THE GOONIES--PART 1

What this episode is about

The content focuses on an engaging reading of "The Goonies," highlighting introductions of various participants who share their names, roles, and locations. Each individual outlines their character assignments, expresses enthusiasm for the collaborative performance, and mentions their social media presence.

Key takeaways

• The Goonies: a timeless reminder that adventure isn't just physical; it's about friendship and loyalty.
• A staggering 3,000+ action lines suggest the screenplay is as lively as a Goonie’s imagination — chaotic yet cohesive.
• Voice acting legends gather to embody timeless characters, proving that nostalgia can bridge generations and spark creativity.
• Every Goonies character is a lesson in diversity; even a couch-stomping Sloth can teach empathy and acceptance.
• No social media? Chunk might argue that sometimes, the best connections are the ones made face-to-face, not online.

Who speaks in this episode?

• Cat Wilson (Host) · 50 min speaking
• Jacob Patrick (Guest) · 17 min speaking
• Tamir (Guest) · 8 min speaking
• Vicky Dikes (Guest) · 17 min speaking
• Jackson Gray (Guest) · 17 min speaking
• Courtney Burmac (Guest) · 17 min speaking
• Skylar Silver Lake (Guest) · 17 min speaking
• Aubrey McCoy (Guest) · 8 min speaking

What is discussed, and when

1. 0:00 – 15:00: Chris Columbus, Data Wang, Francis Fratelli, Troy Perkins
2. 15:00 – 30:00: Data Wang, Troy Perkins, Chunk Cohen
3. 30:00 – 45:00: Chris Columbus, Irene Walsh
4. 1:00:00 – 1:15:00: Troy Perkins
5. 2:00:00 – 2:15:00: Chris Columbus
6. 2:15:00 – 2:30:00: Pirate Gold, Atoria, Oregon
7. 2:30:00 – 2:45:00: Beetlejuice, The Great Mouse Detective

Notable quotes from "THE GOONIES--PART 1"

• Courtney ype you're muted Courtney hi I'm not muted anymore I'm Courtney burmac I'm in belrea Massachusetts I don't have any socials maybe I should get some I'm playing chunk and stuff and Mr Walsh and of course some of the action and.

  about Courtney Burmac · at 2:42

• There sorry all right there you go Courtney whenever you're ready okay this is The Goonies a screenplay by Chris Columbus interior Walsh home day credits come up over various close-ups of The.

  about Chris Columbus · at 7:08

• Francis hop into the car the off-road vehicle drives off interior of the car Mama drives panicked upset she checks the rearview mirror a second police car joins the case the police are gaining on them exterior 8th Street the police cars.

  about Mama Fratelli · at 11:39

• Junkyard data searches through an enormous trash bin picking up discarded wires cables Etc data is wearing a Walkman it drowns out all sounds he is tinkering with one of his…

  about Data Wang · at 13:24

• Yeah data none of your stuff ever Works anyway Irene Walsh Mikey and Bran's mother enters Irene is in her early 40s light brown hair slender dressed in a plaid skirt and…

  about Irene Walsh · at 33:59

• Store jerk alert mouth points to the entrance door Troy Perkins struts in like he owns the place Troy is 17 years old tan cocky he's dressed in a white polo tennis outfit expensive tennis shoes his hair is neatly styled spoiled rich brat he.

  about Troy Perkins · at 1:00:51

• Beside Andy is Stephanie Steph Stein rener also aged 16 Andy's best friend Steph is short hgy dark brown hair glasses she's wearing a denim fish fisherman coverl stuff is tough…

  about Stephanie Stein · at 1:01:50

• Misfits on an adventure I mean you know they're they're seeking something that's a big huge dream you know who doesn't want to find pirate gold right and that part might be a…

  about Pirate Gold · at 2:23:10

Who and what is mentioned in this episode?

People

• Chris Columbus — Person · Referenced author (screenwriter) · 4 mentions · first at 7:21
  Credited in the script being read (“The Goonies, a screenplay by Chris Columbus”), establishing authorship of the text the group is performing.
• Data Wang — Person · Fictional character (inventor/tech kid) + role being read by participant · 2 mentions · first at 13:30
  The group’s gadget-maker; repeatedly appears with inventions (belt buckle suction gun, spy eyes) and is explicitly introduced by name in the reading.
• Mama Fratelli — Person · Fictional character (antagonist) + role possibly read by participant/host · 2 mentions
  Primary adult villain in the excerpt: orchestrates jailbreak getaway, confronts kids at Lighthouse Lounge, and controls the Fratelli family.
• Troy Perkins — Person · Fictional character (teen antagonist/rich kid) + role being read by participant · 3 mentions · first at 3:47
  Serves as social antagonist to the Goonies; appears at country club and Stop-N-Snack scenes, bullies Mikey, and is linked to foreclosure pressure via his father.
• Andy Carmichael — Person · Fictional character (teen love interest) + role being read by host · 2 mentions
  Key teen character tied to Brand’s subplot; appears as cheerleader and in scenes with Troy/Steph and later joins the group near the graveyard.
  Is neatly styled spoiled rich brat he lives in an expensive home on the hillside walking besides Troy is Andrea Andy carmichel she's 16 years old face of an Angel smooth creamy…
• Francis Fratelli — Person · Fictional character (antagonist) + role being read by participant · 1 mention · first at 1:46
  One of Mama’s sons; appears in the jailbreak chase and later at the Lighthouse Lounge/basement printing press sequence.
  Set woman with gray hair and a menacing evil face she is part margerie M part jungle cat her son Francis fatelli stands outside of the car holding a can of gasoline Francis is…
• Irene Walsh — Person · Fictional character (Mikey/Brand’s mother) + role being read by host · 2 mentions · first at 4:43
  Appears in household scenes setting rules, introducing Rosalita, and driving the ‘packing/moving’ stakes that motivate the kids’ adventure.
• Stephanie Stein — Person · Fictional character (teen ally) + role being read by participant · 2 mentions
  Andy’s best friend; appears at marina/Stop-N-Snack and later joins the group, providing banter and support.
• Courtney Burmac — Person · Participant/reader (cast member in the live script reading) · 1 mention · first at 2:48
  Introduces herself and states she is playing Chunk and Mr. Walsh plus action/descriptions; she also begins reading the screenplay aloud.
• Chunk Cohen — Person · Fictional character (full name variant of Chunk) · 1 mention · first at 27:58
  Same character as ‘Chunk’; appears when the script gives his full name (“Lawrence Chunk Cohen”).
  Turns jerk alert mouth points to the sliding glass doors Lawrence chunk Cohen is outside of the gate he is ringing the bell chunk is 14year olds old pudgy clumsy chunk is a…
• Jackson Gray — Person · Participant/reader (cast member in the live script reading) · 2 mentions
  Introduces himself and notes he will play Mouth plus action/description and side roles.
  Hello I'm Jackson gray that's you find all the socials off of that...
• Vicky Dkes — Person · Participant/reader (cast member in the live script reading) · 1 mention · first at 1:33
  Introduces herself and the roles she will read (Data Wang, Francis Fratelli, Sloth) and mentions social handles.
  Brand whenever you decide you need to leave and then go down to Vicky hello I'm Vicky dkes I'm from central Alberta today I will be reading for is it data or data Wang Francis.
• Skylar Silver Lake — Person · Participant/reader (voice actor in the live script reading) · 1 mention · first at 3:12
  Introduces himself as a long-time voice actor and lists roles (Jake Pelli, Mr Perkins, Troy Perkins, action/descriptions).
  Action descriptions I think we'll all get a turn hopefully reading those Skyler hi I'm Skylar Silver Lake I'm based in La I'm primarily a voice actor I've been doing that for 17 years now and yeah I've been wanting to do.
• Heatherly Cameron — Person · Participant/reader (tentative) · 1 mention · first at 4:21
  Mentioned as a possible joiner depending on schedule; would read Mama (Fratelli) if present.
  Brand and some of the action descriptions as well as Sheriff attendant and arranger and Heatherly Cameron may or may not be joining us depending on how her schedule works out…

Concepts & topics

• Pirate Gold — Concept · Key argument · 1 mention · first at 2:23:16
  Central to the plot of The Goonies, representing the treasure the characters are seeking.

Places & events

• Atoria, Oregon — Place · Setting · 1 mention · first at 2:17:29
  Mentioned as a location in the context of the movie.
  The beginning of the before we started recording we talking about being this filmed in atoria Oregon small little Seaside town it's used to be an old fishing very much based on…

Media & podcasts

• Beetlejuice — Media · Referenced work · 2 mentions · first at 2:37:35
  Mentioned in passing during the podcast.
  Mentioned it we were talking about all this 80 stuff it completely slipped my mind because we have a b pretty big one coming up a couple months and that's Beetle Juice sequel after all this time after the.
• The Great Mouse Detective — Media · Referenced work · 1 mention · first at 2:34:14
  Mentioned in passing during the podcast.
  Making it something that the adults want to watch too yes so like they're one of they did one movie The Great Mouse Detective which didn't it was a animated movie it didn't get…

Full transcript with timestamps

0:01 Welcome to our reading of The Goonies make sure I'm not did I just I didn't just pick you guys out did I all right all right um and we are going to start with introductions and just like always if you can let us know your names your pronouns and where you are at what characters you're reading and also if you want to find you on social media where they can find you at we'll start with Jacob hello I'm Jacob Patrick I enjoy creating whether that be writing directing and so that's why I love reading these scripts and you can find me on Instagram and everywhere I think under Jacob Patrick or Jacob dpatrick but best is my website Jacob patrick.com awesome um then we go to player which is Tamir hello my name is Tamir him he his I'm playing brand Walsh and I'm based in mro Quebec Canada and that's it okay um an au taking over for your brand whenever um you decide you need to leave um and then go down to

1:33 Vicky hello I'm Vicky dkes I'm from central Alberta um today I will be reading for is it data or data uh Wang uh Francis Fratelli and I'm pleased to be sloth uh I'll be doing a little bit of actions and description and sharing that with Jackson that should be fun and uh you can find me on Instagram I'm yoga Grandma 10 and I'm on Facebook under the name Vicky dikes awesome and speaking of Jackson let's go do you next hello I'm Jackson uh gray that's you find all the socials off of that mostly um I use any pronouns I'm today G to be playing Mouse and actions and descriptions and some other side roles yeah and I'm excited to be here awesome um Courtney ype you're muted Courtney hi I'm not muted anymore I'm Courtney burmac I'm in uh belrea Massachusetts I don't have any socials uh maybe I should get some I'm playing chunk and stuff and uh Mr Walsh and of course some of the action and descriptions yes this play is full of

3:05 action descriptions I think we'll all get a turn hopefully reading those um Skyler hi I'm Skylar Silver Lake I'm based in La um I'm primarily a voice actor I've been doing that for 17 years now um and um yeah I've been wanting to do this at least once and you got me with the Goonies because this is I mean yeah I mean and you might me give something else 80s if I have the time and something I I just can't resist doing so yeah we'll see I'm playing Jake pelli uh and both the perkins's Apparently Mr Perkins and Troy Perkins uh his his uh son and actions descriptions in part four yes in act four yes as well I believe we're all doing at least a little bit of tonight because there is a lot there is a lot there's more than 3,000 actions and descriptions lines in the script so we may or may not get through the whole thing this evening we'll see um in the meantime um Aubrey McCoy will be joining us later and

4:16 she'll be playing the second half of brand and some of the action descriptions as well as Sheriff attendant and arranger um and Heatherly Cameron may or may not be joining us depending on um how her schedule works out um if she does join us we be playing mama and if not I'll be playing mama I am cat Wilson your host this evening I'm from uh Gig Harbor Washington she her pronouns and I'll be reading for the parts of Simone um which has one line Irene Walsh uh the mom Sylvia shopkeeper um Andy the uh jockey boyfriend and Rosalita who doesn't have any lines and looks horrified most of her roles um all right let's see sorry is there a Simon as well or there a Simon there's a Simon and a Simone yes so you're okay cool Simon and Simon and Simone are both the they're an elderly couple husband and wife they own a pair of circus gorillas so um their last name sounds something to do with apes and I don't they ever hear the last

