SHAUN OF THE DEAD--Table Read Tuesdays

What this episode is about

The content focuses on a table read of the cult classic zombie film "Shaun of the Dead," featuring a small cast that includes actors who take on multiple roles while engaging in playful banter and introductions. The discussion highlights the film's distinct British humor and sets the stage for a lively reading of the script, showcasing the enthusiasm and creativity of the participants.

Key takeaways

• Shaun of the Dead: where a zombie apocalypse meets relationship drama—because nothing says 'quality time' like brain-eating monsters!
• British humor: expertly masking existential dread with pints and punchlines, proving laughter is the best survival tactic.
• In a world gone mad, the biggest threat isn't zombies—it's stagnation and the burden of unspoken expectations in relationships.
• Ed is the ultimate friend-zoned zombie: loyal, slightly overweight, and totally not the right match for adulting.
• Zombies in the pub? Just another way to remind us that sometimes, friendship might be the real undead.

Who speaks in this episode?

• Vicki Dykes (Guest) · 40 min speaking
• Aubrey McCoy (Guest) · 32 min speaking
• Cat Wilson (Host) · 32 min speaking
• Unknown Host (Host) · 56 min speaking

What is discussed, and when

1. 0:00 – 15:00: Sha of the Dead, Facebook, Instagram
2. 45:00 – 1:00:00: Every Which Way but Loose
3. 1:45:00 – 2:00:00: Every Which Way but Loose
4. 2:30:00 – 2:38:40: Hot Fuzz

Notable quotes from "SHAUN OF THE DEAD--Table Read Tuesdays"

• Are and then we'll hit record all right Welcome to our reading of Sha of the Dead great zombie movie for October one of my favorites with the star awesome Simon Peg and let's see we have a very small cast.

  about Sha of the Dead · at 0:04

• Parts if we don't get our fourth reader and let's see you can find me on Instagram I'm yoga grma 10 and I'm on Facebook under the name Vicky dkes awesome and Aubrey hi I'm Aubrey I am playing various different amount.

  about Facebook · at 1:12

• Want your favorite monkey don't you want me to do CL Ed proceeds to ape Clyde the orangutan from Every Which Way but Loose Sean looks at him bereft see I knew you get you'd get over her it's been seven hours and 15 days nothing compares to.

  about Every Which Way but Loose · at 46:21

• So good times love yep and if you haven't seen Hot Fuzz y'all out there on YouTube land you should go watch that one too it's kind of a not really a sequel but it features some of the same characters so yeah it's.

  about Hot Fuzz · at 2:36:44

Who and what is mentioned in this episode?

Books & papers

• Sha of the Dead — Book · Primary recommendation · 3 mentions · first at 0:16
  The main focus of the podcast episode, a book being read and discussed by the participants.

Companies & orgs

• Facebook — Company · Referenced platform · 3 mentions · first at 1:23
  Mentioned as a social media platform where participants can be found.
• Instagram — Company · Referenced platform · 2 mentions · first at 1:15
  Mentioned as a social media platform where participants can be found.
  Forward to that and a variety of other parts if we don't get our fourth reader and let's see you can find me on Instagram I'm yoga grma 10 and I'm on Facebook under the name Vicky dkes awesome and Aubrey hi I'm Aubrey.

Media & podcasts

• Every Which Way but Loose — Media · Referenced work · 2 mentions · first at 46:30
  Mentioned in passing during the discussion, adding to the cultural context of the conversation.
• Hot Fuzz — Media · Referenced work · 1 mention · first at 2:36:51
  Mentioned briefly, contributing to the cultural references within the podcast.

Full transcript with timestamps

0:00 oops there we are and then we'll hit record all right Welcome to our reading of Sha of the Dead great zombie movie for October one of my favorites with the star awesome Simon Peg um and let's see we have a very small cast today just the three of us we should have had four and maybe we'll have four later today but we'll see right now we're starting with three and we'll do a quick set of introductions and then jump right into the script so let's start off with Vicki who's playing our Lee today hello I'm Vicky Dykes I live in central Alberta I'm an actress and uh Yogi and uh various other things um tonight I am Sean and uh for a brief moment Cado Conor and Freddy Mercury I'm looking forward to that and a variety of other parts if we don't get our fourth reader and uh let's see you can find me on Instagram I'm yoga grma 10 and I'm on uh Facebook under the name Vicky dkes awesome and Aubrey hi hi I'm Aubrey

1:31 uh I am playing various different amount different characters including Ed and act descriptions and yon and a bunch of other characters uh that I can't even remember at the moment and uh yeah my pronoun I don't care and uh oh yeah you can find me on Instagram under Luth and the fair or Facebook under AUB McCoy um you can also check out my various stuff on YouTube and you can also uh check out my album I have an album out awesome awesome I'm glad you have an album out I to listen to it um so cat Wilson gig cover washhington I use she her pronouns and I am today reading the parts of Liz Diane Phillip null and some assorted reporters and a very young woman at the very back of the script um you can find me on Facebook with Katherine devony to Foxfire Wilson or you can see me on most Saturdays with two households in Fair Corona reading Shakespeare or Shakespeare adjacent scripts so feel free to join us there too anyways we'll

2:48 get on to Sha of the Dead a very classic zombie movie very very British humor in this one um and uh we'll get we'll get going here so let's share our screen and we are awesome and let's see whenever see who's starting um actions descriptions that would be Aubrey right huh think you're starting actions descriptions I am yes okay Sha of the Dead by Simon Peg and Edgar Wright spooky noises curiously electronic a bell rings interior Pub night last ERS please closeup on the face of a man he draws on his cigarette Sean Sean stares blankly into space yeah do do you see what I'm saying yeah totally reveal that sea is sitting with the woman Liz they are both in their late 20s Liz is slight uh looks slightly concerned and Sean looks slightly confused they are having a drink you shouldn't feel so responsible yeah I know he's your best friend but you do live with him I know it's not like that I don't like

4:19 Ed Ed it's not that I don't like you oh hold on that's sorry uh sorry reveal Ed right next to them playing a horror themed fruit machine which beeps spooky electronic noises he's in his late 20s and slightly overweight it would just be nice if we could [ __ ] spin a bit more time together Bullocks Just the Two of Us cook it a be we have a laugh don't we yeah Sean and Liz smile sharing their some private joke Sean relaxes momentarily off the hook but but with Ed always here it's no wonder I end up bringing my flatmates out and that only exacerbates things what do you mean well you guys hardly get on do you oh no what does exasperate mean it means to make things worse oh right look it's not that I don't like David and D guys it's not that I don't like you that's all right we reveal David and Diane sitting next to Liz both in their late 20s David is trendy but straight laast Dy is colorful and chirpy they hold hands it's

5:50 not that I don't want to spend time with you because I do it's just Ed doesn't really have too many friends can I get any of you to concentrate drink or any of you can't drink Sean closes his eyes anybody no thanks no thanks I'm fine thanks Ed Point sean Shawn nods Ed holds out his palm to Sea who size and reluctantly hands him a fiber meanwhile David steps in that's you too right I'm just trying to make sure I have everything here just so I can remember which on I'm doing this is why I should have written it down Ah that's right David and Diane okay making sure all right here we go I know friends are important Sean but you've got to set aside quality time for just the two of you I know I would if I was lizz's boyfriend David looks at Liz with affection as chips in oh get out more D is always taking me out what I've got Diane oh good I'm glad you got Diane thank you or get out more da is always

7:10 taking me out to see his listed buildings I'm always dragging him to the theater I'm not so hot on the theater I took my students to see this great new play about incest very cool lots of swearing he's not so hot on theater well how about a nice meal you could go to that rest restaurant me and D go to that place does all the fish it's your anniversary soon isn't it it was last week oh so did you do anything special we came here yeah but that was just me and you and Ed oh he wasn't with us he was sitting at the bar it's not the same shy hot lamps a packet of pork scratchings hit Sean Square in the face Sean what I'm trying to say is I need a little something more Sean offers her a pork scratching she declines more than spending every night in the Winchester I I mean I'm 29 I've got things I want to do with my life I want to get out there do more interesting stuff live a little but I'd love to be able to do it with you but I

8:23 want you to want to do it too Liz laughs grimly at her own silly sentence and then takes a pork scratching and regards Shawn with a mixture of exasperation and affection I don't want to go on at you Jesus listen to me I'm beginning to sound like your mom not that I know it sounds like you still haven't met his mom not yet I can't believe you haven't met his mom it's not that simple don't you get along with your mom Sean it's not that I don't get along with her Are you ashamed of your mom Sean no I'm not I love my mom I love his mom Ed she's butter oh Ed Sean Sean guys Sean Liz I totally understand that you're what you're saying and I agree I mean really I do we should get out there and do more interesting stuff together um we'll start tomorrow a Booka restaurant the place that does all the fish will do it properly just the two of us things will change promise really Sean the landlord calls time Shan stares back

9:45 into space Sean the Bell Rings again the spooky noises continue as titles begin Montage of greater London Saturday 8:00 a.m. uh all actions in the sequence are choreographed to the Tittle music a traffic jam driver staring blankly ahead a middle-aged man sits in a Jag wearing driver's gloves a bus stop board commuters ignore each other a vast Supermarket car park customers Park as a bow tied old man slowly collects discarded trolleys a 24-hour Supermarket serves early bird customers a vacon checkout girl beeps products through her till a nightclub in an industrial estate expels its last patrons dazed young I'll keep bringing up just start bring down just a little bit no oh thank you DA's young clubbers wander into the daylight a nondescript suburb a board K kid a board kid fix a football against the wall we close in on a semi detached house interior house Day bare feet Shuffle into shot slowly we pan up to

10:58 see Shawn dead to the world his face tired he yawns we are in a lounge the decor is male and the room untidy Ed is sitting on the sofa playing a video game he may have been there all night Sean sits next to him picks up a game controller and presses a button a voice booms player two has entered the game I think you go work Sean puts the controller down player two has left the game to your bathroom day a toilet is flushed a shower run teeth brushed Sean now wears a white short sleeve shirt he straightens his tie in the mirror door of the bathroom cabinet which is a jar he shuts it Pete stands in the reflection his face like thunder you do know the front door was open again last night interior kitchen day a drawer is yanked open a knife grabbed toast buttered a bottle of milk hits the table Pete screws the lid on I'm not saying it was you I know man but I'm saying it was Ed right Pete Returns the milk to his

12:08 rightful place in the fridge he also wears a shirt and tie but is somewhat smarter I can't live like this look at the state of it we're not students anymore oh Pete it's not like he even brings any real money into the house he brings a bit what dealing drugs oh come on he sells a bit of weed every now and again youve so puff once in college do you anyway I did a lot of stupid things in college song I drank snake bite I'm luck I slept with a fat girl doesn't mean I don't want to do any of them for a living look I've known him since primary school I like having him around he's a laugh what because he can impersonate R Tang [ __ ] do what what he's dead weight Sean oh leave him alone okay I admit he could be pretty funny on occasion I've had a great time that night we set up drinking uper schnars and playing Tekken 2 yeah when was that five years ago when is he going home what's up peaches that was terrible sorry I got I

13:27 got totally wa by the by the word ed enters and takes the milk from the fridge he swigs from the bottle and wanders out scratching his nuts I love a word interior Lounge St Sean sits down by Ed who is again playing the video game Pete watches it by the door or at the door hey man listen top left thanks I was just going to say reload I'm on it since you're oh nice shot yeah thanks since you're in most of the day it adds mobile Rings ring toads Halloween two suin all right no no I don't got entry all right every soon it game Pete's seen enough and W's in Ed since you're not working at the moment would you could you please clean up a bit I am working since you are in the flat all the time do you think you could clean up a bit yeah and if you play the answering machine could you take down everyone's messages not just your own yep it's not that taxing is it writing something on to post it night nope

14:55 Pete's Mobile rings as he leaves ringtone Liv Forever by Oasis he puts it on his jacket on the back of is a Post-It and reading I am a prick Sean sees this and shakes his head wearily at Ed come on it's pretty funny seriously will you do what he said I ain't doing nothing for him well do it for me then I'm sorry Sean it's okay no I'm sorry Sean Sean puzz puzzles before his expression turns to disgust oh man oh that's bad oh you're wrong Ed laughs Sean does too as he covers his nose and mouth I'll stop doing it when you stop laughing I'm not laughing I'm I'm going sea leaves the phone rings the answering machine picks up hi you through to Peter and please leave a message after that beep push in as the red light flashes hello Sean it's me look I'm going to be tied up a bit today I've got 20 year 10 essays to Mark and I want to get them out of the way so when you book the table can you make it eight rather than

