the Soggy botom boys back together people in the last three years I say I would say I've been in probably 95% of what we've done yeah I think Vicky's only missed a couple yeah not too many that's awesome so that's un l and I have a copy of a Star Wars script too really really early like second draft it doesn't even like Skywalker oh wow that'll be really interesting to read because maybe in May I wonder if the Tuesday falls on my birthday if it's May May 4th is my birthday stop it no seriously it is oh that's my birthday really are you serious serious birthday mine is May 4th May the fourth be with us of course that's hilarious yeah that is awesome Vicky I didn't know that that's so cool well this year this next year will be is May mayth oh you're you're fifth that is awesome do they make do they make just

so you know just told the whole world your birthdays that's okay I don't care mine's whatever mine I didn't say what year they still think I'm 36 that's right you still look every day 36 too babe no but an did they make a lot of Sith jokes oh it's Ana sorry about that do they make a lot of what Sith jokes I because it's revenge of the Revenge of the fifth it's May the 4th and that's revenge of the fth all right we lost by Carla oh she left Gone Gone I probably should get going soon too but I just this so cool we got a lot of May babies in here it's awesome yeah cool May babies are cool May babies are cool November babies are better but that's okay are you a Scorpio technically okay all right Jackie what day is your birthday uh it passed it was November 16th but I'm celebrating the whole month so my birthday is every day in November you're not technically a Scorpio you are a Scorpio no when I say

technically I mean if you think about the tropes and the stereotypes of what a Scorpio is you would not associate that with me nobody does whenever I ask people to like know me like guess my sign Scorpio is never the sign that they think of because I'm not the stereotypical Scorpio that's Taurus so it's fine but that's cuz my moon is a Scorpio it is yeah and it's it's all good I mean SS are fun they are they're just fun means almost nothing if you think about it but yeah I don't know I've seen some stereotypical Tauruses for sure like theyes a Gemini stereotypical you're are you a Gemini Catherine on the cusp of cancer yes oh God oh God yes I have cousins who are Gemini and I'm always like though my brother is a Gemini and he's one of those people that will tell you he loves you while he's he's while he's burning your house down it's true oh my God that I mean I'm I'm sort of exaggerated but that's I mean because

that's like the joke of of Geminis they'll tell you they love you while they're burning your your your house to the ground that that's Geminis yeah it's a stereotypical thing that they talk about or like you know they're they're they're putting holes in your boat or like yeah this is like stere this is what they call about stere they're they're just really destructive loving but very destructive they say one thing and then they're doing another that's what that kind of means and my brother is absolutely that absolutely 100% do it can't do it and I noticed that there are differences between a woman Gemini and a mas and a male Gemini masculine masculine Gemini versus femine I there is a there's a weird difference between them two so it's just funny that's a asy we can go into astrology another time anyways to it yep now we're like a Gemini Catherine I'm not GNA lie I would have like guessed like um uh Libra or I

have a lot of characteristics in with Libra when I look Ates and things yeah I'm like you feel like a Libra to me I feel like a Libra some days my sister's my other my youngest sister's a Libra I see that I could see it they can never make a damn decision though that's me what you make lots of decisions Catherine though yeah L I've had lots of practice but I tell you you don't you don't see the wheels turning in the head I'm like do I do this or do I do this or do that you know I love it that's funny all right I'm going to get going here I adore all of you great job Dracula dude my my Romanian accent is so bad it get it like gets me out listen to I don't even know what a Romanian accent is so like it's fine that's good I know I know it's worse than my French accent and I like to think my French accent is actually pretty good I'm making fun but I actually am really proud of my French accent so that's my

worst one yeah as long as you're having fun France as long as rude no I'm just saying like accents are tricky I'm a language teacher and um there's some accents that you know some people do really well and some that people do really terribly and I'm like you're having a blast that's all I care about yeah yeah I mean but I'm I like authenticity and so like I I always can tell I mean again my FR Jackson is not perfect I have days where is it it's just not happening and then I have days where I'm like so good at it and I'm yes I'm getting it then yeah but it everyone is speaking the same accent but when you have like a French character and a German character and a Spanish character and a Welsh character whatever you know all in one play or one script oh my gosh my accent goes entire around the entire world yeah mid sentence I I totally hear that yeah uh when I do my Irish one I cannot get out

of it though that one's so hard to get out I have to like really force myself to get out of the accent once I'm that's a really fun one though the Irish I love that one it's so fun yeah it's it's I'm not going to do it it's really fun but um I got stuck I was like I did it kind of as a just like someone was like oh so you do accents and I'm like oh yes I do accents and I was just I was just [ __ ] around then I couldn't get out of it and I'm trying not to get into it so I'm not doing it very well but once I get D no shush stop it you will not get me into the accident because I will not stop it's awful I have such a hard time getting out of it once I'm in there bad take pity on you then huh we'll take pity on you then and we won appr to horrible Irish it's not horrible it's just it's it's my Heritage but it's just I once I get into it I can't get out of it it's really really hard yes not horrible as in the language