5:27 name in here though all right this is a long long script um we'll take an intermission partway through and I will try very hard to remind you all when we switch actions and descriptions um if you can pay attention to the shot numbers hopefully you'll notice um and if we run over someone else's part it's probably just fine I'll just jump in and any commentary you want to stick in the chat feel free and otherwise we'll go ahead and get started I'll go ahead and share my screen here um oh sorry yes you're right Jacob Andy is the girlfriend as sort for Andrea yeah thank you very much yes um all right let's see I got confused cuz the boy on your name all right let's see script is all right back on the C here and then I'll find the script there we go sure sorry about that all right can you all see that okay make it larger he was larger a minute ago how's that good size all right um So Courtney whenever you're ready I will go

6:40 ahead and scroll down and you can start reading out loud as I get back to the thing I forgot to open it should all right come on open up and make it evener there ah sorry all right there you go Courtney whenever you're ready okay this is The Goonies a screenplay by Chris Columbus interior Walsh home day credits come up over various close-ups of The Goonies hands and faces as they perform the secret gooni handshake it is a very poetic beautifully synchronized series of movements which displays a sense of kinship and Brotherhood we hear the voice of Mikey reciting the goony oath over these images I will never betray my Goon Doc friends we will stick together until the whole world ends through Heaven and Hell and nuclear war good pals like us will stick like tar in the city or in the country or in the for or the forest or Boonies I am proudly declared one of The Goonies we Fade to Black and the

8:04 interior of a jail cell block day um fade in close up the leathery bullish face of a jail guard he shouts Fe time the camera pulls back the guard stands in a dimly lit prison hallway rows of jail cells stretch along the sidewalls crowded with Prisoners the prisoners shout and jeer at the guard he removes his wooden billy club giving a hard wrapped to the bars it echoes through the prison the guard snars the longer animals bark the colder your lunch gets the prisoners simmer down the guard inserts a key into the master lock all of the cell doors open simultaneously the prisoners rush out hungry the guard shouts single file single file the prisoners crowd into a line they pass the watchful guard who Taps his palm with a threatening B billy club two assistant guards lead the prisoners into another hallway toward the cafeteria when all of the prisoners have exited the guard turns to follow he

9:08 pauses hearing a noise a creaking the guard turns he sees something at hallways end in the last cell a dark figure swinging back and forth the guard walks to the cell curious cautious hand gripping his gun he stops outside of the open cell door he peers inside he is met with a shocking site interior of Jake cell daytime the body of Jake fatelli a 33-year-old excitable boy strong muscular with the face of a killer Jake is James K un speed he hangs from a rusty ceiling pipe his belt is wrapped around his neck his eyes are closed his tongue hangs out face Frozen in a ghastly position his body sways an obvious suicide a note is pinned at Jake's chest the guard enters the cell he grabs the note reading it to himself you schmuck you really think I'd be stupid enough to kill myself huh the guard looks up Jake's Eyes Are Open he is smiling very alive before the guard can react Jake quickly lifts his knee slam into the guard's jaw

10:23 the guard hits the floor out cold Jake boots himself out of the Noose we see that the Noose is actually attached to a contraption that fits around Jake's waist Jake looks into the hallway making sure the coast is clear he begins to unbutton the guard's shirt cut to the exterior of the jail Jake runs from the jail blaring alarm sounds a group of guards run out of the prison in pursuit of Jake camera pans to a waiting black nondescript off-road vehicle leaning out the window of the driver's side puffing on a cigarette is mama forelli she is 56 years old heavy set woman with gray hair and a menacing evil face she is part margerie M part jungle cat her son Francis fatelli stands outside of the car holding a can of gasoline Francis is a 31-year-old man with dark hair and crazed eyes he resembles Victor jori as engine Joe in the 1938 film Tom Sawyer he has just poured a stream of gasoline several feet

11:21 in front of the off-road vehicle the cops have nearly caught up with Jake guns drawn they are ready to shoot Mama non chalantly flicks her lit cigarette to the ground the cigarette ignites the gasoline this creates a literal wall of fire between the cops and Jake Jake and Francis hop into the car the off-road vehicle drives off interior of the car uh Mama drives panicked upset she checks the rearview mirror a second police car joins the case the police are gaining on them exterior 8th Street the police cars follow in Hot Pursuit down the steep Hill inside the car takes shortcut through stop and snack parking lot the ORV nearly hits Mexican woman Rosalita she is asking directions from the store owner an elderly woman named Sylvia keer Rosalita watches in shock as the two police cars shoot past her in pursuit of the ORV exterior house with blad bad Plumbing the chase continues through a residential section of town the camera

12:26 pans to one particular house several feet away we Dolly into the kitchen window interior of the kitchen with bad Plumbing Mouse sits in the kitchen sink watching an old black and white movie on TV several cop cars Chase James cadney car complete with police sirens and flying bullets Mouse father the plumber works on the pipes below we see the oncoming Chase through the kitchen window but Mouse is transfixed by the television screen Mouse's father screams turn down that goddamn TV and come help me with these pipes mouth tries to turn down the TV but the volume just seems to get louder and louder as the real Chase blazes past the window over mouth's shoulder all of it unseen by mouth seconds before the chase passes the kitchen window mouth's father hits the wrong pipe a gush of water blasts through the S sink drain it douses mouth and splatters the window this creates a curtain of water that blocks mouth's

13:22 view of the chase exterior of the junkyard data searches through an enormous trash bin picking up discarded wires cables Etc data is wearing a Walkman it drowns out all sounds he is tinkering with one of his crude inventions a belt buckle suction gum gun data decides to test his invention he steps away from the trash bin he presses a button on his belt that reads out the belt buckle flips open a suction cup attached to a long wire uh shoots out of the Buckle the suction cup sticks to the trash bin data hits the in button on his belt another mechanism causes the wire to reel the trash bin toward data data tries to turn it off and it doesn't work suddenly the trash bin comes to a stop wedged between two telephone poles the strong force of the wire begins to pull data into the bin he can't stop it data is pulled inside the bin an instant before the chase passes by interior of the ORV the speedometer

14:22 waivers past 100 mph Mama glances to the rear view the cops are still gaining mama takes a sharp turn out of the junkyard the chase continues moving along the main road interior of the car mama is frenzied wanting to lose the cops she makes a quick turn off the main road through the grassy field of high school football field exterior of the high school football field Tina Turner's better be good to me blasts from the stadium speakers a group of high school cheerleaders practice along with the music Andy one of the prettiest girls in town leads the cheerleaders they are forming a pyramid the chase passes by in the background unbeknownst to the cheerleaders the music is too loud for them to hear the ORV leaps a small ditch out of the parking lot through a wire fence exterior of the street the vertelli ORV squeals down the street rapidly overtaking a large van the elderly cab occum occupants exchange a

15:20 contented glance Simon now looks at his side view mirror his expression instantly changing to panic Simon look out the van swerves hard right allowing the ftell ORV to Screech around it now suddenly looming up from behind his right side up police patrol car Simon swings the large van back hard left to accommodate the patrol car as a second patrol car starts to overtake the van from the left side the van spins in confusion blocking the road sideways as a third patrol car skids to a stop in front of it barely avoiding a crash the officer inside jumps out heads quickly for the van cab this road it only runs two ways pops so he suddenly stops as he hears frantic pounding in agonized screams from within the rear of the van rushing to the side door the officer starts to jerk it open

16:20 as no don't wait too late the door flies open and two huge gorillas leap out in the officer in the process grunting and squealing with delight at their Newfound Freedom they disappear around the corner of the van angle on far side of Van the dazed officer rounds the van in Pursuit scratches his head puzzled the gorillas have disappeared in the background we now see printed on the side of the van bonso the great and his mate with a picture of them driving a small red car exterior of a putting green and golf club a neatly manicured putting green part of an elegant Country Club Troy Perkins and his father stand on the Green in the background a little red golf cart sits holding their clubs Troy hovers seriously over a putt using a knock KN stance made famous by Arnold Palmer how's this daddy don't lock your knees would you putt son makes you look like you have to go to the bathroom here watch me angle

17:27 on bushes the two gorillas emerge from the bushes now catching sight of the red golf cart eyes dancing with delight they Circle it curiously then hop in as back to the green Troy has heard something wheels in time to see the gorillas take off in the cart his jaw drops in disbelief daddy daddy two huge hairy things just stole our cart Mr Perkins spins around the cart with the gorillas is disappearing into the distance he Squints after it enraged hairy things my ass that's George and eel Higgin bottom I'd recognize them anywhere I see you higen bottom this could mean your membership you furball exterior of the Town Street the high-speed chase the two police cars still follow the off-road vehicle it continues through what is normally a very peaceful coastal town exterior of the marina the cars are heading for a marina several fishing boats are docked there Steph a 16-year-old girl works with her father on a small fishing boat

18:37 seconds before the chase passes stuff wearing a mask and snorkel Ducks her head into a tank of water sorting lobsters and crabs as the chase passes out of sight step for surfaces she's missed all of it interior of video par of a video parlor chunk stands in the window he is playing a video game alternating between bits of a giant pizza slice and a chocolate milkshake the reflection of the chase is visible in the video game window chunk turns from the window clumsily spilling the milkshake over his shirt and smearing the window with pizza chunk stares at the Chase he sees the countless bullet holes in the ORV the C the police cars follow chun's eyes are wide startled by the exciting Chase he's the only gooni who's seen it Exterior Street near the ORV race start Mama checks the rearview mirror seeing the police closing in the boys look at her in horror we've had it Ma but mama has not lost her confidence there is a certain

19:42 gleam in her eyes as if she knows something she turns to her sons Duck Down Boys the boys obey mama mama reaches below the seat and removes a helmet she puts the helmet over her head and pulls down the dark-faced visor the only V makes a sudden turn the police try to follow Mama turns onto the town's Main Street where a crowd of people have gathered to view The Cauldron Point ORV race exterior of the race starting point 40 nondescript off-road vehicles line up at the starting line all of their drivers wear helmets their dark face visors pull down Mama's ORV drives up to the starting line and joins the race the starting flag is waved the race Begins the police cars stop at the starting line the police Poli men get out guns raised ready to shoot but as the countless Vehicles pass the policemen can only stare in confusion Mama's ORV is lost in the crowd of sim similar Vehicles her face is hidden in the crowd of similar

20:41 face helmets the race disappears over a hill dissolved to the exterior of the ORV Race Street ridden with bullet holes Mama's ORV turns away from the race taking an alternate route the interior of the car Mama removes her helmet she and the boys are laughing they have lost the cops they are free and changing narrators to Aubrey who hi guys I can't say very long so I'll

21:23 just can you me um you're kind of soft and kind of warbly okay that's what I thought give me one second sorry fine now uh maybe you want to start reading we'll see is on I'm trying to get my headphon connect not connecting do you want me to take your lines for you

22:31 as it around the docks homes and small shop several fishermen and blue color workers Live Here RV exterior Walsh home day this home is slightly better condition than others camera into the home picture window a 13-year-old boy Stakes out the window Walsh obviously just missed the Chase he board shrug nothing exciting ever happens around here anyway and did we lose her yeah we lost her all right I'll pick it up till she gets back in interior wall she back what's that she's back okay

23:36 and I'm waiting for her to come back in this is just a frustration guys I might have to I might have to leave just because I can't I can't perform because everything is wonky over here I'm so sorry I tried to get in okay okay I'm so sorry I really wanted to do this all right bye guys things figured out feel free to jump back in all right into your well I'm at my sisters and nothing's working all right bye gocha okay see next time interor Walsh home Recreation room Mikey is a 13-year-old hypochondriac cute a wiry skinny body short for his age braces Shaggy brown hair a Bruce Springsteen concert T-shirt fed Levis velcro sneakers Mikey's in that awkward stage of adolescence his entire body is going through a change Mikey gives himself a shot of promotin mist angrily staring out the window who needs the Goon dos who needs this house I can't wait to get out of here really Mikey turns from the window

24:53 his brother brand hangs upside down from a chinning bar in the background he's attached to the bar by metal anklets Brad looks nothing like Mikey Brad is handsome muscular youth a jock his eyes are deep blue his hair dirty blonde he wears gym shorts and a half t-shirt over his tanned body Mikey gives an honest side letting his true feelings through yeah I'm just trying to make myself feel better trying to dilute myself or dilate myself dictate delude yourself yeah that's it I know how you feel wimp I sure I'm going to miss this place camera follows Mikey inside the house we are in the recreation room of the Walsh home cluttered middle class Sears and Robo Robo Furniture Montgomery Board television JC Penney oil paintings Mikey sits on the sofa he opens a Mad Magazine to the back cover Mikey stares at jafa's fold in miky sits trying to figure out the fold in he repeats the answer to himself he then folds a