16:17 seven you're probably not there anyway I'll try it to work so okay bye-bye bye bye closer the red light flashes the screen is filled Exterior Street continuous bang a football hits Shawn in the head he turns to see the bored kid grinning at him he responds playfully oh you're dead Sean Boots the ball back he walks past Pete in his car and crosses the road he heads for the news agent passing a homeless man in a green coat with a dog on in a lead he stands with an arm outstretched Shawn giving him some interior news agent day Sean grabs the coke from the fridge and goes to the counter no there's no one there Sean Waits idly scanning across the day's papers their headlines partially concealed GM drops uh GM crops blame for dot dot dot unidentified mutilated dot dot dot super flu dot dot dot down satellite causes dot dot dot sea peers closer as if by Magic the shopkeeper appears is that supposed to be me as well okay

17:32 hello my friend no be today oh bit early for me a pale suited man enters hurly as we follow Shawn out do you have any Offspring sold out exterior Tube Station day what body on the line Sean stands amid livid commuters a police car blazes past pass interior bus day Sean is sat on a bus crowded with blank passengers a pasty guy listens to his Walkman an old man slowly nods off Sean looks out of the window on the street he sees a young woman Fain a pass rushed to her Aid go round everyone interior shop floor electrical store day go around now as well as Mr slowman being off sick I'm afraid arh is also a bit under the weather so I'm taking charge today as I'm the elest oh senior staff member Reve a bunch of of surly young shop assistants chewing in unison in front of sha among them no and Denny I'm feeling under the weather can I have the day off a ripple of laughter Sean to find it funny no as genuinely is ill so we're

19:05 going to have to pull together today a mobile phone interrupts yeah hello mate Noel could you two seconds Noel holds no has holds up sorry Sean concedes weekly yeah man I was totally mted yeah I spoke to him he's only got an enry Sean has left twiddling his red Bureau all right man later continue continue thanks as Mr slowman says there's no I in team but there's an i in piie something about a team pie oh I don't know well that's it the assistants are already off ambling to their stations Danny Could you um Danny's already opening the front doors and Sarah will you um Sarah's already switching on a bank of TV screens phone off please Noel this isn't a social Gathering Sean Pockets his bureau and tries to look officious all right keep your hair on Granddad hey I'm only 29 for Christ sakes how old are you 20 22 17 really look Noel I know you don't want to be here forever neither do I I got

20:32 things I want to do with my life when n points to Sean's top pocket his bureau is L as L you've got red on you interior electrical store later Sean is demonstrating a TV to a young couple and this one comes with the digital package now you get your lifestyle channels we see a clip of morning couples on Trisha you got your entertainment channels flip we see a lame game show with contestants in funny costumes an unse commentator laughs uncontrollably and you got your news channels FP we see images of a crash site people in white suits a grave looking scientist a distraught Fox pop a convoy of military trucks red lights flash Sean stops flipping Sean I'm with the customer it's your dad Shawn looks to the counter with null is a middle-aged man Shawn apologizes to his customers and goes over philli is a gray bear of a man he's wearing driving gloves and makes only cursory eye contact with sha Phillip Sean I trust

21:48 you haven't forgotten about tomorrow no you're by monthly visit I haven't forgotten you could bring the flowers you for got to send Barbara on Mother's Day yeah I was going to and not a cheap posie from a garage for court I wasn't going to the Texico all right well we look forward to seeing you tomorrow then they glare at each other before Phillip heads for the door Shawn watches him leave noticing another Convoy of military trucks on the street red lights Flash thought this wasn't a social Gathering what how come you allow talk to your dad look a he is not my dad he's my stepdad and B it was an emergency what buy your mom some flowers yes no grin ISM nearby sens who snigger look no whatever you might think I don't find it difficult to keep my work and my social life separate the phone rings Danny answers Sean lives for you Sean takes it adopting a business-like tone hello hello it's me hello well just quickly

23:19 did you get my message Sean sees that n and the other assistants are watching are watching yeah so it's all okay then yeah eight instead of seven yeah Sean makes a yawn or fakes a ya and makes a rapid up signal okay cool well bring me later goodbye Liz goodbye Sean hangs up and turns the null on the others Liz head office nothing to panic about exterior interior florist evening a distressed businessman crying loudly runs past the window of the floor inside Sean watches him go oh sorry yeah um they for my mom the Flores produces some tags to a wonderful mom or Pal super M um first one Sean writes out the card and hands it back he looks back to the street on the other side of the road is a scruffy man on the steps of a church surrounded by pigeons Shawn watches as scruffy man swipes at the pig the pigeons amazingly he catches one Sean's trans fixes a scruffy man raises the pigeon into his mouth surely

24:39 he isn't going to a bus pulls up outside outside Sean cranes the seat Through the Windows when the bus pulls away the scruffy man is gone what the hell's going on exterior Tube Station evening Sean is again amid a crowd of pissed-off commuters B is on the line suicides suicide suicides three the guard raises his fingers Sean is a little freaked interior bus evening Shawn is again on a bus crowded with blank passengers the man next to Shawn coughs badly the lady in front sees to have noted off and is dribbling bus is barely moving Exterior Street moments later Sean walks cars honk a traffic jam clogging up the road he looks ahead to the car because a car is stalled at the lights a hand slapped Shawn on the arm oh my God Shan yon Javon is in her late 20s she's jovial and short she in Sean embraced slight slightly awkwardly oh you doing surviving hav se you in day in the day since since the days of yvon mouths

25:53 a house beat and does a little dance sha nods a crowd starts to gather around the stall car yep good times you live in Aria oh yeah you yeah I just bought a place bought more people gather around the car B grown up yeah you uh you still with her Liz yeah that's great she's still teaching an ambulance pulls up a siren forces them to shout oh yeah she's headed of English now got fast tracked oh wow what about you last time I saw you you was uh working on that Bloody electrical blaz yeah yvon clars his name tag and realizes her faux paw you still DJing not really kind of let it go you know the siren whels on yon nods lots of Shame well at least you and Liz still are still together glad somebody's mate how long's it been now uh 4 years last week actually a did you do anything special no we're going for a meal tonight o anywhere nice the siren slows realization Dawn sea goes Ash and faced interior house evening front door

27:23 swung open flowers thrown into the sink Yellow Pages flung open we see on the page FES the place that does all the fish Sean anxiously Paces on the phone Ed plays his video game go thank me then what for TI up oh doesn't look that tidy well a a few Biz when almost finished the phone picks up on the other at the other end F can I hold can you hold please you want your messages what pry this is a scrap of paper and reads that loud your mom phon about you going around tomorrow Liz phone about you guys eating out tonight then your mom phoned again to see if I wanted to eat her out tonight hello look I know it's short notice but do you have a table for two for tonight sorry we just gave away the last table click the line goes is dead oh man a beat that wasn't true what I said about your mom Sean stares at the receiver deep in thought so what are we going to do then where are we going to go the

28:44 wiester don't be so stupid they don't do food John you'll have to do tasty there's a b out in the back Ed this is serious Sean slams the phone down it rings he picks up hello oh hello oh hello so what's the plan then yeah um babe there's been a bit of a problem with the table what do you mean the fall up you said it was all okay yeah you didn't book it did you no so what is the plan then silent Ed looks at Shawn he raises an eyebrow and nods we could go to the Winchester sea wines click the phone goes dead Yellow Pages hits the floor the flowers are grabbed the front door swung wide exterior in/ interior taxi cab evening evening a taxi cab door slams shut SE Sean sits anxiously in the back of the cab figing interest in the driver's waffle think that's supposed to be me so he starts reaching through the window moaning at me and I can't understand what his blood going on about so I drives off bed Li exterior apartment

30:15 block evening the cab screeches off sea runs with flowers across the grass for court of the apartment block he reaches the front door and slams the intercom Buzz for Liz's flat sorry hello Diane let me in please I'm not sure this is the best time Sean oh come on Lizzie doesn't want to see you

30:48 Sean Sean just open the door she doesn't want to see you Furious Sean looks up to the first floor window what do you want me to do do you want me to climb up the drain pipe and come through the window because I will and here Liz's flat evening a worri David and Diane stand by the entry phone excuse me in their coats behind Liz emerges also preparing to go out all right then there are noises from outside I'll look to the open window by Buzz the entry phone again guys let me in please interior Liz's bathroom moments later a furious Liz B busies herself getting ready to go out Sean flits around her Liz I can explain let's just go out what to the Winchester do you want to let me see Liz let's have a quiet one in the Winchester Liz it's Saturday night Winchester night hey Liz there's a quiz on this evening really oh I love a good quiz well yeah where's it Dawn the Winchester no I don't [ __ ] want to sorry I just

32:15 thought we could it's not the only place in the world Sean I know we can go somewhere else interior Lounge continuous sorry David and Dy sit on the sofa listening through the wall I'm going out with David and D well let's all go together what you hang out with a bunch of teachers oh sorry a failed actress and a [ __ ] David and I look at each other affronted hey that's a bit harsh your words I did not call dian's failed a failed actress Diana's relieved David mean remains affronted Liz storms into the lounge with Shawn and toe helping her with her coat seriously let's go out somewhere forget all this we'll have a laugh just the two of us things will be cool promise Liz turns angrily on Johan Who cowers Behind the coat oh stop making these promises what do you mean off the top of my head let's see you promised you'd stop smoking when I did you promised you'd go back to the gym you promised we'd go flat hunting you

33:37 promised you'd start DJing again you promised you'd try drinking red wine instead of beer you promised you'd come on holiday with me you also promised we went to Greece didn't we we met in Greece Oh I thought sorry oh it's okay I like great I think it's David it's not the same you promised things would change you promised you'd get us free cable I'm working on that okay well look I can stop smoking I I can give up whenever I want see Sean takes out a flag packet and Chucks them in the bin what what was the next one it's not enough sha Liz walks out leaving Shawn with David and I basically I think your nine lives are up oh get [ __ ] for eyes why don't you go out with her you love her so much David goes red I don't know what you mean by that Sean makes a I like or makes a like you don't know face and leaves I don't know what he means by that Diane says nothing interior Liz's room continuous Liz Liz is sat on her

35:04 bed head in her hand Sean enters I got you these he offers her the flowers with a smile Liz clocks the tag to a wonderful mom yeah cuz uh oh oh no I think I think Liz or Liz I think cat cat got kicked out by the way I just wanted to say like [ __ ] is a cigarette in in Britain that's why I didn't have a problem saying that word only because it is actually like for for a cigarette not actual like I know it can be seen as being offensive but I'm just for me I don't find that it's labeling an object to me that's not offensive so I'm I'm I'm going to say that on YouTube when we get back I'm like by the way that's actually what they call cigarettes in in England so I'm just reading it I don't find that to be an offensive tone for that it's only if you call it it someone do I find that offensive actually we're still live on YouTube oh well there you go YouTube Just so you know that's actually a place

36:15 in England that they uh that they do that that they call they call cigarettes that so just reading in context of the script the other stuff I I have more of a problem with because it's at people this is just object yeah so just letting you guys know there she's back cat's coming back she's coming

36:44 back she was yeah hello cat cat are you there work cat uhoh yeah I think our internet I think your internet's kind of going in and out yeah we were clipping along really nicely there it was we were I was stumbling all over the place no I think it was going quite well what do you guys think out there oh yeah please leave us a comment and a like if you like this our ter with our terrible English accents and all but trying give it variety I'm trying to give some variety in the AC in the in the accents cuz like um like many plates in in the US everyone accents are very different depending on where you are from in eng and or the Sur in the UK so yeah absolutely so I was trying to give like Pete I'm trying to give was giving him more of a like closer to Scotland dialect right northern northern y whereas the other ones are a little varied some Cockney some like Ed Ed toy is more Cockney I think

38:08 yeah very or very rather very um loose oh oh that's a lovely picture of me right there just scratching my nose wow great okay we're back Frozen unfrozen Frozen unfrozen oh dear just waiting we are just waiting for cat to get