sounds bad I love the way it sounds no just horrible like it's horrible to get out of yeah and and there are different ones too there's different dialects of the the Irish accent too there's different because it's it's just like England there's so many so many little tiny tiny little sections all right it's 8 o'cl I'm gonna get out of here I'm gonna get done so you're on the west coast yeah I was like oh that's so nice it is nice not quite 11 o'clock for you there huh Jackie yeah yeah I mean I I stay up ungodly an hour so it's fine so do I Jackie I'm so happy you're here tonight thank you for being here thank you I'm glad could make it too I watched Gladiator too before I came too oh Gladiator like the fighting spirit I hated that movie when it came out the first one or the second one the first one I love that one I I mean it's because of spartus it just was it was it's it's complicated it's complicated I have

complicated feelings about that movie we could talk about it sometime but it's complic honest it's not because it's a bad movie A lot of times it's like My reasonings for hating certain movies have nothing to do with the quality of the movie itself it's literally because of what's behind it yeah it's either that or the inaccuracies in it or like like one thing I can't stand is like having a like they're doing a Greek movie and all of the gods have Roman names I can't stand that I'm Petty AF dude I'm like how dare you no that's dumb like you can't you can't use Greek god names you're going to use the Roman ones what are we doing what are we doing or or they use the Greek names but all of them are based on ROM Mets they they've done that too like Hercules when the Disney movie Hercules came out I was livid I was is so mad kid and I was so mad I'm a weirdo okay I have like needs for accuracies of things and if you're

not accurate screw you oh heard that but that movie is such a beautiful mess anyways Hercules is I can't I I don't hate it anymore obviously I'm not mad Schwarz a [ __ ] or oh my god oh wow that's a call back wow I'm like it's like which Hercules no no the the animated Hercules oh the animated okay beautiful Hercules the musical The yeah I I don't yeah that one fully in the million years I mean now I love it but I just don't think of it as a actual like accurate it's not ACC it's not it's not a representation no not great representation but it's a beautiful it's it's beautiful it's beautiful looking it's fun the sto the the songs are great I like the characterization I live for Meg Meg is great I love her um yeah and I just love I love the golden retriever energy of Hercules and just jameswood makes me laugh every time as as Hanes but but it is inaccurate to all get out it is so bad see I hate movies for weird I have

weird I like weird beefs with movies don't get me start to lure of the rigs just don't oh God love the whole we're gonna fight I know Catherine and team team Lord of the Rings I'm with you oh no don't get me started I have oh I have so much beef with that movie those movies but that's cuz I'm a talking fanatic and I have all the talking books I have all of them me too minor in hard cover I'm a purist I have like four sets of Lord of the Rings in book form I kid you not I gave one set away oh yeah one of my one of my sets no two of my sets are not here but I have I have like four sets I have three right now that no okay four sets so one of my sets is not here then I have um his translation of bolf oh I was so mad at that movie too that was you should just make a list of all the movies you're mad at Aubrey and then see how many I know right and yeah do a whole episode on YouTube and Aubrey is mad at this movie because of

this reason it wasn't inaccurate to the death how dare they I do movie reviews on my YouTube channel too yeah I love movie reviews they're so fun just Aubrey hates all the movies it's just funny makes me laugh on that note we're gonna say goodbye goodbye I love you mad at the movies I'm not I'm actually not I just think it's funny hates all the movies hit them all I hit all of them no they are not good all right good night you all good night y'all good night everyone bye have a good evening good night YouTube I'm gonna stop talking now by gonna end the meeting here so um

Questions about this episode

Who speaks in "BRAM STOKER'S DRACULA-- (2nd half)--Table Read Tuesdays--"?

Cat Wilson (Host), Jackie (Guest), Aubrey (Guest), Carla Ren (Guest), Anamik (Guest), Vicky Dykes (Host), Padmini (Guest).

What is "BRAM STOKER'S DRACULA-- (2nd half)--Table Read Tuesdays--" about?

The reading of Bram Stoker's "Dracula" continues with a cast of actors providing character portrayals and narrative descriptions. Participants introduce themselves, sharing their roles and locations, while diving deeper into the gothic tale's plot as they engage in an immersive interpretation of the classic story.

What is mentioned in this Table Read Tuesdays episode?

9 people, works and ideas are mentioned, including Jonathan Harker, Mina Harker, Forest Gump, Lucy Westenra, Quincy Morris, Jack Seward. Each one on this page links to its own page with every episode that mentions it.

How long is "BRAM STOKER'S DRACULA-- (2nd half)--Table Read Tuesdays--"?

The episode runs 2 h; the transcript is about 17,481 words in 100 timestamped sections.

More from Table Read Tuesdays

About this transcript: the episode's spoken words as captioned on YouTube, split into timestamped sections. Reclip.Me locates every person, work and idea in the text, keeps the time it is first named, and quotes the words around it verbatim. Last updated January 24, 2026.