26:06 magazine together he has guessed the correct answer he tosses the magazine onto the floor Mikey stares depressed Clark mouth Deo enters mouth is the group prankster a clown a 15-year-old little 15-year-old Rich Little Tall gawy curly UNC hair a homely kid he wears a blue plumber shirt jeans and sneakers across his shorts back bright yellow letters spell out Deo Plumbing his shirt is still soaking wet from the earlier Plumbing for Fiasco a wrench screwdriver and other plumbing tools poke out of his back pocket mouth has a Perpetual smirk on his face a devilish gleam in his eye he looks around the room noticing the feeling of depression in the air mouse tries liven things up wait what is this Frankenstein's Funeral Parlor look it your guys Li living around like it was a nuclear Sunday come on dude this is our last weekend together the last goony weekend we should be going out in style cruising the coast uh Coast surfing some

27:27 lady down the be the bruise but no you had to screw it up you had to go flunk your driver's test bran reaches out to hit mouse mouse jumps back out of Bran's reach they are interrupted by the sound of a ringing gate bell mouth turns jerk alert mouth points to the sliding glass doors Lawrence chunk Cohen is outside of the gate he is ringing the bell chunk is 14year olds old pudgy clumsy chunk is a chronic liar the king of fibs he wears a light summer jacket a bright colored Hawaiian shirt large plaid Bermuda shorts black knee socks brand new sneakers and chunk shouts to the guys hey guys you got to let me in I just saw the most amazing thing first you gotta do the Truffle Shuffle it's obvious that mouth won't let chunk inside chunk size he lifts up his shirt chunk exposes his soft pudgy midsection and chunk begins to twist shake his belly Jiggles Mouse is bent over with laughter Mikey is not amused

28:51 he runs to the window glaring at mou P it out Mel Mikey opens the window he drops a stone out of the window in rub Goldberg fashion The Rock causes a chain of events that make the gates open for chunk chunk hurries through the gate he enters the house and excitedly looks at the boys you guys should have seen it cop cars chasing this four-wheel deal it was the most amazing thing I ever saw more amazing than the Time Michael Jackson came over to your house to use your bathroom more amazing than the time you ate your we in the saw hat piz sir more amazing than the time you saved those old people from that nursing home fire honest you guys this time it's for real No One Believes chunk suddenly we hear the James Bond theme it echoes from outside with that as if it were some sort of ritual Mikey stands and opens the window from Mikey's point of view Mikey sees Ricky data Wang a 13-year-old technical genius data is Chinese small

29:57 framed thin he wears circular wire rimmed spectacles a print's t-shirt jeans Nikes and he is never seen without his large Japanese backpack and flowing white Cape his dark eyes are piercing intelligent data sees himself as agent007 L stands on the window of his home he has attached himself to a Clos line that connects Mikey's house to dat's a large portable cassette player is strapped to data's chest the Bond theme blares from the cassette data flies from his house into Mikey's who shoots back colliding with the bottom half of the upside down Bran who in turn arcs up clunking chunk chunk Falls backwards and knocks a miniature marble replica of Michelangelo's David to the floor the statue lands with a thud chunk nervously picks up the statue it seems to be in one piece but he has met with a shocking sight the statue's penis has is cracked off monkey gives himself another shot of prompting mist and picks up the broken

31:04 statue he holds a statue in one hand and the penis in the other Mikey panics holding up the broken penis high in the air oh my God that's my mom's favorite piece you wouldn't be here if it wasn't data opens a map and looks at the guys any of you guys ever here Detroit great place it's where mtown started also got the highest murder rate in the country well that's where you g be moving when we lose our house tomorrow you shut up about that stuff it'll never happen that'll fix it not unless he gets his next 400 paychecks by tomorrow afternoon come on check this up bran leads the kids to the window and they look out from the goon's point of view three men in leisure suits are looking at Mikey's home they seem to be discussing the entire area one of them carries a surus Transit Point gesture and even laugh one man picks up a straight branch and imitates a golf swing look at him smiling practically Dr drooling they

32:20 can't wait until tomorrow when they foreclose on all the whatevers and trash the goons docks when they wreck our house I hope they make it the sand trap and they never get their balls out oh this is War come on Mikey open that window I'll get him I got all my special double O7 assault options all rigged glasses of Deb he opens his jacket and removes the cassette player inside of his shirt is a crude device that is covered with different cords attached the cords are small colorcoded plastic Rings data pulls one of the cords two rubber tip darts fly out of the sides of data's glasses the darts malfunction pulls off dat's glasses and attach himself to the window angry he screams pinches a apparel he pulls another cord the mechanical device very similar to the chest Buster and alien bursts out of data's chest the device is plastic mechanical Chatterbox teeth with a homemade super spring for super grip

33:33 it shoots forward across the room the teeth are attached to a thick metal coil similar to a slinky the teeth grasp onto the wall strapes and hang there data tries to pull a few more Co cords nothing works data is losing his temper ready to explode M puts his arm on data's shoulder trying to calm him cool it double O Negative yeah data none of your stuff ever Works anyway Irene Walsh Mikey and Bran's mother enters Irene is in her early 40s light brown hair slender dressed in a plaid skirt and monogram sweater pretty with a warm kind face her arm is in a sling broken standing with her is Rosalita a middle-aged pugy pudgy Mexican woman the new maid whom we've seen in the first scene Mikey quickly passes the broken statue of David behind his back to chunk chunk nervously covers the broken statue with his jacket Irene looks at Mikey and bran boys this is Rosalita because of my accident with that spin dryer Rosalita

34:42 is here to help with the packing the boys wave Rosalita Smiles Rosalita doesn't speak a word of English and I was wondering if well I know some of you have taken Spanish in school I speak perfect Spanish Mrs Walsh Mikey rolls his eyes at data Irene Smiles at mouth oh that's wonderful Clark I need help explaining some things of Rosalita if you would come up with us Mouse shoots to his feet hurrying to Irene's side she turns a leave pausing she notices bran hanging upside down Brandon dear please be careful don't get an animalistic or an ISM uh that's aneurism ma ah yes right aneurism hene turns and exits with mouth and Rosalita chunk catches his breath he picks up the statue a large hole surrounds the statues groin chunk gives a hopeful look to Mikey think your mom's going to notice cut to the interior of the master bedroom Walsh home Irene enters with Rosalita in mouth Irene walks to a set

35:56 of dresser drawers she points out each dresser to Rosalita socks and underwear in the top drawer shirts and blouses in the second pants in the bottom always separate the clothes mosita stares blankly arene turns the mouth can you translate that mouth nods with an evil grin he points out the dress of drawers the Rosalita that mean uh marijuana goes in the top drawer the cocaine and speed go uh is the second heroin heroin is the bottom always separate the drugs Rosalita gives a shocked look arene smiles thinking melus translated her directions perfectly into your living room camera stays behind the statue the boys try to put the statue's penis back in place Chuck performs the delicate task using Elmer's Glue finished chunk gives a hopeful look to the others how's that the boys break up with laughter bran slaps Chunk in the head the camera circles to the front of the statue chunk has glued the penis on

37:11 upside down didn't mean it to go that way if he did you'd all be pissing in your faces interior upstairs hallway Irene exits the master bedroom with Rosalita and mouth Irene points to a trap door in the ceiling and she looks at Ros Lita that's the attic Mr Walsh doesn't like anybody up there never a nods her mouth turn to Rosalita he begins his translation never go up there it's filled with Mrs Wash's sexual torture devices Rosalita's face goes white with fear interior of the bathroom Irene and mouth enter with the horrified Rosalita Irene opens a Supply Closet she points inside this is the Supply Closet you'll find everything you need brooms mops insect spray Lysol AR nods to mouth he looks at Rosalita if you do a bad job you'll be looking in here with a co uh with the Cockroaches for two weeks without food and water interior Recreation room Irene mouths in a nauseous Rosalita enter the

38:28 boys are gathered around the television playing marbles feigning innocence oh thank you Clark that was so nice of you nice is my n middle name Mrs wash I rain spots the statue back in its original place a leaf over its genitals she sigh knowing that chunk is responsible she turns a chunk Lawrence chunk picks up the statue and gives it to her Irene holds a statue she removes the leaf the penis begins to fall off the statue slowly tilting hauling over and the glue stretches Mikey sees this and takes a hit from the promotin Mist Rosalita is of course shocked and makes a sign of the cross Irene gives a flustered nod she turns the brand I'm taking Rosalita to the grocery store I'll be home in about an hour Brandon you stay inside with Mikey if he's got asthma he shouldn't be out in the rain he should be in a plastic bubble I'm serious Brandon he takes one step outside and you're your your dead

39:44 meat bran gives a reluctant sigh Irene and a frightened Rosalita exit bran leaps at likey tackling him you want a breathing problem you got one bran holds Mikey in a strangling headlock Mikey is wheezing coughing Mikey struggles in the background Brown finally pushes Mikey away mou pondering something looks at Mikey hey what's your father gonna do with all the stuff in the Attic he's going to give it back to a museum or whoever they pick to be the new assistant cure curator cruly curator that means if it's all going to go to the rich people anyways let's go up the and see if there's anything we can take from your parents everyone joins him it's like yeah cool let's do it the kids run off screen only Mikey stays behind protesting hey guys my dad's responsible for all that stuff don't wreck anything I'll bet the Museum's got a list of it all somewhere guys Mikey follows a guy off screen we cut to the interior of the

41:00 attic dark Dusty the attic is crowded with historical cauldron Point Museum pieces they date from the middle and late 16th century they are oil paintings sculptures antique furniture costumes whaling harpoons pirate and fishing memorabilia Etc a large Skylight looms over the prices collection black raging Storm storm clouds are visible through the Skylight Windows the oncoming rumbling of Thunder can be heard the boys enter through a trap door in the floor brand is first he shines his flashlight through the attic the others follow Mikey is the last to climb inside he sees the attic for the first time shocked amazed all of the boys stare wide eyed at the room full of items I can't believe something this cool is in your house yeah we only keep old Christmas decorations in our attic thundercrack the flash of lightning when the Skylight a mosaic of rain pattern slowly dances Across The Goonies okay you guys saw it let's get

42:14 out of here what's the matter scared again yeah just like you in the elevator Bran's eyes burn he grabs Mikey in another headlock you should have B the elevator you understand huh Mikey forces a nod wheezing brand releases his gript Mikey lies on the floor catching his breath can can we go now it's dusty up here my hay fever is acting up bran leads Mikey and the others on a trk through the attic Mikey follows suddenly a high pitched voice interrupts Mikey oh Mikey you're such a cute little boy kiss me a kiss and come and kiss me the boys turned to the direction of the voice it echoes from behind the tattered oil painting of the naked woman and pirate Captain a tongue juts out of the tear in a woman's mouth L viously licking its lips like he stares shocked Brandon D share a chuckle suddenly a finger pops out of each of the woman's nipples fingers Twist and Turn creating a bizarre image mouth calls out again

43:27 imitating a woman I'm here Mikey Make Me Feel Like a Woman stop being so perverted mouth you're wrecking the painting mouth's head pops up from behind the painting easy dude it was it was already trashed the kids continue walking through the attic they investigate the various items what's all this stuff the museum did some kind of show you know like about the history of our town it was called a a retr pack retrospective yeah anyways these are the rejects kind of like us Mikey shrugs the boys rummage through the items each of the boys grabs a particular piece of pirate clothing or equipment mik puts on an eye patch mous and data find large pirate hats with feathers bran grabs a sword chunk puts on a pirate coat and a scarf as the boys continue to investigate data stairs in awe oh just think of it all this stuff belonged to guys who walked on the same ground that we do went swimming in the same ocean breathed the

44:41 same air yeah they had to breathe the Herring Factory air too nah they didn't have Herring then this was right after Christopher Columbus the 16th century oh they only had ships and they were adventure guyses and explorers they made maps and captured Indians and spent all their time killing each other with swords you know Elin stuff Mikey flips through a collection of framed portraits and photographs he spots something that catches his interest a framed map but the map is impossible to read it is covered by a yellow dusty piece of glass like he tries to remove the frame won't budge he turns over the map the back is covered by a piece of wood there is only one way to read the map break the glass Mikey can't bring himself to do it but he sees chunk struggling to remove a paint can from his foot Mikey Smiles an idea Mikey holds out the map to chunk hey chunk hold this for me chunk gives a nod he takes a map from