38:50 back ah we are just waiting well we could have a truly musical interlude yeah I'm going to be singing later and I I should apologize in advance oh why I don't know I seem to have a hard time with the singing when it comes to these things the tune goes right out of my head and uh she went away again so maybe she's going to try again and actually make it this time but yeah I used to sing I had a musical partner we wrote our own material and we recorded and I do not have the same voice I had that I actually don't have anything the same that's what I had then that was over 30 years ago oh wow that's amazing oh that's so cool you wrote your own music I did not know that that's pretty awesome yeah I really enjoy that but tonight I don't know we'll see yeah I I actually that's what I got my degree in was music nice I think I told you that yeah so I like music and a composer and I write my own music and such

40:18 I'm but in terms of playing I I can kind of play the guitar and the piano I'm not very good at it but yeah I'm trying trying to get better and I wrote the words my musical partner did The Melodies yeah so I do all that together it was complete yes a that's like um that's that's a lot like um oh my gosh my brain just went um Elton John and his musical partner so Elton John writes the the lyrics and he the the partner the musical partner writes all the music right ah pretty cool yeah and when we were called a nonbond voage and when we parted he carried on and oh he got into heavy metal and um that's what he's done for the last 30 years is heavy metal cool that's really awesome actually yeah sorry go ahead sorry he's retired now though so oh well I'm after we're done here I'm probably going to get back to doing recording so because I'm working on some new stuff so nice yeah this song has been

41:44 taking too long to record though yeah that's happens when you're doing your own you're doing all of your own recording stuff so yes yeah it really helps to have other people that you're accountable to and uh that kind of keeps the the flow going yes yeah I have too many projects I have some music goals music scores I have to finish as well I have to get done with I think she's finally the host I think she's finally back it could be that her her internet got lagged yeah very promising yes hey Cat you back yeah I think so um okay yay some reason and I'm sure that messed up your guys' stuff too so we we continued as if we were doing a podcast so we kept YouTube entertained and all right I I also explained you know to people who didn't know like cigarettes about cigarettes and how they're they're they're called [ __ ] a [ __ ] in in England and so I'm using it because it's not at a person I don't have as much of an

42:53 issue calling it because that's what it is that's how I first learned the word actually is that so I was trying to give I was giving a explanation to why I didn't have a problem with that saying that word as opposed to the nword okay um oh let me see if I can figure out where my screen share here is I may have to switch a few things around let's see all right do you guys yes yes it's back is that the right size or did it larger it's good no it's good okay that's good we get back to f11 I'll just start at the top of 28 all right hang on okay hope out again all right okay oh get [ __ ] for eyes why don't you go out with her you love her so much David goes red I don't know what you mean by that Sean makes a like you don't know face and leaves I don't know what he means by that Diane says nothing and here lizz's room continuous Liz is sat on her bed head in her hands Sean enters got you these he

44:10 offers her the flowers with a smile this clock the tag to a wonderful mom yeah cuz remember last night you said you didn't want to sound like my mom Liz laughs more of exasperation than Amusement a pause these are for your mom aren't they yeah smooth Liz returns her head to her hands sorry I wasn't thinking I'm tired you're tired it's not the strongest offense is it I'm tired Sean sorry the s word again Sor you can't just keep saying sorry and expect things to be okay you wave it around like could get out a jail free card but what if I am sorry what if you are it's not like you ever do anything about it nothing ever changes look I've got to do something if I don't I'm going to end up in that Pub every night for the rest of my life like these other sad old [ __ ] drinking myself to death wondering what the hell happened what do you mean do something exterior Liz's flat evening slam sea has stood outside still

45:31 in his work clothes still holding the flowers face like thunder rain falls Shawn stares blankly ahead exterior the Winchester night Shawn walks towards the pub still holding the flowers he sees a Snogging couple in the shadows he throws the flowers in a nearby Shin a nearby Ben shy into your Winchester night big oh whole glumps a packet of pork scratchings hits a glum Shawn in the face a cheery Ed joins him at the usual table behind a wall mounted TV shows a squad car whizzing through the suburbs lights flashing second later the pub is illuminated by the flashing lights of a passing squad car [ __ ] her you got your P you got your pig SS what more do you want your favorite monkey don't you you want me to do CL Ed proceeds to ape Clyde the orangutan from Every Which Way but Loose Sean looks at at him bereft see I knew you get you'd get over her it's been seven hours and 15 days nothing compares to

46:42 you starts up on the jbox who the hell put this one it's on random oh for [ __ ] sake John Ed motions to John for another round and here Winchester later curtains are drawn dead Bulls click into place the TV fruit machine and jukebox are Switched Off sea and Ed are now among the last customers and are utterly pissed sha ignites two sambuka shots he and Shawn ritualistically down them sputtering or spluttering and laughing you know what we should do tomorrow a hand appears on Ed's shoulder oh I'm guessing that's me keep it down a bit lads sorry Sean John John moves off with the empties Ed continues quietly you know what we should be we should do tomorrow keep drinking have a blue merry F thing grab a bar at the king's head grab a couple little princesses stack a back here and bang oh bet the bar for shorts how's that for a slice of fried gold Sean remains utterly glum come on man talk to

48:01 me oh can we just leave it Ed what did she say a lot what a [ __ ] she said if she stayed with me she was going to end up sitting in here every night for the rest of her life like these sad old [ __ ] drinking herself to death wondering what the hell happened that's harsh these are not sad all [ __ ] these are rich interesting characters oh cut away to a number of sad old [ __ ] around the bar like who Ed points to a mullet haired 50s something at the bar snake chips always surrounded by women bigamist strangled his first wife with the DFT excluder invented the mobile disco vaguely mused Sean points to an Irish Spiner necking whiskey what about her oh xer don't Mish do reverse ATM Star on the world's first interational hardcore Loop Cafe o what about John who the batt North La Mafia John laughs and shakes his head that really is true Big Al says so Big Al also says dogs can't look up think about it a gr the Mana handy with

49:39 the blade Benny the trophy wife Ed points to Bernie the wisen land lady behind the Bernie or behind the bar sorry he's connected why you think there's a rifle Over the Bar Ed not to a rifle mounted on a brace because the pubs called The Winchester exactly Sean lets himself laugh Ed Smiles see you don't have a good time Ed let's just leave it now listen can I just say one thing and I'm not going to say there's plenty more fish in the sea I'm not going to say if you love her let her go I'm not going to bombard you with cliches all I'm going to say is it's not the end of the world Thump Thump Thump A shadowy figure is visible beyond the frosted glass of the bar Shawn calls out to it sorry we're closed more emergency vehicles pass the flashing lights momentarily Define the figure at the door maybe it's a trick of the night trick of the light but it appears to have no lower jaw figure follows the noise and shuffles off B

50:55 said exterior Pub night angle on sign please leave quietly Sean and Ed drunkenly belt out White Lines the Snogging couple are still aside necking furiously Ed calls over I you add your tea the woman stops necking the man he goes limp and drops to the ground she watches Sean and egg SL stagger off Exterior Street continuous sea and Ned crossed the street still singing White in harmony behind another figure is stumbling down the middle of the road he appears to join with them shanet turned gleefully trying to draft a new friend into a singal along again he responds with Shanette shrug a little disappointed into your house lounge night crucial crucial Electro blares an old school party is in full swing Ed body pops Shawn is on his turntables still got it Pete storms in he grabs the record off the turntable don't scratch it and throws it through an open window that's the second album I ever

52:09 bought it's 4 in the morning in the [ __ ] morning it's Saturday no it's [ __ ] Sunday and I have to go to [ __ ] work in four [ __ ] hours because every other [ __ ] in my [ __ ] department is [ __ ] ill can you see why I am so [ __ ] angry [ __ ] yeah Pete I'm sorry we're a bit pissed we split up with lizl tonight we'll just keep it down okay Pete heads for the door as he goes Ed mutters prick sorry what was that nothing Pete lunges at Ed fist flying Sean pulls him apart hey come on we're all friends here he is not my friend he's a he's an idiot what's that supposed to mean it means maybe you should [ __ ] off you won't live like an animal go live in the shed you thick [ __ ] hey leave him alone stop defending him why you stick up for him all the time Sean all he does is hold you back or does it make life easier having someone around who's more of a loser than you what's that supposed to mean you know

53:31 what I mean I presume it was Li Liz who did The Dumping am I right sort your [ __ ] life out mate Sean is utterly floored Ed interrupts what's with up what's up with your arm mate we reveal that P's hand is completely banded up a got mugged on the way home by who I don't know some crackhead was something one of them bit me head breaks out laughing it's not [ __ ] funny why did they bite you I don't know I didn't stop to ask them now I have a splitting headache and your stupid hipop and helping and the [ __ ] door is wide open again it's not hip hop it's Electro prick Shell Shocked Sean doesn't reply Ed slumps on the sofa neck Thom Sam he's dead interior Hall kitchen moments later Sean shuffles out of the hall and plays the answer phone we hear Les's we hear Liz's message from earlier as Sean stands in the darkened kitchen and stares at a photo of him and Liz pinned a thanks to-do board uh can you go down yep and we're

54:53 going to switch actions and descriptions here okay as Liz and Barbara's messages play he Scrolls something on the board then drunkenly slams onto a kitchen chair interior kitchen Sunday morning Shawn wakes groggy and hung over he's still in the chair his eyes focus on the things the do board it reads go round moms get Liz back sort life out interior Lounge morning Ed is still slumped on the sofa want anything from the shop m corado Exterior Street morning Shawn crosses the street in the distance we Glimpse two figures shambling up the middle of the road interior news agent warning no sir no one is behind the counter Shawn grabs a strawberry Cornetto from the freezer and goes to the cooler he opens the door not noticing two smeared bloody handprints on the Glass Sea grabs a Coke obvious slipping as he moves off no son Sean goes to the counter it seems oddly bare Nelson you got any papers Sean shrugs

56:08 and puts some change on the counter I owe you 15 Pence Nows all right Shawn leaves in the security mirror we can see the body of Nelson slumped at the back of the store Exterior Street morning Shawn crosses the street again one of the figures is close now its arms outstretched it wears a green coat and trails a dog lead in its hand Shawn fishes in his pockets without really looking over sorry mate no change Sean goes inside in the distance we can see the figure Nelson shamble out of the shop interior Lounge morning sha sits down and puts his feet up on the coffee table he cracks open his Coke and picks up the remote flicking idly through the Sunday morning television news a reporter religious groups are calling it Jud Judgement Day there's MTV Smith Panic on the Streets of London news another reporter as an increasing number of football show commentator serious attacks on news a different reporter

57:10 again people who are literally being Wildlife Show lions devour a gazelle eaten alive news a very harassed reporter witness reports are sketchy but one unifying detail seems to be that the attackers in many in es appeared to be kid show a TV presenter dead excited to have you with us here today sha flips back to the previous channel curious news a harassed reporter accounts of multiple unidentified assant Shawn leans forward to watch more closely there's a gun in the garden Shawn turns Ed is peering to the back window what in the garden there's a girl Sean joins of the window standing at the very bottom of the garden is a girl with her back to them exterior Garden moments later Sean calls timil to the girl hello excuse me Ed picks up a lump of mud and throws it at the girl the missile strikes her on the head she turns slowly we see her face she is pale grayish her eyes are lifeless and cloudy her hair is matted with something

58:25 her checkout girls uniform is dirty and torn the image is horrific and unmistakable oh my God she is so drunk how much have you love she lurches forward her arms outstretched towards Shawn Ed and Shawn step back giggling she likes you oh shut up I think she wants a call she keeps coming mouth open hissing Sean backs up oh look I've just come out of a relation ship he trips and falls the girl is quickly on top of him Ed do something what Ed runs back into the house Ed two seconds sean gets a clear look at her eyes something's not right all it there Ed is come running back with a fun camera takes a snap get her off me Ed pushes a girl away she stumbles then comes back at them both Ed gets his first good look what's up with your eyes what's up with the eyes Sean jumps up and shouts the girl now seriously I'm warning you she keeps coming Sean clocks her name badge Mary I'm going to have to get