45:56 Mikey Mikey turns pretending to examine another frame picture waiting within a matter of seconds trunk loses his balance he drops the map it hits the floor its glass covering shatters into a million pieces Mikey picks up the map and Fs an angry look at chunk H can't you do anything right chunk gives an embarrassed shrug Mikey picks up the map he removes a few small remaining pieces of glass and the map easily slides out of the frame along with a small golden Deon that is fixed in the map's frame Mike studies Mikey studies the map and the debloom the map is now completely visible oh it is beautifully detailed elaborate hand painted all of the writing on the map is in Spanish the map is signed oneeyed Willie Mikey stares at the signature there's an intricate drawing of a coastline the coastline leads to a mountainous cliff below the cliff is a large x the camera dolly is toward the X Mikey is

47:03 fascinated with the map bran suddenly grabs the map out of Mikey's hands the other guys gather around all wearing various pieces of pirate clothing and Equipment chunk Lo looks over Mikey's shoulder studying the Deon this says 1532 is that a year it's your top score on the pole position May maybe that's how it used to look you know before they put all the Wendy's and McDonald's all the good stuff what's all the Spanish chunk chunks father screw sheep chunk hits mouth mouth gives an obnoxious cackle and shrugs he translates again y'all Intruders beware Russian death and grief spoke with blood soaked with blood and tear passing thieves everyone gives mouth a puzzled look mouth raises his hand and Boy Scout pledge he's telling the truth well that map's old news everybody and his grandfather went after that thing when our parents were our ages didn't you ever hear of that pirate God um one night Willie hey yeah one night

48:31 Willie he was the biggest pirate of his time my dad told me all about him one night yeah that'll tell you anything to get you to go to sleep he had millions in Treasure see but the king sent his ships after him so Willie took his ship called The Inferno and ducked into the cave to hide but the King's Men sealed him up inside with cannon fire your dad ought to write Saturday morning TV junk for teenage teeny little kids like you my dad tells me the truth and he told me that Willie and his Bunch spent years hiding down there building these underground caves loaded with all kinds of booby traps to protect his treasure chunk finds a newspaper clipping it is a framed yellow paper with a photo of a smiling man who bears strange re resemblance to Gabby Hayes in a Miner's hat chunk reads a headline guys look at this Chester Copper Pot missing in pursuit of local Legend reclusive scavenger claims I have

49:40 the key to oneeyed Willie oh nobody ever found nothing why do you think the maps sitting up here instead of in a safety deposit box somewhere my's eyes are wide hopeful but but what if what if you guys what if this leads to oneeyed Willies Rich stuff take off all that junk I was going to come back the kids remove all of the pirate clothing and Equipment the doorbell rings and the kids Rush down to see who is at the front door interior Recreation room three men in leisure suits stand outside of the screen door like dangerous apparitions they talk to the kids as if they were infants one guy keeps practicing his golf swing hello little guys I'm Mr Perkins Troy's father my dad's not here Mr Perkins is your mommy home no sir she's out at the market buying Pampers for all those kids well you can give these papers to your father to read over and sign somebody from my office will pick them up in the

51:08 morning the door is closed what is all this stuff it's dad's business brand is very depressed the boys take pause as they look at the complicated legal forms and back out at the departing men Mikey stares dreaming if I found the rich stuff I'd pay all dad's bills maybe he could get to sleep at night instead of sitting up and trying to figure out a way for us to stay here yeah yeah me me three yeah the boys pause worried bran breaks the Silence by suddenly pulling Mikey by the hair you could forget about any Adventures limp lungs if I take you out M ground my ass I got a date with Andy on Friday y' dreams dude besides who's going to drive you her parents then you're gonna make it with her and her mom eat it mouth BR walks back to his exercise area Mikey seeing that brand is out of sight sneakily removes the matap from beneath his shirt he opens the map the guys push in all looking with dreamy

52:25 speculation the camera dollies into the map a flash of lightning Sparkles the map match cut to the sky a long thin crack of lightning shoots across the sky we insert the television MTV logo and one marble shooting into a triangle of marbles and a chest exerciser being pulled across a tense chest interior the Walsh house Walsh house day the recreation room several minutes later Mikey chunk mouth and data are gathered in the recreation room playing marbles a look of extreme guilt covers all of their faces brand is in the background he sits in a chair shirt off and he pulls a metal spring chest exerciser across his chest mouth gives a Sly look back at Brand he turns the others and nods they nod back mouth chunk and dat sneak up behind brand meanwhile Mikey gathers his marbles and puts them in a small leather pouch he Stuffs the pouch into his pocket the kids sneak around the corner all three

53:33 then quickly grab the chest exercis are out of Bran's hands and they wrap it around Bran's chest and arms before bran can react M clamps the two ends the exercisers together brand is trapped unable to move the exerciser works like heavy metal chains and it secures brand to the chair hey wait let me out cut to the exterior of the the Walsh house The Goonies walking through the backyard careful not to weigh Grandpa Who Lies asleep on a hammock the kids whisper to each other careful don't wa grandpa just as the kids round the corner of the house a devious mouth gives a light shove to the hammock causing Grandpa to wake close up on a 10-speed bicycle a hand is letting the air out of the tire the camera pulls back we see that mouth is letting the air out of Bran's bike tire in the background Mikey chunk and data climb onto their bikes it took him 376 lawn jobs to pay for that it's his most favorite thing in

54:38 the whole world and now it's his most flattest thing in the world Mikey hears bran screaming from inside Mikey I'm gonna hit you so hard when you wake up your clothes are going to be out of style Mikey pauses then follows the others as a shoots out of the driveway Bruce Springsteen's coverme fills the soundtrack Exterior Street pass the museum the boys on their bicycles each boy's bike fits their own individual personality the boys pass the town Museum Mikey's father is working on the Museum's rooftop hammering a leaky shingle Mikey shouts hi Dad to his father hello interor the Walsh house Recreation room brand is still trapped in a chair grunting groaning struggling with the metal Springs brand causes a chair to bounce and move backwards when the kitchen door suddenly opens Rosalita the maid stands in the doorway her arms are full of groceries and she sees brand bouncing toward her like an oncoming

55:48 freight train this bizarre image only confirms her worst fears about this house Rosalita screams and drops her groceries Irene Walks Behind Rosita Irene sees the bonded brand bouncing in the chair she Chuckles Brandon why can't you do situps or push-ups like normal kids Irene in a horrified Rosalita walked by brand gives a helpless look we cut to the exterior stop and snack mouth chunk data and Mikey speed on by on their bikes Mikey holds the open map his eyes constantly glance to it he's obsessed with following the map up ahead is the Stop and snack teenage hangout Mouse chunk and data turn their bikes toward the stoping snack Mikey continues forward they suddenly stops realizing the other kids have left him Mikey turns and sees the others entering the Stop and snack and he shouts and holds up the map hey guys what about this huh exterior the the Walsh house bran runs out the front door chest exerciser in

56:59 hand we see we hear Irene shout from inside don't come home without your brother or I'll commit har Krishna that that's Harry car ma bran sees the air out sees the air out of his bike tires his eyes fill with rage kicks the bicycle over he looks around riding in the driveway is data's sister she's riding a tiny girl's bike painted bright purple with pink flowers training wheels are attached to the rear wheels bran has no other choice it's the only means of transportation in sight he runs to the driveway picks up the girl removing her from the bike bran hops on the bike he pauses looks back at the girl and gives her the chest exerciser here treat you the girl stares at the exerciser brand awkwardly pedals out of the driveway and the girl bursts and the tears interior stop and snack Sylvia keer an obese elderly woman Works a checkout counter data is purchasing a pack of baseball cards Sylvia Rings up

58:08 the order on the computer cash register computer jams Sylvia pounds a cast register frustrated data opens a tiny door in the register begins to fiddle with two small wires Mouse stands by the magazine rack Sly look in his eyes Mouse slips a copy of the the Playboy magazine behind a copy of omni and he begins to read chunk stands besides the junk food he looks around coast is clear chunk Hurley opens a Twinkie he quickly slurps out the Twinkie cream filling and he rewraps the hollow Twinkie and puts it back on the Shelf Mikey enters the store he rushes over to chunk like he waves a map in chunk face hey chunk come on we we're going to look for the Rich stuff we got to do something now chunk is too busy eating host's feelings to speak with Mikey frustrated Mikey runs over to dat who is still fiddling with the cash register data what if they make us move where are we going to go don't bother

59:11 him while he's working Mikey sigh he runs to mouth what if they start tearing down our houses easy dude let your folks handle this that's their job our job is to get through the weekend without destroying too many brain cells oh Mikey gives himself a shot of Proto be missed he opens a Mad Magazine and as always guesses the fold in he suddenly notices something on the lower magazine rack it's a section of Dusty cauldron Point tourist Maps Mikey grabs one of the maps and opens it meanwhile chunk has made his way to the frozen tree freezer he opens a freezer door he pokes his head deeply Inside Out of Sight he opens a container of hogen docks takes a few licks from the top then quickly closes the lid he grabs another container he's going to sample everything data still fiddles with the cast register it suddenly beeps and lights it's working again good as new Sylvia gives a satisfied ruffle to dat's

1:00:22 hair sitting on the floor Mikey has opened the tourist map and the Museum map and he's laid them side by side Mikey is comparing the two the camera dollies into the two maps the coastlines of both maps are identical several key rocks and cliffs also match Mikey's eyes are bright hopeful he nods to himself mumbling I know where this is suddenly Mouse voice Echoes through the store jerk alert mouth points to the entrance door Troy Perkins struts in like he owns the place Troy is 17 years old tan cocky he's dressed in a white polo tennis outfit expensive tennis shoes his hair is neatly styled spoiled rich brat he lives in an expensive home on the hillside walking besides Troy is Andrea Andy carmichel she's 16 years old face of an Angel smooth creamy complexion her thick bright red hair falls through her shoulders her bright green eyes are dazzling she's slender filled with energy a beauty still in her cheerleader

1:01:39 outfit she is wearing Troy's white leather sweater Troy's name is written in script on the bottom of the sweater Andy also lives on the hillside walking beside Andy is Stephanie Steph Stein rener also aged 16 Andy's best friend Steph is short hgy dark brown hair glasses she's wearing a denim fish fisherman coverl stuff is tough quick witted bright and she lives in the Goon dos Troy walks straight to the magazine rack he grabs the Playboy Magazine from mouth and begins to page through it mouth so angry he's been rendered speechless glares at Troy then mouth backs off and picks up another magazine Mikey sees Andy Vision he stares at her with adoring eyes Steph and mou exchange a glance Steph crinkles her nose you still smell like a plumber's son you still smell like a fisherman's uh daughter Troy nudges Andy hey Andy she turns Troy holds up the Playboy centerfold written above the photo in large red letters of the words

1:02:54 can you measure up Troy gives aerous grin to Andy can you measure up Andy looks away embarrassed Troy Maks a horse laugh Mikey gives a painfully honest look to Andy you're a lot prettier than that Andy Andy Smiles giving a casual brotherly ruffle to Mikey's hair Mikey Smiles in heaven meanwhile chunk still has his head buried in a freezer Troy notices he walks over and he brings the freezer door down on chunk head trapping Chunk in the freezer trunk panics Troy Chuckles my mom's making a goon pizza tonight she's gonna need some frozen dough why don't you leave him alone Troy pauses releasing his grip on chunk and walks back to Mikey did I hear right did I hear a goon telling me what to do Troy Towers over Mikey he's ready to hit Mikey when he notices the ancient map resting on the floor he realizes that it's important to Mikey he turns for Mikey and grabs the old map Mikey claws at Troy let go

1:04:14 that's art you're messing with Troy holds a map high in the air above Mikey's reach Troy is confused by the map but he realizes its importance to the boys Troy grabs a pack of cigarette tobacco from the counter pours the tobacco out onto the map and it begins to roll the map like a cigarette he gives an evil grin to the boys just can't get rolling papers like this anymore Mikey tries to grab the map Troy gives me a hard shove it knocks Mikey to the floor Troy finishes rolling the large cigarette removes a beame lighter from his pocket and flick a large flame appears Troy moves the flame to the end of the cigarette and he lights up the boys watch in horror as Troy takes a long puff and the end of the map burns crinkling like he hides his eyes Troy blows out smoke rings he gives a reliev sigh a few more Puffs and the map will be destroyed Troy moves to take another puff mouth walks up he raises his

1:05:23 eyebrow doing his best Jack Nicholson impersonation you know that way you're puffing on that cigarette it reminds me of something yeah what's that the time a French kiss your mother Troy's eyes f as murder he drops the map leaping for mouth Mikey quickly grabs the map stomping out the fire Troy is tackled mouth he's throwing punches and mouth covers his face Mikey leaps on the Troy Mikey grabs Troy around the neck trying to pull him off mouth in the background data tries to help Mikey data opens his sh his shirt and pulls a cord and he shouts smokes screen a rubber garden hose shoots out of data sleep but instead of emitting a steady stream of smoke the ho slowly smolders data holds his arm in pain as if it were on fire and he runs to an ice machine and buries his arm into the ice smile of relief covers his face meanwhile Troy is busy to defending himself against Mikey Troy turns and grabs Mikey with his left hand

1:06:30 Troy pulls back his right hand ready to punch Mikey in the face and as Troy's hand flies toward Mike it is suddenly grabbed stopped in midair by another hand the camera pulls back me see the brand has grabbed hold of Troy's fist brand glares at Troy nobody hits my brother except me afraid of bran Troy gets off of Mikey the boys are relieved grabs Troy by the shirt ready to fight Troy looks away scared Mike he watches his eyes beaming with pride bran releases his grip on Troy Troy stands forcing a cocky grin and looks at all The Goonies can't wait till Monday when my dad kicks you all out in the street while you Goonies are piling all your stuff into moving vans I'll be teeing off of what used to be your front lawn Troy Chuckles and turns to Andy our court time starts in 5 minutes I'll be waiting outside Andy gives a nonchalant shrug Brandy bran turns to Andy and he shoots her a jealous look

1:07:40 Troy struts out of the Stop and snack through the window we see him get into his bright red Mustang convertible Mikey has unrolled the map and it has surviv the burning with only a tiny singed Edge bran turns to Andy their eyes meet a look of tragic desire we want to be together but this isn't the time she flashes her pretty eyes and bran sort of melts down bran turns to Mikey he grabs a map for Mikey slapping Mikey's head Mom's waiting for you just blew your whole life pal the rest of you guys too you're all history we don't need friends like you in our lives with that bran tucks the map into his back pocket mouth walks up to Brand M turns on the phony charm putting his arm around brand M starts to sing here's to good friends tonight is kind of special the beers we pour must be something more somehow as it continues to sing mouth uses his free hand remove the map from Bran's pocket bran shoves mouth away you

1:08:53 don't have to drink to make friends wimp M turns to the other Goonies and shows them a map they make a run for it theot brand reaches into his back pocket realizing the map is gone he runs after the kids exteriors stop and snack day Mikey data and chunk hurly ride off on their bicycles mouth holds a rolled map under his arm bran dashes outside he sees the boys right off into the distance Exterior Street leading out of town day closeup Mikey checking the map camer pulls back the kids are riding their bikes moving further up the Coastal Highway the Springsteen song blasts from daa's stereo the kids continue to look back exterior Country Club Road day chunk turns to his right he sees the hillside Country Club chunk points to the club looking at data my Dad tried to join there once when he still had his job but they wouldn't let us in you couldn't they wouldn't let none of us in that place is

1:09:58 kind of like U the Dairy Queen they only got one flavor exterior Road near rocks day Mikey's po three tall narrow rocks just jut out of the ocean in a V pattern Mikey pauses thinking to himself I know this place it is a realization Mikey nosed himself that's it it that that's it camer pans from Mikey to his POV a tall natural Obelisk it stretches several hundred feet into the air a very Steep Hill very wide lined with jutting Jagged Rock the coastal road is directly in front of it at the Obelisk the road makes a sharp turn veering off into a different direction exterior Road through Woods day brand is way behind the kids furiously pedaling the girls Pink Bicycle Troy's red Mustang is coming up behind brand the Mustang starts to smoke Rubber and reduces speed from 7525 mph the Mustang arrives beside brand Troy Chuckles Andy looks away embarrassed Steph turns to Andy no wonder he can't get a

1:11:16 license bran turns away angrily huffing and puffing as Andy and Steph look at Brand Troy is slightly adjusting the rear view mirror tilting it downward in order to see down into Andy's shirt Andy notices she glares at Joy oh that's me sorry Troy you touch that mirror again and I swear to God I'll knock I'll sock you in the mouth Troy quickly moves his hand from the mirror Andy looks back to bran trying to be nice bran can we give you a lift somewhere bran Smiles his eyes locking with Andy in a moment that tells us they're communicating Troy notices this and fumes he forces a smile to Brand yeah Walsh grab a hold of something you can handle brand grabs hold of the door handle Troy tightly grasps Bran's head wrist Troy turns up the radio and Floors the gas brand is trapped the Mustang is true to its St it gets from 0 to 60 in 8.0 seconds and so does brand the bike pedals are turning so quickly brand has to lift his

1:12:33 feet from the bike Andy screams tro let him go you're going too fast you're gonna kill him let him go Troy nods and releases his grip on brand Troy Smiles at Brand so long sucker the Mustang makes a sharp turn off the main road but bran keeps going his training wheels fall off all the rubber on the tires peel off smoke and the bike moves only on the rim sparking like mad the little bike is the the little bike is last seen disappearing off the shoulder and and into a field of Tall Grass my God this fond is hard to read insert exterior road with Mossy trees The Boys Follow the map entered exterior Bridge of beach they walk their bikes across the bridge Rocky Beach Mikey knows where they're headed Hollow with Mossy trees they continue to follow the map spot to triangulate rocks Mikey is able to line up the three rocks and the lighthouse Through The Notches in the coin Hill above Lighthouse Mikey arrives

1:13:42 at the top data and chunk are behind him followed by mouth they stand on the edge of the Hill they are met with a surprising sight below the boys on the opposite side of the hill is a tiny area of land a mini Peninsula thrashing oceans wave waves and jutting rocks surround the grassy Peninsula a small cemetery is built on a small section of land Potter's field crowded with old crooked gravestones built beside the cemetery is a rectangular one-story building run down distorted by the years its white wood exterior is cracked and rotted the building is crooked it's Windows twisted and dirty a broken red and green neon sign hangs over the building a tall crooked Lighthouse is built beside the building an open closed sign hangs in the front door window the heavy Wind Blows the sign spinning it around we aren't certain if the place is open or closed Shadows pass by the dirty Windows there's a Sinister Eerie quality to this

1:14:49 place Mikey stares and a mumbling to himself he excitedly looks at the map but the map seems to end Mike's puzzled he suddenly gets an idea he folds the map like a Mad Magazine back cover to Mikey's the light the folded pieces from another map form another map Mikey removes the D Bloon from his pocket when he places the Deon over the map everything appears to be more clear he gets everyone's attention pointing to the map see this here's where we are now Mikey points to the X below the cliff small f prints have been sketched on the map they form a line from the bottom of the hill to the X this is where the rich stuff's buried down there someplace mouth beads the Spanish phrase written beside the footprints six times five stretching feet two low point two lowest point gets the treat the boys pause figuring out the riddle six time 5 that's 30 a stretching feet your feet stretch when you walk I got it if we walk 30 Paces to

1:16:05 this lowest point we'll get the treat the rich stuff I don't know it's getting late my mom's going to be worried besides what's that place doing open in the fall it's only A Summer Place seems pretty creepy to me the kids suddenly notice something they turn to the lounge a dark car pulls into the driveway two tall men wearing dark business suits get out they walk to the restaurant door they enter data turns the chunk see oh there's nothing to be scared of the other customer two other customers are going in maybe they ain't customers maybe they're drug dealers or something drug dealers did you see their clothes JC Penny polyester drug dealers wouldn't be caught dead in those Rags data did you bring your binoculars data is frantically searching for the right cord wanting to answer the call of duty he mumbles to himself yeah binoculars binoculars oh spy eyes Dida pulls one of his cords from

1:17:20 beneath his shirt a mechanical device raises from data's chest with a pair of cheap Opera glasses attached to the end the glasses stop in front of DA's eyes but when he moves to look through them the glasses fly from their place and shoot forward Dy gives a shrug mouth looks over Mikey shoulder at the map so what made you think have uh nobody ever followed this map before and made off with whatever Buri there they could have but I never heard of anybody finding more stuff than what's already in museum and anyway to grownups this is already worth enough some archaeologists dig up a map and that's a bunch of years old they throw a wooden frame around it and hang it in a museum and call it art okay but how how are we supposed to dig for anything knock on the door ask whoever's there excuse me made it uh mind if we wreck your floor look this place is obviously open for business we can pretend like we're

1:18:35 coming in for something to eat then joint the case what he means PA The Joint Mikey nods the others pause thinking the Goon walking through the graveyard Mikey leads them toward the lighthouse Lounge suddenly a loud cracking sound is heard like a firecracker followed by another and another the boy re scared looking around that sounded like gunshots not the big ones you hear in war movies but real ones gunshots geez chunk turn off your brain somebody probably dropped a pot in their kitchen Mikey continues to move forward the boys follow they are now a little shaken eyes darting back and forth a bit more cautious they arrive at the front of the building mouth peers through the filthy front door windows Mikey and data walked to the side of the building they try to look into the windows too high the boy spot a pile of discarded orange crates they stand the orange crates on end climbing up onto them they peer

1:19:45 through the windows chunk walks to an outdoor soda machine that sits next to a closed garage chunk tries to peer into the garage starts to open the door investigating it Boon kids POV a shutdown seafood restaurant dark Dusty seemingly deserted tattered fishnets wooden ores stuffed fish hang on the walls red vinyl booths line the walls wooden tables fill the floor a jukebox sits in one corner The Goonies see two people standing in the rear of the restaurant in darkness we can see only their Shadows they drag two two long limp heavy objects into a back room it is too dark for us to see what the objects are once the two figures disappear The Goonies walk to the restaurant's front door liouse garage chunk pushes the garage door door flies open the orange slanted rays of a late day sun hit the black off-road vehicle igniting it over 40 bullet holes and a shattered rear window chunk almost drops dead he runs

1:20:55 to tell the guys but they are already entering the restaurant interior Lighthouse Lounge day The Goonies enter looking around everything is silent deserted chunk races inside and starts pulling at everybody's clothing trying to Signal them with bizarre hand signs and wild descriptive gestures that make him look totally not of this Earth he finally gets out a few words guys guys we we got to get out of here I just I just saw the chunk is interrupted by the sound of a slamming door the kids nearly jump out of their skin they turn to the direction of the sound the shadow of a person stands by the restaurant door the person has just closed the door they step forward into the light it is Mama for T we immediately recognize her from the earlier jailbreak she glares at the boys how long you boys been at that window oh long enough uh just see that this place uh needs uh 40 Ranch Martel immediately mama takes a strong

1:22:04 dislike to mouth trunk is in the background frantically signaling at mouthing and Ming don't piss her off she leads the boys to a table she calls to the back room Jake we got customers we hear a loud thump from the back room followed by Jake's voice what do you mean customers this ain't no rest Jak pokes his head out he sees the kids pauses muttering under his breath now go on sorry now go on now go on get in the kitchen warm up the stove Jake reluctantly walks to the kitchen he walks past the Goon kids Jake glares down at the kids eyes filled with anger he enters the kitchen the kids take their seats at a crooked table it is impossible to eat a meal at this place it is wobbly dirty sticky set with filthy yellowed dishes and Rusty silverware Mikey lifts his Fork it is attached to the table by a long gooey wad of chewed gum throughout this chunk is trying to gesture and explain to the boys but he is so excited only air comes

1:23:30 out Mama to's over the boys frowning down on them okay we got a specialized menu here we serve one thing fresh fish surprise wh what kind of fish I said it's a surprise okay okay I'll take it what about the rest of you the other guys exchange nervous glasses just a glass of water for me everyone follows Mikey and orders water I'm a n okay one surprise and five Waters is that it I'd like uh the anovi salad the fedini Alfredo the vi scops and a bottle of B 1981 an Angry Mama leans toward mouth she grabs his tongue between her fingers pinching she removes a pocket knife from her pocket she moves the blade to mouth's tongue ready to cut we got one more thing on the menu tongue you boys like tongue the boys all Shak their heads scared M catches herself she moves the knife away releasing her grip on mouth's tongue Smiles falsely and walks back to the kitchen Swinging Doors mouth covers his mouth in pain Mikey gets up from his

1:25:02 chair he begins to look around searching for a spot on the floor a trapo anything that would indicate a buried treasure loud arguing is heard from the kitchen but Ma this was supposed to be our dinner yes shut up shut up and do what I told you the boys at the table look at each other fighting what what about those two guys who came in before us what what happened to them guys look if we don't get out of here now there's there's going to be some kind of hostage crisis garage four-wheel drive bullet holes the size of Big Max Chuck I'm going to OD on all your stories a loud sound suddenly Echoes through the place turning bumping wearing it sounds like a washing machine gone berserk the kids exchange a frighting glance we hear the voice of a man screaming obscenities on the far wall a door flies open a man storms out it's Francis relli his clothes and body are splattered stained by a dark green ink