59:42 physical I mean it she keeps coming and Shawn loses his patience right this is it [ __ ] off Shawn shoves Mary hard in the chest she stumbles down the garden Falls backward and impales s herself on the rusty remnants of a freestanding clothes line the metal pole protrudes through her stomach blood oozes through her top Sean puts his mouth hands to his mouth head bites his lip she gets up sha is momentary relieved we seeing the gaping hole in her stomach it starts to wind on the fun camera Sean bats it out of his hands I think we should go back inside okay they turned to see a hulking man right behind them his eyes dead also he has massive injuries to his face and neck interior Lounge moments later ited stands by the window the curtains are drawn what's going on Sean Sean's on the phone dialing fast [ __ ] it's engaged what bad ambulance it's busy ED fire engine Ed it's one number and it's busy

1:00:56 why do you want a fire engine anyway it's will Flash and light light me oh oh they still out there it opens the curtains Mary and the Hulk are still out there they look at Ed he promptly shuts the curtains again yeah what do you think we should do let's have a sit down they sit on the sofa upright close to each other they watch a tired and Troublesome newsreader on the TV behind them through the hall we see the front door move although it's been hard to establish how this could have happened on such a wide scale and so rapidly behind them the front door opens environmental health officials have refused to confirm that the phenomenon is the result of a virus we see live footage of shambling figures in the street do you think this is this this is the same thing behind them a suited man wanders in the home office are asking people to stay in their houses ensure your residences are secure with all

1:02:02 windows and doors firmly locked Shawn and Ed turn to each other then look behind the suited man Lumbers into the lounge his shoulders been torn away he looks pale and hungry [ __ ] avoid contact with these individuals Sean and Ed jump off the sofa the suited man lurches you find your safety is compromised it is important to remain calm sea and Ed Panic they back around the room attempting to evade the suited man who pursues them relentlessly we're expecting information from the home office regarding the best way to um neutralize the attackers is they are seemingly impervious to Conventional Force suddenly Ed grabs a heavy glass ashtray and brings it down hard on the suited man's head crack he falls back lifeless skulls split open Sean and Ed stand panting sh I'm just going to shut the front door Sean rounds out into the Hall Ed goes over to the body in the meantime contact with these asants is

1:03:11 highly inadvisable sea rejoins Ed who is staring the body did you see his egg go Thump Thump Thump Mary and the Hulk want in we should get out of here official suggest that no we should stay inside extreme circumstances come on we can take him the attackers can be stopped but the man said to stay indoors [ __ ] the man oh I repeat as long as we're in here we're they're out there we're safe smash the back window goes Mary and the Hulk pull the curtains down and reach the broken glass removing the head or destroying the brain Shawn takes a deep breath exterior Garden moments later a whistle Mary and the Hulk stopped thumping and turn to see Ed and Shawn standing determinedly next to a cardboard box and for the Ed the boys hurl the contents of the Box a variety of kitchen implements sauce pans Etc they Bounce ineffectually Off The Intruders within seconds the Arsenal is spent now what marry in the

1:04:26 Hulk close in Ed looks to the nearby yeah that that must be a tyer there oh yeah it's just now what yeah and then Mary now what Mary and the Hulk Clos in Ed looks at the nearby shed have to get more stuff what's in the shed I don't know it's locked why is it locked it's always been locked well what are we going to Ed spy is a discarded crucial Electro album on the grass Ed no too late Ed flings the record frisbee style smack it catches a Hulk in the face throwing his head back bam the Hulk staggers back up the record sticking out of his face a look of confusion between Shawn and Ed exterior Garden moments later Shawn unclips the lid on an expensive looking record box now look some of these are limited edition Ed grabs a record and flings it it flies past his head what was that one oh I think it was Blue Monday oh man that was an original Pro oh for [ __ ] sake Ed starts flicking through the records Purple Rain no sign

1:05:41 the times definitely not oh come on the Batman soundtrack throw it Ed flings disappointing Prince at larges in Mary's thigh di Straits throw it Ed Flings Dre a o r it thuds into the Hulk's shoulder okay stone roses no suck and common I like it Ed picks up another record marry and the Hulk Bear Down sure day it's delicious she did dump you Ed throws it misses and shatters against the house oh [ __ ] this I'm going to the shed Shawn walks toward the shed Ed follows I thought you so was L it is interor said shed continuous Blackness the door splinters open sha crashes through Ed steps in after him and they survey the contents exterior Garden continuous Shawn and Ed emerge from the shed Johan carries a cricket bat Ed has a spade Mary and the Hulk are right on top of them there's no other option which one you want the girl the bloke um first one whack the first bloke is tentative and reluctant each strike

1:06:58 gains confidence and force Mary and the Hulk go down the blows become frenzied and in perfect sink Mary and the Hulk are finally dead Shawn and Ed stop hyperventilating together their hands bloodied their clothes splattered their faces shocked a baptism of Gore interor loung day Shawn and Ed are back on the sofa Shawn has a mug of tea in a shaking hand Ed eat his Cornetto and points to Sean's shirt you've got red on you a frazzled correspondent talks over the footage of a grayish man clawing at the glass of an observation room scientists have now confirmed that in all cases people receiving bites have experienced headaches and nausea and develop symptoms similar to those displayed by their attackers if you know someone who has been bit it is absolutely essential that you isolate them immediately Sean and Ed look at each other into your front hall moments later Sean and Ed stand at the foot of the stairs

1:08:00 looking up Pete Pete why why don't we just go up there I'm not going up there why not because a he might be one of them and B he might be really annoyed P he must have gone to work oh how come he didn't drive probably got a lift he said he wasn't feeling well Bo prick nothing he's not in he's not in no Sean thinks Ed gets out his [ __ ] and offers one to Shawn I've given up since when no since just as Sean remers the phone rings he picks up Liz um I think that's me Sean mom I was just going to call you actually is everything okay Ed's ears prick up he instinctively stubs out his [ __ ] oh yes are you sure oh some men tried to get into the house are they still there I'm not sure we've shut the curtains did you try the police I thought about it are you okay did you did they hurt you no I'm fine I'm fine mom well they were a bit B byy the color drains from Sean's face oh my God Mom have you been bitten the color drains

1:09:37 from Ed's face too no but uh Philip house oh okay oh she been bitten no Philip has oh okay what sort of state is he in Mom oh he's f just a bit on the weather I see what's the deal we may have to kill my stepdad look Mom you're not safe there sit tight we're on our way over oh I don't want to cause a fuss we're coming to get you Barber into your Lounge moments later slam a boot hits the coffee table Ed laces Shawn Paces so what's the plan Shawn takes a deep breath right Q Montage we take Pete's car and we drive over to Mom's sea and Ed driving along in Pete's car they pull up a Barbera and Phillips and run heroically inside we take care of Phillip sea and Ed stand armed behind a zombie Phillip oh I'm so sorry anguish Shan Ed whack Philip on the head then we take Mom to Liz's place and wait there until all this blows over Sean Ed and Barbara are greeted by a grateful Liz on the doorstep they sit inside drinking tea

1:10:58 and eating biscuits back to scene why do we have to go to lizz's because we do but she DPed you I have to make sure she's okay why because I love her Sean surprises himself pause all right G not stand here though why not if we H up I won't be somewhat familiar I want know where the exits are and I won't be allowed to smoke okay take Pete's car get Mom Sean and Ed pull up at Barbara and Phillips deal with Phillip they stand behind zombie Phillip I'm sorry less anguish they whack Phillip go to lizz's pick her up and then come back here and wait for it all to blow over Sean Ed and Barbara arrive at lizz's Shawn carries Liz to the car they pull up at the house and they sit drinking tea and eating biscuits back to seam perfect wait we can't bring them here why not it's not exactly safe is it yeah look at St it there's a corpse in the living room where's safe where's familiar where can I smoke Sean and Ed look at each other

1:12:21 cute Montage get Mom Sean and Ed reach up do FP sha Ed her in a hurry sorry whack get Liz then wait for all this to blow over in the only truly sensible and safe place there is the Winchester Sean carries Liz out they pull up at the Winchester and are ushered in by John and Doris and they sit drinking and eating bar snacks back to scene how's that for a fried gold sandwich the TV is still on in the background to recap it is vital that you stay in your homes make no attempt to reach loved ones and avoid all physical contact with the asants you believe everything you hear on TV Sean flicks the TV off into your front door moments later a curtain is pulled back and we see Pete's Renault Minaj I see it man it's right outside Sean's at the front door Ed is psyching up we both have their respective weapons a spade and a cricket bat so what's the zombie situation don't say that what that what the Zed

1:13:33 word why not because it's ridiculous okay are there any out there though Sean looks out the street seems empty no maybe it's not as bad as all that oh no there they are John points we reframe a fraction to see lots of zombies right let's do it I've just got to do a wee first John skips the L Ed calls after can I drive what I was warned to drive pitza car I might not get another chance Sean shrugs and throws Ed the keys into your bathroom moments later zip is unfastened a toilet flushed hand washed Sean stares at his reflection in the open door of the bathroom cabinet he shuts it in the reflection behind him nothing he turns to see Pete standing naked in the shower his face is contorted with pain his blank milky eyes fix on a shocked sha Pete hi zombie Pete reaches out his hand black and ganger listen man we're just going to borrow your car well but we'll bring it back terrified Sean backs

1:14:49 out zombie Pete slowly follows if you feel better later we'll going to the Pub you're more than welcome to join us Sean slams the bathroom door and runs off downstairs angle on the handle it turns iner front door continuous the shocked sea rejoins Ed who's jangling the car keys be S pissed off if he knew I was driving his car wouldn't he I don't think so exterior front garden moments later Shawn walks briskly to the car Ed tags behind Sean which button Central locking bang the football hits Shawn on the head he turns to see the board kid now dead standing on the pavement nearby Ed panics and presses any button and the magan's alarm goes off oh [ __ ] it the nearby zombies turn slowly the Dead kid approaches Ed pushes another button the alarm stops and the locks flip up Shawn and Ed dive into the car and Ed turns the key the lights come on the dead K kid paused the Bonnet the wipers activate the zombies Lurch closer

1:16:05 the indicated lights flash zombie Nelson approaches hand outstretched the engine Roars to life the front door bursts open and a naked Pete staggers out of the house Drive interior car afternoon Ed drives fast through the Suburban streets the radio is on the radio news reader the Church of the Church of England has now joined extremist groups in proclaiming the crisis as Sean looks out of the window to see a father bundling his crying kids into the family car an abandoned Ambulance with a squirming body bag on a gurnie zombies dotted around the streets and parks evidence of a coming apocalypse again once again bodies of the recently dead can we put someone else on Ed whips out a cassette and puts it into the player hired house booms and grins at sha Wallop something flies off the Bonnet up over the car and bounces across the road behind and Ed Slams on the brakes H some or someone Ed leans on

1:17:10 the horn making them both jump exteror rode moments later Ed backs up the car level with a crumpled body Shawn winds down the window and calls over are you all right oh come on let's just go hello they'll be dead either way that's not the point Ed a cracking sound they turned to see the broken body lifting its head revealing a grizzled zombie it hisses oh thank God for that the irony of this hit sha and as Ed hits the gas Exterior Street afternoon Shawn and Ed pull up outside Barbara and Phillips the only other car in the street is a gleaming Jaguar xj6 sitting in the driveway Ed whistled you didn't tell me barber had a Jag who's going to drive one of those it's Phillips and he won't let anyone near it I have half a Mars bar in the glove box once he chased me around the garden with a piece of wood [ __ ] it's gorgeous Sean looks around the street is strangely quiet come on it seems clear

1:18:19 enough why don't I stay here what why someone should stay with the car keep watch if there's any problems I'll honk three times okay uncertain Shawn runs up The Path and calls after him don't forget to call to kill Phillip inar Barbara and Philip's Hall moments later hello pickle hey Mom you've C red on you Barbara gets a tissue from her sleeve licks it and dabs his cheek clean Sean looks weily into the house you all right yes I'm fine where's philli Dad's in the lounge he's not my dad oh Sean really sorry Mom listen Ed outside we're getting you out of here but we've got to wait for the doctor I don't know if the doctor's coming well I'm not sure Phillip's going uh to want to leave the house darling Phillip's not why don't you pop the kettle on I'll take care of Phillip oh okay are you hungry not really well I'll make some sandwiches okay no fighting you two interior Barbara and Philip's Lounge