1:26:14 he is screaming boiling mad he is yelling across the hallway to Mama holding up his hand a drawing of ulyses S Grant has been stamped onto his head how the hell am I supposed to finish up downstairs with that piece of Smithsonian I got to work with Francis sees the table of kids staring at him Francis pauses startled he covers the stamp on his hand and dashes back through the door as if he were caught doing something wrong we hear him latching several locks on the door behind him the boys exchange another mysterious glance the kitchen door doors shoot open Mama straddles out carrying a tray of glasses in one arm the metal Cleaver in the other the glasses are filled with Rusty orange colored water small particles float in the Water Mama distributes a glass of water to each of the boys they stare at the water's odd color is this supposed to be water it's wet isn't it yes sure that oh that's

1:27:21 great if you like mule p yes M turns to mouth rage in her eyes mouth starts pouring his water for one glass to the other it sounds a little like going to the bathroom this is driving Mikey crazy he starts to bump up and down on his seat knocking his knees together he excitedly Whispers to mouth P it out mouth this is a sort of place that has daddy long legs in the restroom the kitchen doors fly open again Jake exits he is wearing aprons covered with blood his hands and arms are also stained with blood he is carrying a huge steaming pot a leadle rests in the pot he rests the pot on the table looking at the boys who ordered fish surprise chunk nervously raises his hand Jake ladles the grotesque contents of the pot into chunk plate the fish surprise is made up of a black jellified liquid loaded with fish heads and Bones chunk CRS yummy Mama looks into the pot is there some left chck knot Mama checks her

1:28:40 westwatch time to feed your brother I let Francis do it I fed it last night Francis is busy I hate going down there ma it he's your brother now get going before gets cold Jake reluctantly walks to a crooked wooden door he opens the door it leads into darkness Jake enters we hear him descend the Quicky stairs a nervous Mikey stands bouncing on one leg he looks at Mama excuse me ma ma'am where's the man's restroom with his usual wild wild hand gestures and expression chunk is trying to convince Mikey not to go downstairs mama glares at Mikey can't you hold it yeah yeah Mikey can't you hold it devilishly mouth pours a thin noisy stream of water from one glass which he holds high above the other lady please downstairs to your right and stay to your right Mikey nods trembling chunks still tries to convince Mikey Mikey don't you can't please Mikey ignores trunk and walks to the basement door he

1:30:08 enters and we'll switch narrators here to Skyler interior Lighthouse basement a narrow Corridor dark twisting lined with damp stone walls this stairs are made of rotted wood they Creek and groan with his every step Mikey arrives at the bottom there's a long hallway dimly lit by a few dangling bare bulbs Mikey removes the map from his pocket he opens to the maze trying to find some sort of comparison he suddenly hears bizarre sounds growling screaming they Echo from the hallways opposite side Mikey pauses curious eternal he puts the map back into his pocket he follows the sounds they lead him to a thick wooden door at hallways end Mikey stops the sounds are louder here more distinct the growling continues like an animal it mixes with the rattling of chains the door is open a crack Mikey peers inside interior sloth's room Mikey's POV a stone room resembling a jail cell the room is empty save for a

1:31:26 tattered stained mattress it sits in the middle of the floor a very large person sits in a dark corner we will call him sloth only the large outline of his shadow is visible Jake stands over him holding the pot of food sloth growls at Jake he holds the pot out to sloth Jake speaks as if he were talking to a dog hey boy you hungry want your supper sloth grunts he holds out two arms they come into the light the arms are thick muscular covered with curly brown hair torn frayed shirt sleeves hang from the arms heavy metal chains are attached to his wrists they secure sloth to the wall his arms stretch out for the food like a stri like a starving child Mikey watches eyes wide shocked Jake holds the pot inches from sloth finger yeah fella it's what you want your tend viddles sloth's hands try to grab the bowl Jake purposely drops the pot it smashes on the floor the fish and broth are sucked into the dry cement sloth

1:32:41 Cries Out Mikey's eyes are sad sympathetic Jake FS pity a poor boy sorry faella maybe to tomorrow night sloth whimpers with a sadistic giggle Jake turns to exit the room Mikey quickly hides behind the door Jake walks back upstairs Mikey peers out from behind the door seeing that the coast is clear he walks out Mikey looks back into the room camera dollies into Mikey's face he sees sloth's face but we don't Mikey's face goes white his eyes fill with Terror we hear sloth growl at him Mikey turns he Sprints off down the hallway he dashes back upstairs scared to death interior Lighthouse Lounge day Mikey rushes into the room he runs into Bran's arms brand dirtied and muddied from his bicycle accident is standing in the restaurant brand grabs Mikey's collar he picks Mikey up off the floor brand glares at him that's too good for you I'm saving you for Mom chunk has actually been eating some of

1:33:56 the fish surprise and has lost most if not all of his color can we go now you guys I think I'm going to be sick Mama walks back into the room startling bran with her malevolent presence she looks at all the boys anxious to get rid of them it's all right boys go on home it's on the house trunk sticks his head under the table and barfs now it's all on the floor go on get out of here Jak could clean up now get the boys almost knocked the table over getting out of there as Mama fakes her politeness then shuts the door and turns the closed sign facing out exterior graveyard dusk Darkness approaches the Goon kids are hiding out here behind the Tombstones Mikey's scared trying to explain what he saw I'm telling you they got an it a giant it and they got it chained to the wall and when it came into the light you should have seen its face it was horrible all his parts were mixed around like your brain

1:35:06 LMO say goodbye to your little pals chunk points off screen brand pauses turning curiously to where chunk points Lighthouse dusk Goonies POV Jake and Francis exit through a side door heads darting back and forth making sure that the coast is clear they are carrying a large limp bag the size of a body Mama follows carrying another similar bag the Goon kids curiously watch from behind the Tombstones the garage door opens revealing the black

1:35:45 ORV look at there look at there Jake opens the hatchback of the ORV Jake opens a floor in the RV's bed he and Francis attempted to fit one bag onto the vehicle bed they attempt to load the other bag won't work not enough space Jake closes the false floor he and Francis carry the other bag back inside the restaurant what do you think they got in the bags kids have no answer Jake and Francis come back outside they get into the RV with Mama they drive off the lighthouse Lounge is empty Mikey excited ly looks at the others hey the place is ours our parents are going to be worried let's go home what home in a couple more hours it ain't going to be home anymore come on guys this is our time our last time to see if the rich stuff's buried someplace in there Mikey pulls the map from his pocket he tries to read it too dark he looks at the others anybody got a match suddenly a small flame appears it enters

1:36:56 from offscreen right another flame appears entering from offscreen left the Flames are two matches held by Andy and Steph Andy's eyes twinkle in the fire light but her hand is shaking her eyes Dart from left to right she's obviously frightened by the graveyard hi Brandy bran Smiles at Andy and loosens his grip on Mikey Steph gives a nasty smile to mouth what you do in the graveyard digging up a new girlfriend don't knock it stiffs a lot warmer than you bran gives a puzzled look to Andy what are you doing here followed you guys we were out driving with Troy he was being a real spazz you know tilting the mirror so he could look down our shirts so I elbowed his lip Mikey still reads the map mumbling to himself okay if it's 30 Paces one 2 3 data grabs Mikey from behind stopping him no Mikey your feet too small we must do this scientifically Paces are Paces y'all think will dude had a calculator mouth takes over walking out

1:38:20 the paces with longer strides moving toward the Lounge mouth counts out the paces as Elmer fud one two three shh be wary be wary very qu I'm hunting wabbits Mouse continues walking the kids follow Andy looks at Brand po Troy guess he won't be making out with anybody for a while not going to miss that stuff come on Brandy let let's get out of here graveyards freak me out bran suddenly realizes that this could be the best night of his life he turns to leave with Andy but then realizes he has another Duty I can't leave without my brother just hold on one second Andy rolls are eyes bran takes her hand pulling Andy to the lounge with him mouth arrives at the lounge door trying to open it walked mouth pauses what to do an idea he looks back at chunk mouth Smiles hey chunk got some naked polariz of your of your mom taking a bath want to buy them real sheep rage fills chun's eyes he comes at M like a linebacker mouth Dodges out of

1:39:56 the way chunk Rams to the front door Wham the door breaks open chunk gets to his feet brushing himself off mouth cackles thanks chunk this frightens Andy she turns to run I'm going home you guys are going to get in big trouble she turns to run Andy is met face to face with a large stone gargoyle the gargoyle sits a top of Tombstone Andy turns and runs back to Bran's arms Lighthouse dusk the other the other Goonies have entered the place mouth is still counting Paces back to his fud impression he strides across the restaurant floor 28 29 20 there it is the whis the whis wild bets must be under here you can stop auditioning to be popular you don't impress me anymore I'd rather drive into an owing pool full of razor blades that impress you we got to get to the lowest point we got to get out of here come on brand what's another couple minutes going to hurt what if we find something huh Mikey breaks away from Brand and hurly

1:41:26 and hurly opens the basement door he motions for the guys to follow Lighthouse basement Corridor night Mikey leads The Goonies down the dark narrow stairway into the basement a distant sound is heard the rattling of chains a little growling the kids pause frightened chunk I hope that's your stomach no that's the it Mikey continues to descend the kids cautiously follow another growl Roars through the basement louder like an animal the kids stop again scared chunk turns to Mikey sounds like Kong no some of it's human the kids continue down the stairs they arrive at the bottom he pauses he looks at the others come on want to see it the kids shake their heads no way don't worry it's chained up Mikey leads the kids towards sloth's door the frightened kids stay close together they move slowly carefully toward the door meanwhile Andy grabs Bran's hand I don't want to go bran I don't want to I don't

1:42:41 want to see anyone else but you stay with me okay bran nods he stays behind with Andy they stand in front of another door a moment alone and Andy is shivering bran puts his arms around her she cuddles closer to him bran smiles to himself Now's the Time to make his move meanwhile the kids are only a few feet from the door eyes wide scared to death Mikey slowly reaches out he grabs the doorknob the kids hold their breaths Mikey twists the doorknob sloth's roaring growl blasts from behind the door louder than ever it sends a shudder through the hallway the kids jump back brand who is leaning to kiss Andy inches from her lips is is is interrupted by the group of kids falling toward him the kids fall into Andy and brand through another door the door bursts open Everyone Falls inside like dominoes resembling the state room scene from the marks but there's a night at the Opera Lighthouse basement kitchen night

1:43:44 the kids get to their feet in the chaos the aoon has fallen from Mikey's pocket it rolls on its side along the floor chunk grabs it seconds before the Deon falls into a drain chunk Pockets the Deon we are inside of a large Stone room at one time it uses a kitchen the room is equipped with a giant freezer two large stainless steel sinks a sparklet glass water cooler a stove and a stone fireplace a tiny flame still Burns in the fireplace the only object that seems out of place is a large black metal printing press the Press is ancient Rusty a small window sits above the Press a photo of the fratellis adorns the wall behind the press the kids exchange a bewildered shrug chunk goes straight for the water cooler chunk moves his mouth beneath the tiny faucet he turns on the faucet and lets the water stream into his open mouth an excited Mikey grabs a fireplace poker he finds a random spot in the center of the

1:44:44 floor yes this is good of places any to start digging Mikey raises the poker high in the air he brings it down h on the concrete floor Wham the poker doesn't make a dent instead it sends a reverberating slock reverberating shock through Mikey's body why does it say slock here his to his teeth begin to shatter bran shakes his head you sure you were not adopted are we from the same family come on Mikey you're embarrassing me there's nothing buried under here damn it this is the 20th century hey come on hey I know how to get through the cement but herley herley all over the floor let chunk eat them through okay Mouse that's all I can stand and I can't stand no more chunk sudden movement causes the sparkless container to tilt it falls off its base and smashes to to the floor into a million pieces the water flows across the floor trickling into the open fireplace several seconds pass before the water hits the fireplace bottom