1:19:40 continuous the door Creeks open a grayl looking Phillip is sat in an armchair he's inert wrapped in a blanket and facing the television which plays religious programming his eyes are closed sea approaches him his mind racing he raises the cricket bat above his head as organ music on the TV swells I'm so sorry Phillip why Sean Yelps in the bat behind him what have you done now nothing what have you got there flowers I hope no it's a a cricket bat oh Sean Yelps again as Barbara appears and takes the bed is that for the jumble Sean there's a whole box of of your toys upstairs I was going to give them to the jumo I took them all to the tip Barbara oh what Sean's come to take us somewhere don't be silly I'm not going anywhere well maybe you should stay here and wait for the doctor I'll take Mom you said the doctor wasn't coming you didn't call the doctor did you I just thought I was best to be safe

1:20:55 I'm quite all right Barbara I've run it under a cold tap and we had our Jabs when we went to the aisle of white but Phillip it's all a lot of overblown nonsense just a bunch of drug nuts running wild still should get Mom away in case they come back I'm not going anywhere with that Phillip Mom listen did you make that tea into your kitchen moments later Barbara makes tea and Sean is agitated mom how much do you love Philip Two Sugars is it I haven't had sugar in my tea since 1982 will you caught me some bread loaves breadloaf Sean Cuts bread with a fearsome looking bread knife mom how much do you love Philip oh for goodness sake Sean must we go through this again I'm sorry but what would you think if I told you that he has over the years been quite unkind to me well you weren't always the easiest person to live with Mom he chased me with a piece of wood well you did call me you know what did

1:22:10 he tell you that ah yes he did [ __ ] Sean sorry mother U mom did you know that on several occasions he touched me Arbor flashes shaa look sorry that's not true look mom you don't understand Barbara stops what she's doing turned to Sean no you don't understand Philip is my husband and husband for 17 years I know you haven't always seen eye to eye but I would at least expect you to respect my feelings you have to be more adult about these things yes come on Sean Philip has stood at the kitchen door his arm in a sling he looks weak but still Towers over Shawn there comes a time when you've just got to be a man Shawn glances Downs a knife in his hand and back at Phillip his grip around the handle tightens exterior Barbara and Philip's house moments later Shawn drags his cricket bat like a stroppy teenager as he leads Barbara and Phillip up The Path there are still no zombies around told you this was a fuss of nothing Ed

1:23:22 stands at the end of the garden hands in his pocket hello Edward my you've grown but I believe it it turn to philli then Whispers to Sean what happened why is he coming it wasn't as easy as all that oh head TS at Sean Phillip stands by the Jack so we're following you are we I think it's best if we go in the where's the car Ed look sheepishly off we follow his Gaz to see the renal manag M wrapped around a lamp post a right off I pranked it you were parked yeah guess we'll just have to take the Jag sea takes a deep breath and turns to Phillip um Phillip what a zombie appears right behind Phillip we recognize him as one of the days young clubs from earlier look out too late the zombie grabs Philip and takes a huge huge bite out of his shoulder Christ Sean Sprints over and kicks the zombie Clear philli Falls another clubber zombie appears complete with whistle Phillip give me the car keys you're not driving that car Philip

1:24:41 Sean spins around and deafly smashes a second zombie in the face knocking the whistle down his throat give me the car keys Phillip gives them to Shawn who throws them to Ed Ed get Mom in the car I'm on it Ed catches the keys and looks at them he smiles for a moment before uttering ushering Barbara in Shawn pulls Philip off the ground his neck gushes blood don't worry about me worry about your mother slam Shawn jumps in the back with Phillip Barbara's up front with Ed who's admiring the Jag's interior maybe I should drive I a just at the seat now go on then just be careful he's drowned out out by Ed's Hard House tape they scream off interor Jag afternoon London whizzes by m Whispers of accidents a car driving erratically with a baby carriage on the roof we see zombies beating on the doors of houses a huddle of zombie kids are gathered around a body next to an abandoned ice cream van sea attempts to

1:25:45 bandage the profusely bleeding philli with his jacket the hard house blares in the stereo could we please turn that noise down are you all right dear would you like a tissue I'd be fine if it weren't for that Bloody racket it is a little it is a little loud it turns it down immediately for her sorry Barbara you do realize this is a 30 m hour Zone oh yeah and Winks of Barbara and speed recklessly onward exterior apartment block continuous the Jag screeches to a halt everyone is thrown forward and now heavily bandage Philip M pain here the four court is started with a few zombies who Lurch over Mom this won't take a second Sean tries a door it won't open he turns a Phillip have you still got the child loocks on safety first Sean Sean winds down the window and squirms out Ed stay moving any problems yeah yeah do the honks Ed cruises off around the for court Shawn heads for the door three zombies block his path he knocks

1:27:01 him down Sean slams The Bell behind him the floored zombies quietly pick themselves up and Advance again hello before Shawn can answer honk honk honk Ed beeps from the Jag Shawn turns zombies are right on top of him in Te Liz's flat continues a worried David and Diane h around the entry phone which buzzes with sound the pitch battle Liz emerges from her room and joins him there's noise at the window it Shan at the glass guys let me in please what are you doing I've come to get you you're bleeding it's okay it's not mine Liz opens the window sea tumbles in bat in hand Liz looks at him halfway between angry and impressed sorry what are you doing Sean stands and catches his breath I've come to take you somewhere safe what do you mean safe we're perfectly safe until you end up you don't know that oh but there's only two of them outside a minute ago and now how many are there lots lots believe me it only takes one

1:28:15 of them to know you're in here Liz I tried calling but I couldn't get through I had to come up with a plan oh you made a plan I don't care what the Telly says we have to get out of here if we stay we they will break down the door and they will come up here and they will tear us to pieces and that's really going to exacerbate matters for all of us listen to me please you have to trust me I've been out there I've seen what's happening they're not just going to give up and go away they'll keep coming Sean this isn't about you and me Liz I mean it's about survival we need to be somewhere more secure somewhere on the ground somewhere we can survive Liz's reluctance seems a waver we're with you Sean what what we're with you I'm not going out there you saw Titus at the national deaths I don't want to be torn to pieces and I'm sure if you really think about it neither do you I'm not going if Lizzie's not go isn't going of course

1:29:32 she's going I'm not staying here on my own you're going aren't you Elizabeth Lizzy Liz all eyes are on an uncertain Liz from outside we hear a chorus a building chorus of moon Liz takes a deep breath all right flash what did you have in mind right um I've got a car outside but it's going to be a bit cramped so have either of you got transport yes yes good where oh no I mean I passed my test David I don't think there's any point owning a car in London okay then uh let's just gather any Lun objects if you get cornered bash them in the head that seems to work now just keep together station shop and follow me so what is the plan then Sean flips up his cricket bat and gathers himself we're going to the Winchester close on the incredulous looks on the faces of Liz David and D exterior lizz's flat moments later close on the terrified faces of Liz David and Dy as they clumsily battled the zombies

1:30:48 on their doorstep Liz wields a hockey stick David an umbrella Diana piece of Driftwood who has Driftwood in London Shawn guides them through the crowd with his Cricket B where's the car honk the Jag pulls up knocking a road sweeper zombie flying what's up hookers everyone stops momentarily and looks at Ed before breaking into a run for the Jag Liz squeezes into the front Shawn David and Dy Pile in the back Shawn is jammed next to Phillip who looks even worse zombies encroach on the car apologies for the cramp conditions D you sit on Dave's lap if you can Phillip hang in there Ed fast as you can okay and Mom this is Liz Liz Mom hello hello Ed hits the gas the engine Roars iner and exer the car afternoon the Jag is unbearably cramped Ed drives fast flying over speed bumps the hard house is back on the stereo Philip moans weakly Sean I know I know be careful will you Ed it's your dad all right he's not my

1:32:07 dad he's bleeding I know Ed will you please be careful I thought you want to get that fast Ed swerve slightly a zombie glances off the Bonnet I want to get there in one piece and why are we going this way chill out it's a shortcut but the other road goes straight to the Winchester Sean Sean ejects the tape with a huff I still don't know I still don't actually understand why we're going to the Winchester Sean looks at Liz they keep eye contact it's a pub it's safe it's secure they know sir what makes it so secure well it's well it's got heavy doors it's got dead boats uh We've you've been to a lock in several and there's a rifle above the bar I would think that's deactivated surely it's not I'm telling you John's connected Big Al says so Big Al also says dogs can't look up they can't can't they no they can't of course they can are you sure look the Pub's the right place to go everything's going to be fine promise

1:33:37 hearing the p word Liz David and I frown at Sean Sean I turned it off all right it's not easy what Philip is fading he tugs on Sean's arm and Whispers being a father Sean it's not easy sea is taken back what you were 12 when I met you you already grown up so much yeah well I wasn't the easiest person to live with I just wanted you to be strong not give up because you lost your dad Phillip you don't have to explain I do always loved you Sean always thought you had it in you to do well you just need motivation someone to prove yourself to you thought that could be me sha nods eyes wide with huge effort Philip puts his hand on Shawn's shoulder take care of you mom there's a good boy philli Slips Away sea closes his dead stepdad's eyes Ed could you pull over two seconds Ed swerves again another zombie bounces off the Jag Sweet Chin Music Ed will you just pull over please what for Ed just pull over Ed Slams on the

1:35:04 brakes everyone is thrown violently around the interior of the car as the car turns 18 180 and screams to a stop the passengers sick sit in shock silence Ed whoops Christ what the hell are you doing chill out everyone's all right theia Sean punches the back of it headrest stop telling me to chill out puffs in silky protest Shawn gathers himself uh no everyone is not all right what's wrong oh well Mom what's wrong with pickle Mom it's Phillip he's gone where is he gone mom he's dead oh no he's not Sean looks at Philip who stares back milky eyed Undead oh [ __ ] Scramble for the doors zombie Philip claws hungrily at Shawn Barbara Liz and Ed pile out Ed accidentally knees the Hard House tape back into the stereo It blares Again David and Dy struggle to get out it won't open it won't open Ed the child locks Ed slopes toward the door but Liz quickly steps in before him to open it David and d fall out

1:36:28 followed by Shawn he turns to see Philip lunge at him and Shawn slams the car door safety first Phillip Shawn swings around and glowers at dead he glowers right back now what the gang are out in the open the Hard House draws the attention of several nearby zombies who begin to close in we have to keep moving but how do we get philli out of the car we haven't got time what about the blunt AR checks do you all get them Ed nods to the slaving Phillip Barbara looks on in shock Sean we can't just leave your dad he's not my dad oh Sean Sean grabs a shaken Barber by the shoulders behind we see zombie philli launching forward into the front seat he's not Mom he was but he's not anymore I'm sure if we just that's not even your husband I know it looks like him but believe me there is nothing of the man you loved in that car now nothing behind we see zombie philli reach forward and switch the Hard House

1:37:42 off he sits back and looks almost peaceful let's go shall we you're not seriously suggesting we walk are you EX ior back alley later Shawn walks briskly along a high fence back alley everyone okay back there yeah we're having a whale of a time we see the gang tagging along behind him Liz David and D followed by a dazed Barbara Ed skulls to the back smoking maybe we should all hold hands you know make a crocodile do you have any idea where you're going David sorry Lizzy do you though totally totally but are we close Sean peers through the fence slats into a nearby Garden the mullet haired 50-some from the pub lies dead on the grass surrounded by a ravenous huddle of female zombies pretty close Li looks back to the glaze Barbara concerned is your mom going to be okay I hope so did she manage to contact your folks they're in Antigua do you think it's happening there I hope not look Liz about last

1:38:58 night I I know a lot of things were said but I just wanted you to know that Sean you said this wasn't about you and me it's not I just want to you said it was about survival it is you're not doing all this just to prove something are you no because I meant everything I said last night nothing's changed SC in the distance is answered by A Chorus of distant and not so distant moans which seem to suround them maybe this isn't the best time to talk about it I know I know I just bam Sean walks right into am I go Sean yon yon is headed in the opposite direction with an uncannily similar bunch of friends and family how you doing um surviving hi Liz long time to see hey Yon haven't seen you since Ivon replies with her dance again and turns to her party sorry this is my friend dickan my boyfriend Dean it's my that's my dad my friends Mark and Maggie and my cousin Tom everyone mumbles their respective

1:40:11 hello hello this this is Sean and his girlfriend Liz they've broken up oh really yeah Sean looks at the ground yavon looks looks awkward well that's a shame well we should skip have you got somewhere you're going yeah we're heading to the Winchester the the pub yeah right well good luck you too yvon and Shawn hug this time it's real and affectionate the two groups move their separate ways there's a weird poignancy to this passing before yon calls out Sean yvon points in a completely different direction isn't the Winchester that way exterior alley afternoon crash a gate is kicked open what did I tell you Pub's just over there we see the Winchester sign in the distance just over there what about 20 garden fences we crane down to reveal a line of back Gardens sea steps forward and peers into the next Garden what's the matter David never taking a shortcut sea attempts to Vault the fence and a

1:41:23 super cool fashion however it breaks down under his weight an entire section of fence falling flat Sean quickly gets up and beckons the others to follow Barbara Doles behind in a dazed fashion I'm sure Jill and Dak live around here exterior Gardens afternoon the gang moves Commando style from garden to Garden of course in reality we're trespassing and I write Lizzy Liz doesn't answer she's distracted by evidence of other lives affected by the crisis a dog sitting next to a dead body the twitching silhouette of a hanged man a zombie in pajamas clawing at patio doors exterior the final Garden continuous they reach a family garden complete with outdoor games right everyone just stay where they are hang on are we all here died is a quick head one 2 3 four five yes there's six of us a Yelp from next door mom sea jumps onto a trampet and vaults the fence with lightning speed exterior penultimate Garden continuous and lands

1:42:34 to find Barbara sprawled on the grass he helps her up Mom are you okay I don't think Jill and Derek do live here Sean looks to the house the patio door is now open exterior the final Garden continuous Sean you okay crash Sean tumbles through the fence struggling with a pajama zombie o Liz and Diane leap into action David panics Ed slopes around for a weapon but Liz is already brandishing a kid's chair Ed shrugs and backs off break it up Liz whacks the pajama zombie breaking the chair over its head Shawn gets to his feet and turns to see David standing around and Ed texting someone Shawn can't believe it Shawn Diane pulls a swing ball out of the ground and and throws it to Shawn he looks at it unsure what to do Liz demonstrates a stabbing move Shawn flips up the sharp end of the Swing ball pole and drives it through the pajama zombie chest pinning him to a tree breathless he spins around to David and Ed feel

1:43:39 free to step in any time you seem be doing all right I didn't want to crap your style incredulous Shawn shakes his head he walks over to a child's Slide by the fence so sorry about that everyone just stay where they are I'll check if the coast is clear Sean climbs up and then climbs down is it clear no how many Lots we crane up over the fence to Ral a hundred Walking Dead between them and the club The Gang peer through the gaps oh well that's just great well there are a fair few of them John stands off a little way up looking desponded I trust Shawn has another genius scheme up his sleeve this is hardly constructive David no Lizzy there's a waste of time we should have stayed at the flat why didn't you because because what because of Captain wow will you stop it we're not going to get anywhere by moaning oh sorry you're that's you there was my fault okay all turn to the pajama zombie it's alive but stuck on the swing

1:44:59 ball pole the ball too big for the hole made by the shaft it moans frustrated Dan has an idea exterior final Garden the gang stand steuding the captive pajama zombie right shake out get nice and limber have another look at the way he moves remember it's very limp almost like sleepwalking and look at the face vacant with a hint of sadness like a drunk who's lost a bet and the voice it's a glottal Rumble with a neutral ah H all right everyone let's have a look shall we they all do their best zombie Impressions lives gives good moan nice good vocal work Liz Barbara is glazed over Barbara that's excellent I'm sorry dear I was Miles Away DS Diane moves on David gives a lust of performance oh come on I feel silly just try to make yourself very loose David tries again it's exactly the same it's mournful sorrowful you're dead and you hate it David tries again it's still the same better headed I'll do it uh I'll do it on

1:46:27 Leno Ed makes a sarcastic zombie noise Sean what about yours what well who do I made you king of the zombies Sean flashes him an admonishing look oh something's wrong with your cam your um all right then Pro a pretty good zombie impression it has to concede Prett good okay now let's try it all together 1 2 three exteror Street outside the even outside Winchester evening all doing their zombie impersonations the gang slowly moved toward the pub they're surrounded by Legions of genuine zombies who seem to be falling for it despite only Sha Liz and Diane putting in any effort David is stiff with fear Ed isn't trying and Barbara is just glazed they reach the pub door and sah tiously bang on it it's locked the gang speak in Whispers between their fake moans get round me the gangs around Shawn he kneels at the letter box John Bernie are you there John John Bernie some of the nearby zombies are

1:47:54 faintly suspicious it's Sean and Ed we come in all the time it's not working we do the quiz they can hear you you know qwa quizes with Attitude they know stay in character davs I can't see them more zombies caught onto the gang's noise Liz looks over to Barbara who's now rifling around in her handbag is everything okay Barbara I'm sure I had more tissues in here Sean we have to get inside break the window don't be so stupid we'll be totally exposed we are totally exposed break the window is there another way in Shawn there's a a Halloween ringtone Shawn glares furiously at Ed almost daring him to answer it he does holding up a hand two seconds abble can't talk right now no I ain't got nothing no I'm right in the middle of something yeah we a it Sean smacks the mobile from Ed's hand it skits away what are you doing what am I doing what are you doing you stupid [ __ ] [ __ ] off no you [ __ ] off [ __ ]

1:49:09 [ __ ] off Sean smacks Ed hard with each Su successive [ __ ] Sean I've spent a lifetime sticking my neck out for you you idiot and all you ever do is [ __ ] things up [ __ ] things up and make me look stupid well I'm not going to let you do it not today head is for once speechless Liz Taps Shawn on the shoulder Shawn Shawn turns around to see every single zombie looking at them we're saying there's another way in oh yeah there's a clatter David is tipped over the nearby bin spling the contents across the floor he lifts it above his head what you you doing he launches a bin at the pub window smashes It Wide Open get inside no they'll follow us what they'll follow us keep up the ACT I'm going to have to do something what do you mean do something Shawn makes a big decision he runs over to a picnic table o every single zombie turns their attention to Sean wait till I've gone then get inside where where I won't be gone wrong

1:50:30 promise Shawn looks at Ed who looks back concerned a moment of Silent understanding Shawn jumps down right into the thick of the approaching hordes and Sprints off yelling and waving his arms drawing all the zombies away he disappears out of sight the gang are all shocked by this particularly Ed well shall we go in as the gang moves toward the pub Barbara picks up the bunch of flowers from the strewn rubish and looks at the card come on Barbara leave them but they for me as Liz helped Barbara through the window a single zombie the dead Irish spinster turns to see them disappear inside interior the Winchester later camera pans 360 round the pub Lounge it's deserted lit only by The Fading shafts of daylight the curtains have been drawn over the broken window and bow ominously find Liz and Diane sitting silently with Barbara staring at the opening Ed stands for Lonely by the fruit machine David

1:51:34 Paces will Sean be gone long no Barbara it's a good 20 minutes since he went 1 either way we should think about blocking up the window we're totally exposed how will sea get back in oh I'm sure he'll have to know nobody moves we hear distant moans outside oh for goodness sakes let's at least get some lights on David strides over to some light switches Liz leaps up David wait David goes ahead and flips the switches nothing happens power is off that's a good thing we don't want to advertise our whereabouts anymore than we already have no of course not do we David no of course not Lizzie I'm just trying to be proactive we have to face some facts here the power and phones are off there's no side of the owners and there's a bloody great hole in the window you did that you [ __ ] someone had to make a decision I don't know if you've noticed but we are in a spot of bother back there somebody needs to take control of the situation

1:52:46 and if no one else is PR prepared to take on that responsibility then perhaps I should nobody speaks again we hear the distant moons this should be gone long he'll be back soon how can you know that how do we know he's even coming back I don't think he'd leave us staffs wouldn't he Lizzie you are you really going to put your faith in a man who last night you spectacular Bend for spectacularly bind for among other things being unreliable a man whose idea of a romantic night spot and an impenetrable Fortress are the same thing a pu we are in a pub what the hell are we going to do AR around in Shan be going long look let's just keep quiet and wait for sea we can barricade the window when he gets back okay what then I mean how long are we going to be here hours weeks what about food what are we going to eat toast yeah there's a bra back pH that's okay then oh wait there's no power shut up we got plent of B snacks

1:54:05 oh well as long as we've got nibbles we're saved that must be why sea dragged us here dragged us here and bugged off he's coming back why because he promised even if he does come back do you really think his master plan will extend to anything more than sitting in the dog eating peanuts he's going to stroll on in and make everything okay is he he's I don't know David I don't know any more than you do what I do know is that we're here now and we've have to make the best of it Ed get me a devil vodka right you are I'll have one too actually would you like a drink Barbara hello yeah [ __ ] it let's all get bled shall we great idea why don't we have some nibble while we at while we're at it David flounces behind the bar and rifles through boxes of snacks who are petulant throwing them out into the lounge we've got mini chats David we've got twiglets DAV we've got hog lops a hand snatches them from midair a perfect

1:55:13 catch pickle hello Mom Sean is back riding in from behind the bar there's shock and Delight from all but David Sean strolls over to Liz everything okay Shawn pops a pork scratching into his mouth any sign of John and Bernie we haven't seen them did you check upstairs oops Shawn goes to the back Corridor and tries a door marked private he forces it a little it won't open I think is locked what's the phone situation dead same as a power Sean nods and takes stock he offers Liz the scratchings nice of you to join us promise didn't I David steps in how did you lose them I just gave them the slip I mean it wasn't too difficult but not all that Sean casually leans it back against the bar so you haven't been bitten then do I look like I've been bitten David I Sean's Blood Stained shirt suspiciously yes look this is all from earlier and this is from philli and what's that pen and how did you get in there is a

1:56:38 back door through the yard I tried to tell you before you went and smashed the window What stopped you you went and smashed the window I wasn't the one blowing our cover by having a tiff with my boyfriend he's not my boyfriend a freshly pulled pint slides down the bar into Sean's hand might be a bit warm cool off thanks babe Sean takes a long Swig everyone looks at him expectantly so what's the plan then time cut to Interior the Winchester evening anybody want to peut the gang sit in the dark in their opening scene positions at their usual table Barbara is huddled nearby empty glasses and mountains of empty snack packets on the table chairs and tables are stacked up against the doors and windows The Gentle mood has soured David looks at Shawn smugly how about another drink nobody does Sean looks at the pool table how about pool again no response probably a bit noisy with the um ball release Sean

1:57:51 fiddles with his beer mat head why don't you do your Clyde nah have you ever seen Every Which Way but Loose Ed does the most amazing impression no it's not yes it is come on do it no but it's brilliant you buil too too much up now go on it's funny yes come on Ed let's see it yeah come on I'm not a performing monkey Barbera leans forward and reads Ed's t-shirt I got wood no one speaks a street light flickers on outside Sean looks out the power's on it's not I've already tried it but the grid isn't out it's the fuses I'll just switch them back on what about the lights yes we don't really don't uh sorry yes we don't really want to advertise our whereabouts more than we already have I we may as well be put out a sign saying all you can eat I think there is one yeah they do a buffet on Sundays the lights operate on a separate circuit I'll just flip the main Breakers so we can get the Telly on it's quite

1:59:12 simple David Sean flashes Liz confident smile and heads off inter your back Corridor continuous sea walks into the dim back Cor past the door marked private we Linger on the door handle for a moment Shawn finds a fuse box for the back door the window witch looks out into Blackness he flips the switches that's it curious Sean peers out into the dark he finds IR relevant switch and flips on the garden light zombies lots of them Shawn snaps off the light and Yanks back the door blind in a moment of panic denial he rushes back by the bar back to the bar past the door Mark private unseen by Shawn the door handle now Twitches in bar continuous Shawn returns to the bar slamming the back door behind him Diane stood on a bar stool flipping through the channels on the wallmounted television we see the message standby for further information displayed on every single Channel only the fonts differ BBC the AER MTV very funky Etc