1:46:02 Mikey pauses listen they listen to the slow trickle for a moment bran shrugs big wow no it's deep there must be some kind of opening or passageway the kids Dash to the fireplace brand pushes Mikey out of the way and reaches down to pick up a log he burns his hand brand drops the log and lets out a Yelp Mikey looks at Brand picking his head brand you sure we're not adopted are we from the same family come on you're embarrassing me brand grumbles and takes off his shirt he wraps his hands with the shirt he begins to remove the fiery hot logs from the fireplace when all the logs are removed only a section of black rusted steel grading remains brand removes it a few feet below the fireplace floor is lined with ancient bricks and pieces of rock and Earth Brand shoves his foot into the fireplace he begins to pounce on the bricks trying to break through chunk is looking around his eyes light he's discovered the

1:47:08 freezer he mumbles to himself smiling wonder if they've got chip witches chunk grabs the freezer handle he pulls hard it's jammed he pulls again still won't budge brand is stomping on the fireplace ground it Creeks cracks the bricks crumbling the kids curiously watch he gives a hard stomp to the ground a loud crack Ran's foot shoots through up to his knee an opening the boys help brand out at the fireplace suddenly a loud noise rocks the room data has turned on the printing press a freshly printed sheet rolls out of the press the sheet is filled with perfectly printed counterfeit $50 bills hey guys check it out everyone hurries to dat us save for chunk he is still pulling at the freezer handle bogus bills I knew those people were from the ozone Steph comes upon a horrible realization she grabs the photo from the wall oh God I knew I recognized these faces the fatelli mob still pulling at the jammed freezer

1:48:19 chunk calls back to the boys see you guys never believe me and now look what you got yourselves into suddenly the freezer handle snaps the freezer door shoots open a dead body stands there Frozen Eyes Wide Open it's one of the two men in dark suits who we saw entered the restaurant earlier a man is bound and gagged an FBI badge is pinned to his lapel a bullet hole is through his forehead the stiff is as the stiff is halfway zipped into a green plastic bag the body falls forward chunk jumps back the stiff hits the floor slam the kids let out a simultaneous scream they dash out of the room Lighthouse basement hallway night the Goon kids run down the hallway frightened they hurry to the upstairs stairway suddenly a noise the kids stop dead in their tracks at the foot of the stairs brand motions for them to sh we hear the sound of voices familiar voices mama Jake Francis back home the kids pause breathless we hear the basement

1:49:27 door Creak open the kids look up to the top of the stairs the long menacing Shadows of Mama and the two boys appear on the wall heading into the basement the kids turn sprinting to the counterfeit room Lighthouse basement kitchen night the kids run back inside panicked Mikey uses his promotin Mist chunk is scared to death mommy daddy Uncle wormer oh Jesus oh Jesus Andy crosses herself chunk sees this tries to cross himself and instead outlines a star of David over his entire chest and stomach what are you doing I'm not supposed to do the cross I'm Jewish I'm doing the Stars got six points it's what do we do put him back put him back in the freezer Mikey and The Goonies rush over to help Mikey and the Goon Goonies rush over to help chunk who's already lifting the body to put it back up chunk stands in front of the body the kids standing back lifting it up the voices of Mama and the boys are getting

1:50:37 closer oh Hail Mary full of grace the Lord is with thee Hail Mary full of grace the Lord is with thee he's so cold Andy help us Mary Lord of Grace the Lord is with me the kids lift the body to its feet the they heardly push it into the freezer the clumsy chunk still stands in front of the body he's pushed into the freezer with the body the kids closeth and latch the freezer door they run to the fireplace interior freezer chunk is Frozen face to chest with the corpse he tries to scream for help he's too scared speechless the corpse begins to slide down chun's body until it is face to face with him kitchen night Mikey Le everyone into the fireplace he he kicks away a few loose boards Mikey grabs one of the fireplace tools a metal shovel he motions for the kids to crawl into the fireplace one by one the kids hurriedly crawl into the passageway brand is hesitant geez looks kind of small oh yeah like an elevator remember

1:51:46 I told you to shut up about that brand is interrupted by mama and the boy's voices getting closer clearer he quickly crawls into the fireplace Mikey is the last to crawl inside he gathers the grating and logs once inside the fireplace Mikey puts the grating and logs back in place over his head mama and the boys enter interior fireplace using Andy's lighter Mikey restarts the fire over his head kitchen Jake moves to open the freezer door but Mama spots the broken water cooler things are not as they left them Mama snaps at the others let's go and check your brother Jake moves from the freezer mama and the boys hurry out of the room we hear Mama's voice he better not have busted them chains again I ain't going back to the zoo for another set The Goonies washed through the fireplace grading suddenly the freezer door slowly opens chunk steps out from behind the corpse he dashes to the fireplace he whispers to the

1:52:49 kids come on guys let me in let me in no you got to get out get the police chunk hears the fatelli coming back he spots the window above the printing press chunk leaps to the top of the press crawling out of the tiny window just as chunk slips out of the window mama and the boys reenter the room I knew he couldn't break those chains maybe it was one of them Tremors ma oh yeah you know how the ocean sometimes shakes up the place mama rugs no time for thinking there's work to do she points to the freezer come on we got to move the other one the boys nod Jake opens the freezer door they begin to move the corpse Mama looks at the boys you boys take care of that I'm going to stay behind make sure uh them T make sure none of them uh Tremors start up again interior fireplace the kids move away from the grading they climb back into the passageway a narrow man-made tunnel surrounded by smooth rocks and hard Earth the tunnel

1:53:58 moves downward getting wide larger as it moves further in the distance but there is only Darkness ahead the Goon kids cluster tighter together Whispering scared to death oh my God I I just saw my first dead body okay look guys I'm the oldest I'll call the shots you got to look for a way out start looking for manholes hey you got any light on you data opens his shirt searching for the correct cord oh yeah in case of emergencies when I'm walking home from the school and and some big gu St me and they say goonie you're going to dust you pretend like I'm really scared and then I I te reach inside and pull this cord and say bully us two bright 8mm movie projector lamps extend from data's hips they flip on causing incredibly bright light The Goonies all cover their eyes and scream but suddenly the the lights fizzle out data shrugs only problem batteries don't live so long so I have father's backyard

1:55:16 light he removes a large Lantern he flips it on it illuminates the pass passage way brand grabs it okay I'll walk ahead with the light walk what about run all the kids run off into the passageway Road and night chunk is running for his life he runs to the side of the road headed back to town suddenly bright headlights come toward him chunk turns he steps into the middle of the road he waves his arms hoping to flag down the car the car comes to a stop bright headlights shine in chunk eyes blinding everything in front of him a man steps out of the car we can only see the outline of his shadow he speaks to chunk is there something wrong look mister I need a ride my friends and I just had a run in with these really gross people you might have heard of them the the ferales anyway we found their Hideout if you could give me a ride to the police station the man motions for chunk to step forward chunk hurries to the man

1:56:24 chunk walks through the blinding headlights he can finally see the car his face goes white it's the black off-road vehicle lined with countless bullet holes Shunk looks up to the man's face it's Jake forelli Shunk turns to run Jake grabs him around the waist he carries the struggling screaming chunk to the rear of the ORV Jake opens the false floor Jake forces chunk inside Jake closes and locks the and locks the floor he gets into the ORV Fran is also here he and Jake drive off rear compartment of ORV chunk again lies face to face with the FBI corpse chunk is Frozen with fear and that's where we'll take a brief break intermission if you will um and I know Tam if you might have to leave um you can stay as like but um if you wanted to leave this would be a good point to do it um my clock says it's been two hours um and we're only about halfway through the script so we if we continue finish about 10: um or whever whatever

1:57:32 the time might be in your Zone wherever it's at be 10 for me out here on the West Coast did you guys want to do the second half of the script or do you want to come back to it in a week or two your choice I'm I'm happy to do it either way if we do it in a week or two I if we do it on the 18th which is two weeks from now I do have plans I won't be able to come but so I could do tonight if that works because I know next week I think is at the there's something happen so today's the 4th um the 11th would be the second Tuesday of the month oh is that free oh then it works that's that's free we don't have anything scheduled for that yet we do have something on the 18 that's murders in the building only murders in the building um staying for two more hours doesn't work for me okay I'm available for next week if we want to continue it next week same okay I could do next week you'll have to recast my rules I won't

1:58:42 be available for a while but I I yeah I I don't blame you guys for wanting to split it up um so I'm hearing a consensus stand for the 11th yeah all right um and I said you said Skyler you're not be here to or would you be able to be here no uh yeah I mean I'd probably be able to continue as brand or you mean next week yeah or yeah whatever whatever the casting is for next week okay Courtney how about you next week is good for me same time yeah M okay so I might have to recast one or two r but otherwise I think this would be a good pausing Point since it is a really long script like I said with the actions and descriptions um it's a lot of fun I love it it's a lot of fun though Jackson have you seen it before no well I haven't seen it in a while it's been a probably since I was very little but yeah no it's definitely it's a fun it's been fun and I don't know where I lost my accent there for like

1:59:48 those two three lines I could not get it back every time I was on mute I was like doing it and I was doing it and I finally got it back but I love this accent he has it's a lot of fun this character I can't wait to be sloth SL all right it's already 11 pm here so I gotta go okay have a good night everyone good night good night you guys can stick around for brief discussion the first half um that'd be great if you need take five minutes first though that would be that' be just fine um you know okay Vicki said five minutes first so yeah five minutes five minutes yeah please all right yep so we'll see back in those who can stay we'll see you in five minutes for a brief discussion of this first half here then so um let's see about 10 after then okay and I'll just leave it running e

2:01:50 next for for for B for okay two minutes of SP I went through and fed my cats so that hopefully they wouldn't be meowing during our discussion I guess I can stop sharing the screen so we can see everybody go and looks like maybe we'll have Aubrey next week if we're lucky oh good so I can't wait to say to Skyler we'll see you in December we're doing Gremlins

2:05:56 is that the only other 80s we have on our list no but it's the one that's in my head so no there's others yeah yeah Skyler we're doing grand we shall see we see if I if I have the time in December um it's a possib it's a distinct possibility put it on your calendar yeah I'm not sure what we have several fun movies coming up too in the few I want to be an Ewok I actually had the book made from the movie of Gremlins way back in the day I love like one of those little short little books that they sold you at the book club in you know Middle School right cool is is Gremlins in the future are we doing it de this year y December yeah ways to go to get there but yes we'll get there eventually so I think it's safe to say that this wasn't the shooting script um the shop and snack that wasn't in the movie I don't remember there's a lot of material in here that was cut um yeah that all this stuff with the

2:07:24 zoo um yeah there's like there was like a whole subplot with gorillas in the original after the movie and they come back later you know I mean when you guys finish it you'll see that yeah um boilers I'm just kidding but yeah it it was some weird thing that that was this whole subplot involving these Zoo gorillas that was cut from the movie um for budget reasons I think well not to mention how you know difficult it is to get gorillas to do what you want yeah done them in suits at that time you know I mean yeah and I don't remember Grandpa in the sleeping in the lounge chair when they were getting away from the house oh yeah I love my character though just like boom and gets Grandpa up oh this character is fun yeah so go ahead sorry no go ahead you go well no I was just looking at the the the revision dates on here and it says you know their fourth draft revised October 12th 1984 um all the dates are 1984 but they

2:08:35 have you know pink blue yellow white pink blue in parentheses behind the different dates I was wondering if that meant something the um the uh stop and snack that part was actually filmed that I think that's actually a deleted scene um that you can that you can find on like the I'm sure you can find it on YouTube it's on the the DVD the Blu-ray all of that but yeah the the zoo stuff was just cut out like completely yeah the different colors of of the scripts are the different order that the rewrites happen in I was looking for my shirt that has like the different orders of them but they'll do a different color for each draft but yeah so like you said those writings were in 1984 and it came out in 1985 so yeah it's fairly close I mean they went from January 11th 1985 is the last revision it looks like here so and then they started to film it and release it right so yeah this is close to the the

2:09:42 shooting script but it's not quite there yet so they went from October through January and like Skyler said like some of it that maybe not too budget intense they could have filmed and then lost it in the editing the cutting floor yeah maybe the zoo stuff I don't know but yeah the the Stop and snack yeah that that that was filmed yeah that's that's out there you can that's yeah I can the the other stuff I think might have been dropped entirely at the last minute because budget reasons and maybe um maybe length reasons as well because the um they probably didn't want the movie to be too long and you know they're they're selling it as a kids movie in the 80s and a definition of long was very different back then as compared to now so that might have been a factor too and the language too I don't know if you how much you caught that I wonder I watched with my kid a few years ago and he was like 10 11 or so and you know I