2:00:19 everyone stares at the TV with growing concern Ed sidles up to Liz Liz go quit um yeah Ed gives Liz gives Ed a pound he thanks her with a smile she smiles back Ed goes off Sean returns she nods to TV there's never anything on is there Sean says nothing he looks ashen-faced and guilty what Sean glances to the back door we got a bit of a problem what do you mean they followed me I thought you said you gave them the slip yeah did they know we're in here I don't know well we'll just have to be extra quiet won't we Sean nods again comforted as Liz goes Ash in face what Liz turns to see Ed pop the quid into the fruit machine Ed no Ed no too late Ed hits a button and hits the jackpot there's a cacophony of bells buzzers and spooky noises turn it off turn it off Sean Dives to the floor and flicks the switch silence and then from outside tap tap tap everyone looks to each other Gravely Taps become slumps groans become audible

2:01:45 noise builds Thump Thump Thump the gang draws together and listens Liz puts a hand on Sha's shoulder Ed puts a hand on Barbara's shoulder David puts a hand on dy's shoulder John the landlord puts a hand on David's shoulder sh everyone scatters a zombie jaw lurk just toward them where the hell did he come from I don't know but tonight I'm gonna have myself a real good time I feel alive Don't Stop Me Now by Queen starts up on the Juke Bo who the hell put this on it's on random oh for [ __ ] sake the thumping builds John advances Sean X right Diane stay with Mom Diane runs to move Barbara out of the way David kill the queen what the Jukebox David looks madly around the base the Jukebox Liz Ed grab something weapony Sean looks around for blunt objects head points to the bar what about the rifle it's not real how about some cocktails what do you mean what's the Flaming Spirits drum be sambuka Brandy

2:03:03 get rug in light it woof I don't know the whole place could go up what then zombie John is upon them sha knocks into the pool table how about pool agreed sha vaults over the table grabs three cues and throws one to Liz and Ed they tense up ready for action okay John time at the bar having a good time having a good time as Queen kick off the trio launch into action whacking J zombie John with their cues this is choreographed in such a way that the action corresponds with the song's lyrics David meanwhile is having no luck with the Jukebox I can't find the switch get the fuses David runs off to the interior back Corridor continues David sees the fuse box panicked he hits Everything Exterior Pub continuous the PB lights flash Illuminating a sea of zombies interior bar continuous sha Liz and Ed subject zombie JN to a volley of blows he catches Ed's q and breaks it in half interor Corridor continues David

2:04:13 desperately flicks more switches the backyard light comes on throwing zombie shadows onto the blind David freaks out and backs away moving past the door marked private which is now slowly opening to reveal zombie Bernie in her slippers David Yelps and Retreats into the interior of the bar continuous David slams the corridor door and barricades it with chairs why is Queen still on I couldn't find the switch zombie John rounds on Liz pushing her backward over a table Ed gives up his broken queue and runs off Ed two seconds Sean Liz gets back up brandishing a fire extinguisher she lets it off in Zombie John's face when the gas clears Zombie John's face is iced with frost but it keeps coming Shawn Shawn turns Dan plucks three darts in the dart board she flings the first it wedges into a bar poost the second Dart hits Jon in the chest yes the third hits Shawn he yells an shie Sean looks up a dart shooting

2:05:22 painfully from his head Ed is behind the door the rifle in his his hands he throws it through the air despite the pain Shawn catches it he looks at the rifle in frustration and with one Almighty blow of the butt sends Jon's head backward into the Jukebox Sparks Fly Queen stops John drops why did he shoot the man sea rounds on Ed with a rifle because it's bang the rifle goes off sha is thrown backwards optic shattered behind Ed his jaw drops with joy I [ __ ] knew it what I said big I was right sean gets up looks at the smoking rifle then at Ed okay but dogs can't look up inter the Winchester moments later drawers and cupboards are opened shelves cleared a box of shelves is discovered Shan has his work Shan has his work tie wrapped around his head the rifle lies in the bar the thumping from outside is louder than ever anyone fired a gun before Oh yes apart from Ed I'm a pacifist ah good where put one more back

2:06:38 up oh ah apart from David and Ed I have good where in a production of Lear all the military played by women it was a starter pistol it's not really a serious qualification we took it to the Edinburg Festival sorry what's Ed's experience he shot his sister in the leg with an air rifle why she asked me to I think you should do it I think we should all do it how can five people operate one gun look none of us has any real experience okay and we've only got Ed glances into the box of shells and shakes them 29 29 bullets cor shells 29 shells so we should work together on this I need someone to help me reload and everyone else to keep looking out oh I'll fire as butchard Russell once said the only thing that will redeem mankind is cooperation I think we can all appreciate the relevance of that now did you get that off the back of the beer Matt Guinness extra cold I won't say anything crashed the barricaded tables

2:08:04 is by the broken window shutters they definitely want to come in Liz can you get Mom out of the way Ed get me some shells David die over here Crossing Liz goes over to Barbara who still clutches the flowers and leads her off Barbara focuses on lids and smiles Barbara hello do you want to come with me oh yes that would be lovely it's nice to meet you finally Sean's always talking about you really I I've got something for you Barbara I I really ought to Barbara produces in an or ornate ring on a chain around her neck Sean's father gave me this Sean's real father that is philli never minded I've kept it for 20 years Liz smiles and sure how to react I want you to have it Barbara me and sea have we it's only right Barbara pushes a ring into Liz's hand and winces Liz looks down a tissue protruding from Barbara's sleeve suddenly blushes dark red Liz pushes a sleeve up beneath the water blood soaked tissues is a large

2:09:16 bite I didn't want to say anything I thought sea would be worried Sean looks over to Barbara and Liz something's wrong Liz here they come crash the barricaded chairs and tables topples hands push at the curtains sha has no choice but to fight get behind me get behind me there's one Dy points a dead face peers into the bar Shawn takes aim sorry we're closed click nothing everyone looks at the rifle Sean shakes it that happened to me on stage is it the safety button oh [ __ ] it Sean looks from Ed to the rifle he [ __ ] it and fires Bang Bang Bang the zombie falls back pulling the curtains with it crash the window on the right hand door goes zombies claw to get in Diane sees him first over there over where bang 3:00 the te team spin around as a unit Shawn fires though his aim is erratic another zombie climbers in at the first breach bang bang o over there um quart to 12 what bang 11:45 keep it

2:10:38 simple bang sorry Sean manages to take out the the door zombies top left the AL swing to the left Sean pulls the trigger click reload Ed feeds Shawn two shells I'm on it Shawn [ __ ] and fires hitting a zombie in the head bang oh nice short thanks let's block up the window David and D run to fix the Fallen barricade take over a minute Sean hands the rifle to Ed and runs to Barbara and Liz what's up are you all right Sean I'm so sorry Liz says nothing she looks at Barbara mom what is it oh I didn't want to be a border Sean sees the blood oh God Mom I don't understand the man in in his pajamas I didn't want to I didn't want to say anything I I thought you'd be upset no let see Sean hug Barbara he hands the rifle to Diane oh take over a sec Ed runs to the back of the room David peers after him what the hell's going on on what the hell's going on Barbara's hurt I know first aid I know first aid take over a

2:12:00 moment Diana hands the rifle to David and rushes over she arrives to see Barbara lying feverish in Shawn's arm Ed stands around unsure what to do Liz Comforts Shawn David sees her hand on his shoulder and looks down to his rifle Sean hold on mom we're going to be fine Sean I forgot to thank you for what Barbara shows Shawn the flowers he's baffled for a moment it's been a funny sort of day Barbara starts to convulse oh Jesus mom no no no Barbara's breathing slows Shawn buries his face in her hair click click I'll turn to see David pointing the rifle at Barbara what are you doing we have to deal with her DS oh for Christ's sake she's going to come back she's not going anywhere she's going to change she's my mom she's a zombie Shawn positions himself between Barbara and the rifle don't say that David stop it move away I'm going to count you sea leaps up grabs a bottle from the table and smashes it he holds a

2:13:17 broken bottle to David's throat don't point that gun at my mom Sean come on now Ed pulls a dart from the bar and aims it at David's neck don't point that gun at Barbara Ed don't exasperate things what do that mean well this isn't exactly Fair yeah Ed flips a PO queue from the floor and hands it to Diane she raises a queue above Ed's head um thank you it smashes another bottle and holds it to Diane's throat so okay Liz steps in hands raised affecting calm can we just stop and think about this tell him to put the gun down tell him to take the bottle away from my throat oh grow up she's going to change Lizzy she'll change and kill us all you know I'm right your ex can't seem to grasp that that's what this is isn't it it's me just doesn't like me he never has he's always hated me and now he wants to shoot my mom she's not you've always looked down your nose at me you never thought I deserved her

2:14:37 that I was good enough what are you talking about oh we all know you're in love with Liz that is not true oh yes it is it's not true yes it is what I know you only hung out with me at college to get close to Liz and when she knocked you back I was there to pick up the pieces I've come to terms with that daps why can't you David flushes red and stammers to Liz is I want you to know that my my feelings for you are essentially David please there are slightly more pressing matters at and here yeah like the fact that DS here is pointing a gun at my mother oh I'm not the one being unreasonable pickle for Christ's sakes she's not dead you said it to yourself about your stepdad dad she's finished stop being such a hypocrite you're the one who's gone from chartered accountant to Charlton hon I'm not a chartered accountant you look like one yeah I'm I'm a lecturer you're a [ __ ] yeah she's not your mom anymore any second now

2:15:59 she'll be just another zombie don't say that we're not using the Z word please can we calm the [ __ ] down the shouting excites the zombies clamoring to get in now I can see what David is trying to say thank you Lizzy even if he is being a [ __ ] yep David fizzes was ation and Shawn Shawn look at me I I can't begin to imagine how hard this is for you but we can't afford to let Things Fall Apart Sean babe I know you don't want to hear this but Barbara is standing upright behind David everyone stops at the sound of her mournful whne her eyes are a milky white skin a lifeless gray face Twisted almost pleading sea takes the rifle from David and points it at her his hands shake his eyes fill with tears his finger tenses you do it do it David looks at David her expression twists into a scowl zombie Barbara hisses and lunges forward I'm sorry Mom bang David is flecked with blood zombie Barbara drops total shock

2:17:16 Sean lets the rifle fall to the floor everyone is speechless David takes off his glasses a clean well I think we could all agree here that you did the right thing David replaces the glasses crack sea punches him hard in the face sending him sprawling David rolls over he now has the rifle in his hands he points it to Shawn no David click the rifle is empty David looks desperate and ashamed everyone else is appalled Shawn hasn't flinched right I'm sing what not staying here David walks the bolted front door and starts to move the tables and chairs away the noise outside Rises if you open that door we won't stand a chance what and you will in here David begins unlocking the dead bolts to the front door David don't it's suicide I think you should just go man we will we can run we can defend us elves what do you mean we what do you mean what do you mean we you don't honestly think I'm going to

2:18:28 go out that door do you opening that door right now would be a very very silly thing to do so you're staying here with him Sean didn't after all he's got us into uhuh Sean didn't ask you Diane how let me finish Sean ask you to come here you you came for the same reason I did you didn't know what else to do now get away from that door this instant Bo David David crumples the pull cue dropping from his hand he steps away from the door and slumps against the window in tears I'm I'm sorry Diane I'm sorry Lizzy maybe we're not the ones you should be apologizing to I'm sorry Shan Shawn nods silently accepting the apology well done daffs that took guts smash dead hands break through the window David is pulled back as zombies bite down on his body he screams in pain Shawn Liz and die try desperately to pull David back as he is dragged outside and Torn to Pieces they attempt to keep hold but fall backwards to find

2:19:46 themselves clutching David's severed lower leg this screaming remainder of David is being sucked into the hungry crowd David no still holding David's leg Diane gets up and runs straight to the front door unlocking the final deadbolt die don't die don't too late Diane opens the door and runs out to save David thrashing at the zombies with her boyfriend's leg I'm coming daffs Diane is swallowed by the crowd zombies quickly take her place lots of them all shapes and sizes all walks of life all ravenous the floodgates are open oh dear [ __ ] do it Ed runs off Sean grabs the rifle Liz grabs the shells he reloads and opens fire at the encroaching tide of zombies Liz feed some ammo as they slowly back up toward the bar EDS a flaming cocktail sails over Liz and Shawn's head and explodes over the door it ignites the surrounding curtains and carpet zombies fall back momentarily keep them coming the front

2:20:55 barricade Falls zombies dropping clumsily into the room another cocktail explodes holding them back the back door shifts the barricaded tables and chairs Falls dead hands reach in the bar grabbing Ed's necks Ed go please sea spins and throws the rifle to Ed who catches it and blasts over his shoulder the hands fall back releasing him behind a pizza delivery zombie walks through the fire Ed over here Ed Chucks the rifle to Liz she's unsure what to do the pizza Zombie's head is protected by a helmet deafly she smashes a visor with the gun butt and fires into the hole Smo sha notices Barber's body he grabs his jacket and lays it over her face placing the flowers on top bang the back door gives Ed turns as see zombies pour in Sean look who it is [ __ ] a doodle do leading the pack is a naked zombie Pete ited tries to ignite a cocktail but his lighter won't work [ __ ] Sean sees that Ed is in trouble and calls for the

2:22:03 rifle to me Liz Chucks from the rifle zombie Pete lunges at Ed hissing don't grind me a back FK Ed gets Pete in a headlock but he's distracted by a Halloween ringtone trilling out from somewhere in the bar Ed looks up to see a commuter zombie holding his phone hey that's mine you chy Ed screams as Pete bites down into his arm Ed throws his head back in pain making his neck available to the nearby zombie Bernie who takes a massive chunk out of it no Shawn takes aim at Ed's attackers but can't get a clear shot Pete amazingly Pete hears this and turns around to face Shawn Pete's dead eyes lock with Sean's I said leave him alone Shawn blows Pete's head clean off he swings back to Ed but can no longer see him there are too many zombies in between and the front of the pub is now wide open Liz fends off the increasing numbers with a hat stand they're everywhere Sean bar but Liz bundle Shawn behind the bar they crouched down

2:23:11 kicking the back door shut and holding it with their feet Ed no answer Ed Sean peers back he sees nothing but zombies and a huge shape tumbles over the bar next to sha and Liz what it is a lie but badly bitten his neck gushing blood I thought you were yeah yeah CH a cloth we sea does so and presses a beer cloth to his neck zombies now fill the bar having reached the first fire barricade yeah the Brandy Sean smashes a bottle of brandy and offers it to Ed no for me you tit smash it on the bar sea jumps up and smashes the bottle he grabs his lighter and ignites the spirit Flames rip along the bar a new firewall erupts Shawn rejoins Ed Li triumphant where the bullets CM shells where are the shells Shawn jumps up again to retrieve the shells from the bar he burns his fingers and crouches down again sucking his thumb oh [ __ ] it ow [ __ ] it zombies now reached the flame is pushing the pumps alcohol Rains Down

2:24:23 it takes a few gulps so what are we going to do then where are we going to go Sean and Liz look around at a loss then bang a football hits the back of the door smashing a mirror it falls down and settles on the trap door to the cellar The Cellar maybe we can get out yeah there's AER there's a b uh sorry yeah there's the barot that leads down to into the straight you mean go back outside which would you prefer mortal Peril or certain death um first one they head for the trapo but the zombie Irish spinster drops over and gets to her feet oh give us a [ __ ] break on the fiery bar the box of shells suddenly explodes stray bullets fire off everywhere one Ricochet is off the pub Bell and hits the zombie Irish spinster in the head she falls disappointed Sean Liz and Ed make for the hatch interior Cellar continuous they pull Ed down into a dark Cellar fill with boxes and laundry Sean grabs some piping from the floor and shoves it

2:25:31 through the handle of the trap door weding it shut Ed slumps against the wall the beer cloth already sden with blood Liz grabs some linen from the washing line and uses it to bandage Ed's wounds in the far corner of the cellar a shift of Orange Street light illuminates the barrel hatch I can see those straight he puts the rifle down and jumps up hanging from the handles the barrel hat does not move come on Shawn pulls frantically before dropping down he tries again desperately trying to force open the hatch come on Liz watches with an increasing air of disappointment Shan why won't it open Shawn drops down again and slides down the wall utterly defeated he laughs grimly so that's that then we're trapped let's go to the Winchester who the [ __ ] came up with that idea oh man I've really bowed this up Bing this up this leaves Ed and sits with Shawn on the floor the noise from upstairs is muffled The Cellar oddly

2:26:41 quiet no you haven't I have Liz I'm useless I couldn't save us I couldn't save die David I couldn't even save my own mother I should have been there I can't you shouldn't feel so responsible you tried you did something that's what counts God knows where we'd be if you hadn't I suppose the cellador shakes violently Liz and Sean look at it do you think they'll get through yes how many shells have we got left two I guess we could take out a few of them if they stand in a line I wasn't thinking about them I know Sean looks around the surrounding bottles and barrels can't we just drink ourselves to death I don't think we've got time the cell door shutters again Sean looks at the rifle there's only two shells what about Ed i m how are we going to do this I don't know I suppose one of us has to go first maybe one of us has to do the other and then do themselves maybe you should do me first I'll only muck it up if I have to do

2:28:08 myself Sean briefly mimes this out then shakes his head I really don't know if I've got it in me to shoot my mom my flatmate my girlfriend all in the same evening what makes you think I've taken you back the silidor buckles the cover pipe bends well you don't want to die single do you they laugh and look deeply into each other's eyes actually I would like to be short besides I've changed you know I haven't had a [ __ ] since yesterday I promise he hasn't maybe we should have one now Liz takes out a crumpled packet of cigarettes Shawn looks shocked Liz Smiles innocently you left them in my room they were in the bin it was desperate sneaky cow they each take a cigarette Liz shrugs I'm sorry ah I won't say anything Sean ignites his lighter the flame illuminates a red button on the wall above which is a sign reading way out Sean holds a lighter up to reveal an electric door mechanism they were

2:29:23 sitting on the service lift all along he and Liz exchange a look they nod a silent agreement crack the cellor splinters dead fingers crawl through as the smoke thickens they're almost inside sea runs the Eds side he's pale and visibly fading come on we're leaving I might just stay here but we can all get out I think I think you two should go make a go of it what are you talking about I'll only hold you back Sean looks at his friend and realizes he's right with a somber nod he offers Ed the rifle don't you want it nah you have it I can't H anything with it anyway Ed takes the rifle from Sean I'm sorry Ed for what I'm sorry I shouted at you earlier that's all right sorry too it's okay no I'm sorry Sean Sean puzzles before his expression turns a disgust Ed laughs Sean wines as he covers his nose and mouth oh Jesus that's not funny I'll stop doing them when you stop laughing not laughing the cellador

2:30:45 finally gives smoke now pours through b off Sean looks at Ed A Silent Goodbye he joins Liz on the service lift she's found an old fire axe and a large chain Shawn chooses the a Liz hits the red button the service hatch opens Shawn and Liz are based in Orange Street light the lift starts to send bye Ed love you chess I love you too man yeah Ed disappears from view lost amidst the Thick Smoke and encroaching moans as Sha and Liz reach the outside continuous sha and Liz rise up into the street a shot rings out from the cellar beneath sha and Liz exchange a look it's just them now versus an army of advancing zombies ready ready they both raised their weapons ready to fight on together the chorus of moans is now deafening but then another sound an engine roaring approaching fast Shawn and Liz are dead dazzled by bright headlights as one of a convoy of military trucks mounts the curb next to the Winchester knocking

2:31:56 several zombies flying figures leap from the back orders barked shots are fired Shan Liz are disoriented until they hear oh my God Sean a smaller figure moves in front of the headlights Sean Squints into the glare Ivon Ivonne steps forward her face becoming visible how you doing sha and Liz Exchange look surviving surviving they're taking us somewh safe thought you might won't tag along is it just the two of you Sean and Liz nod tly well glad somebody made it yvon Beck and sha and Liz toward the truck with them the sound of gunfire and Pitch battle echoing around them they disappear into the blinding light disolve to a caption that reads 6 months later White Noise flips to news the troubled reporter from earlier now very calm and being interviewed as an authority on the subject these beings these creatures to use the correct scientific terminology zombies pose the greatest threat flip we

2:33:05 see footage of military police racing down Suburban streets saving people from houses it's a testament to the combined forces of the military that law was restored of course we now realize that the phenomenon resulted from the use of flip a trashy American documentary quick cut to ncsc footage of zombies and shooting next we'll hear the story of 10-year-old Isaac bomgarden who fought off the reanimated corpses of his extended family it's all coming right up on Zombies From Hell flip a serious documentary of course the fact that the mobile decreased still have Primal instincts and Trace cognitive thought you see is H into a cage on the back of a lorry makes some ideal recruitment for the service industry we see a zombie null and overalls pushing shopping trolleys and because we now know the condition is C caused by clip a heated discussion on Trisha a young married woman is sat on the stage the cornog

2:34:08 graphic reads I married a monster people say it's wrong but he's still my husband you know in the chair next to him the young woman sits a figure in semi Darkness shush looks on sympathetically I still love him still got the ring on my finger Trisha flip a lame game show with lumbering Undead contestants on Bouncy opticle courses an unseen commentator Giggles interor house Day bare feet Lumber into the shot slowly pan up Sean his face is tired but happy he yawns we're back in the lounge room is tidy but the decor a little different homely there pictures of Shawn and Liz on the wall next to two mounted rifles and posters advertising a club at which Shawn now DJs we also see pictures of David and Dy and Barbara and Phillip arranged like little shrines Liz sits on the sofa idly flicking through the cable channels she's wearing Barbara's ring Sean kisses her hello hello so what's the plan then right we

2:35:17 have a cup of tea then we go get this Sundays head down to the Phoenix for roast P out in the pub for a bit and then wander back s a bit of Telly and go to bed perfect I'll get the kettle on nice can I have two sugars oo adventurous just going to pop into the garden actually go on then two SE into your shed moments later sha opens the repaired shed door the interior is dimly lit by a flickering light Sean Sean sits down and picks up a game controller then presses the button and a voice booms player two has entered the game a zombie Ed sits on the floor playing a video game he's Shackled to the wall Ed turns to see Shawn playing next to him he looks at him for a moment before making a slow lunge at his arm Johan bats my playfully Ed they continue playing Shawn scores a point Ed groans Sean

2:36:25 I apologize for my terrible English accents sorry oh that's all right we're all over the I think all over the island that was fun it was fun it's very funny it yeah it's a really really funny script I really like it so good times good times love yep and if you haven't seen Hot Fuzz y'all out there on YouTube land you should go watch that one too it's kind of a not really a sequel but it features some of the same characters so yeah it's pretty awesome pretty cool so all right I should be getting going yep okay you to probably bye bye YouTube goodbye have a good evening what's left of it what's it yep all right watch out for you know CIA bye bye bye have fun storming the pub so you haven't seen this one Vicki I have not no have not yes it's well worth watching if you can get a hold of it yeah actually my daughter has it so yeah I'll be able to watch it than and I think we got one more vampire

2:37:52 movie coming up I think it's Bram Stoker's Dracula coming up in two weeks yes we actually get a break week off yay yeah yeah I'm away of course they calling for snow for those two days of travel so it's like a but it'll be warm so it'll be like slush really okay if it happens if it happens yeah all right they could be wrong well enjoy your evening off and your week off or such and we'll hopefully see you in two weeks yes I will be there for Dracula all right awesome okay good night good night

Questions about this episode

Who speaks in "SHAUN OF THE DEAD--Table Read Tuesdays"?

Vicki Dykes (Guest), Aubrey McCoy (Guest), Cat Wilson (Host), Unknown Host (Host).

What is "SHAUN OF THE DEAD--Table Read Tuesdays" about?

The content focuses on a table read of the cult classic zombie film "Shaun of the Dead," featuring a small cast that includes actors who take on multiple roles while engaging in playful banter and introductions. The discussion highlights the film's distinct British humor and sets the stage for a lively reading of the script, showcasing the enthusiasm and creativity of the participants.

What is mentioned in this Table Read Tuesdays episode?

5 people, works and ideas are mentioned, including Sha of the Dead, Facebook, Instagram, Every Which Way but Loose, Hot Fuzz. Each one on this page links to its own page with every episode that mentions it.

How long is "SHAUN OF THE DEAD--Table Read Tuesdays"?

The episode runs 2 h 39 min; the transcript is about 22,087 words in 125 timestamped sections.

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