2:10:44 was all the the and the there s swear words in here and then you know that's the beauty of M yeah they didn't used to have a PG-13 it was just like PG FR guidance than R so it like spans all of that like yeah there was definitely some scenes I'm like oh I should watch before when I watched it you know when I was a kid and I didn't think anything of it so I thought oh yeah Goonies be fine right and then I show like like oh maybe I should have rewatched it first don't worry just like you they'll think nothing of it it probably maybe yeah our media now is full of casual racism sexism and constant bullying from your friends and family over you know every detail about you that is that's how the way friends are really working these days it's it's a good example I came in I always like coming into the scripts very not reading it I don't don't like reading the scripts cuz I think it's fun trying to especially

2:11:54 movies like this where I haven't watched it in forever so I was really shocked seeing Elmer FL fuds I had tried doing impression of on the spot that was interesting I was like not expecting this charact I tried researching this character a bit before coming on because I was like I did not know anything about this kid and it was like fluent with Spanish I was like fluent with Spanish I better not have to do any Spanish I am nowhere even close to fluid and then I was like never said anything about Impressions I would have prepared a little more if I heard Impressions you know I think I did okay yeah it was a lot of fun though lots of references the 80s in the in the script like the Sears and robu um there was you know all the clothing references denim jeans God denim is so popular and they put specific songs in there specific songs you guys recognize the director's I mean the writer's name oh yes should Columbus Columbus

2:13:06 yeah yeah and what else he's done and stuff like yeah he's done I know what else has he done um there was a big one um he did why can't I remember it I think Home Alone Harry Potter oh the first har Potter movies oh there you go small one yeah I did see that didn't realize it was so he's done such a earlier much I think he wrote this but I think he directed those I I I I might be in CLA Skyler do you know more specifically I thought Stephen spilberg wrote it he definitely produced this yeah he produced ited by director's name is Richard what's his last name Richard Donner yes thank you who also did the Superman movie The Original and a bunch of others yes M he's done a ton of stuff yeah very yeah done a ton of stuff like pretty um um was a pretty big director during this time period um certainly and after I'm looking at IMDb right now Lethal Weapon Scrooged oh yeah Lethal Weapon yeah that's right yeah

2:14:19 yeah that was very SC yeah that was like one of his big claims to fame with Lethal Weapon Yeah Yeah Chris Chris Columbus also directed um Avengers and babysitting 1987 alone there's one we should do in the future Mrs Doubtfire um amazing a complete unknown Potter see this first two it looks like and oh the and the third a producer on the third Lightning Thief Percy Jackson Olympians he on that one too so quite a few movies that I recognize and that's pretty impressive since I live under a giant rock other thoughts on the first half of the script yeah a lot of fun there are an awful lot of of actions and descriptions we don't see I think the only other one who's had this many and I think so far as Casablanca yeah I really I think my favorite scene has to be where I was in doing the Spanish and I Wasing yeah and just making this girl had the worst time of her life it was so much fun I loved it that

2:15:44 actress also did so great in that role like she's so believable looking terrified and doing this like it's fantastic oh I love it and if you yeah if you don't remember she does come back but yeah she's got two lines at the very end of the movie very important lines in English oh in English well I thought I thought it was Spanish and like but by the time we get to the end of the play I think she's speaking in English maybe maybe maybe probably right maybe she's it's in Spanish it is might be in do I get to interpret what she's saying is that what you're saying somebody does I think yes but they lines she does a full scene with no lines in the beginning yes oh I love it that was definitely one of my favorites or when I got to be the the painting painting of the vigil gag there yeah that one was fun I enjoyed that yeah I think actually in the the Final Cut um when mouth is leading her around is saying all that stuff to her I

2:16:56 think after he mentions the um the attic full of sexual torture devices she actually does say she she looks up and actually says something to herself like just yeah yeah like I live in a m this is a mad house or something like that Spanish I yeah heroin yeah everything watch the movie again now that I've seen where it was filmed you know ex was at the beginning of the before we started recording we talking about being this filmed in atoria Oregon small little Seaside town it's used to be an old fishing very very much based on fishing a lot of Norwegians came in and um after having fished out the fish in Norway they came to atoria and had this huge packing and canning um thing until the fish there pretty much went went down hill too um and so now you have this leftover small town that survives a bit on tourism you know there's a big whaling museum and a maritime museum down there and what not but it's not a

2:18:03 large town by any means and you can kind of see there's you know there's a one side of the tracks is a little bit um nicer than the other having I want to watch watch it again and see we walked all the way up and down that town um since it is goon box where they get term goon from and yeah that's like his story's whole claim to fame is this movie like they do celebrations for all its like big anniversaries I sure next year is the 40th anniversary of this movie so it'll probably be some huge Gathering of Goonies fans up there would yeah one thing you brought up there like I never remember again I haven't seen it for a long time but the term goondocks from the movie if it actually made it to the script I don't know I don't remember it Rec yeah um I know Richard talked about I don't know if it's in the script or not and I thought it was really cool to see the how they decided to spell the singular

2:18:59 like gooni and that they just use the word goon a lot like it's cool to see it written because you like you might guess how it might be written spelled like without seeing that but to know all right this is how it was intended that's cool and I think it's supposed to bring out you know this sounds very much like Boondocks too which is the of Southern us equivalent of of living on the wrong side of the tracks yeah yeah there if you go out there there's definitely some buildings still out on the on the docks I me you can actually drive your car out onto one of those long piers and there's a big old restaurant back there and and left the oranic stuff that was a little scary CU it's not wide enough for more than one car at a time you know and you're actually driving across water it looks like this rickety Old Bridge it's a you know and doing that at night time like ah don't fall in yeah yeah good movie it's you know it's

2:19:59 it's very popular still you know it's just especially with folks who watched it in the 80s I guess I'm not sure how H its test of time but um talking about that like one thing we might not want to talk about but what are you guys' feelings on if they did a a remake or sequel oo because the kids would be in there I mean it's almost like a Str because they get a sequel for I mean a remake for a new generation like I have an idea like I hate when they do sequels of like classic movies like this but like even I have an idea for I thought actually this one I I I like because again almost all the characters are still alive so you could get the original cast but hopefully it would still have to be a good solid story yeah I know there have been attempts over the years and they've all kind of fizzled um I think if you go to the like The Goonies Wikipedia article it talks a bit about this um there have been there have

2:21:02 been there's been chatter over the years there been mostly about sequels um I don't know if there's been much talk about doing a remake I think most of the ideas they have are like you know a new generation of Goonies kind of thing um with new kids and bringing back the older the older actors you know more of a a supporting capacity or something to that effect yeah I don't know I don't know what I think about it I I mean I know a lot of you know people you know from my age or or thereabouts I mean I mean kind of mixed thoughts on that I know I think certainly a lot of like firmly Gen X people are like don't touch it ever it's it's it's a it's a um it's a um you know a a it's a it's one of those Classics it's like it's like sacred to many people of that that generation like Space Balls or it's like or you know Labyrinth and all this stuff I mean um never ended story yeah of course that did get plenty of sequels as

2:22:13 did I mean the Karate Kid is another good example of something that that took a kind of a life of its own but yeah I don't know but we mostly ignore all the sequels it's like they didn't even exist yeah yeah I don't know if The Goonies has I me just speaking personally like the ability to kind of like have like a modern like cross-generational appeal in the way that something like the Karate Kid does I don't know I mean I love it but I I I just don't know if it would work now I think the appeal of this movie is a it's got It's it's the Underdog theme right it's the four kids against the rich um that's well a big part of yeah and and um and that that would that would still play true today I would think the other core part of this theme I would think is that it's uh a group of Misfits on an adventure I mean you know they're they're seeking something that's a big huge dream you know who doesn't

2:23:18 want to find pirate gold right um and that part might be a little bit harder I would think to play in the day and age I don't know um we don't know because you have yeah because you have a lot of younger Generations haven't really grown up like playing the same way that kids did in the 80s so I mean things are obviously very different now we have people have grown up with uh with the internet I did not um I mean it came along little bit later on for me and people now have lived their entire lives with social media so it's uh yeah I don't know yeah it's a it's it's just a different landscape it's a that kind of you know classic kind of nostalgic uh let's go let's go find treasure kind of Adventure I think is um yeah I mean Adventure never goes out of style but I think that kind of like the sensibility of it is is kind of very much a product of it time yeah they' be complicated to do or at least to recapture in a way that

2:24:29 um uh would satisfy people who people of the80s and appeal to like a newer generation at the same time I think that's easier as something like the Karate Kid than it is with The Goonies but maybe maybe next what do you think about you know since what what kind of Adventures appeal to younger Generations what would you now I'm being put on the spot um I don't know I a lot of nowadays seems a lot of just my age of people they're they're either there's the sporty kids who I'm shocked that's still around big and then there's the Nerds and the video games there's like no in between and so I assume closer to like video game aspect that they had to put something in there because that's what it seems like my PE my peers are drawn to the most like the Mario movie came out and everyone was addicted to that there was like all these just different movies that are like video game related seem to be doing

2:25:39 a little bit better so if I would have to pick like one thing to tou push on would be video games in some way shape or form like characters or plot or something similar to that yeah and that's not a bad IDE because right around this time was when the Nintendo entertainment system came out and uh video games really hit the bid time was in the mid 80s so that that is kind of way you could kind of connect it yeah um for sure I'm shocked they haven't made a Lord of the Rings esque uh Legend of Zelda like a high quality like Zelda movie I heard that's action zeld in development yeah I mean but also you're also half glad that they didn't edit like again that's one that has to be done right you don't want it to come out flop like other movies yeah I'm I'm nervous about it but it is happening it is happening it's it's it's in the can so we'll see how it turns out now personally the can sorry personally I don't think we

2:26:45 can do a remake of this um it would be like doing a remake of Princess Bride those characters were played by the actors who were meant to play those characters and and it's like how could you possibly recast it's like who but Peter Faulk could tell the story it's it's in my head it's in my being I can't so this one is similar to me it don't mess with perfection yeah Princess Bride is certainly another movie that falls into that group that I was talking about earlier that's considered to be Sacred by many people of that generation and it's don't touch it but of course again yeah you've seen stuff like I mean I keep going back to Cy kid because that's an example of something that when it was revived they're like they were nervous like are people going to still give a about this and then obviously Cobra Kai blew up into a very popular show so yeah I mean I haven't seen the Remake at all I've seen all the the original ones

2:27:56 and all their original sequels but I haven't seen this newest one yet is it a lot different from um the original Karate Kid sort of the Remake the remake movie is with Jaden Smith and Jackie Chan but then Skyler is also talking about that there's a TV show on Netflix which is a proper followup to um um the original like four movies the Miyagi movies every yeah because they're all connected by Miyagi so it's in that same continuity but like in the present day like 30 years after the fact follow you know much older Daniel and Johnny and um uh plus a whole new generation of uh of a of a you know uh um Kate uh c kid teenagers yeah um and they make it yeah and it all it all works in a very surprisingly organic way I mean they did work with it's um um um they they did their homework and they they they they managed to kind of thread the needle in a way that that um as satisfied people who love those original

2:29:16 movies while also blowing it up with this huge popular modern show so now they kept Ralph as the teach like he's in it but he's a teacher Daniel yeah Daniel and Johnny both are in like Sensei uh kind of kind of teacher roles in the in this version different different philosophies towards fighting and seeing the world and whatnot it's it's quite entertaining seeing them I haven't I haven't seen it but I I did hear that Ralph was in it and I think that was genius now having mentioned uh Will Smith and Jackie Chan before seeing it I thought how can they even possibly but I loved it I I loved the Remake so I'm I'm somebody who will sit here and go you can't do it but when I see it I go oh well okay you got away with it and and there's certain movies that like the new generation that they saw they don't know the old movies existed like and not that they were necessar Classics but like the uh Judy

2:30:23 Garland wizard of O isn't the first wizard of ozs movie ever made I think they did like two attempts before that and same like Robin Hood had multiple movies at like at different stages and stuff yeah Robin Hood is like one of the most remade uh stories in film I believe yeah I have a a very old Robin Hood book I I have some antique books and yeah very cool and and very cool to the ending of that a lot of people don't realize how Robin Hood actually expired um he was sick and he went to a nunery and they and during that time they would bleed people with leeches and they I don't know did they forget about him or did they was it on purpose I don't know they left him there with the leeches sucking them dry so I don't believe it that's the story that they told to the sheriff and others to go after them so he could live happily ever after well on that I've got a go tonight it's getting too late for me but it's

2:31:27 been great to read with you and I'm looking forward to uh seeing youall next week all right sounds good night Courtney wait see you Courtney thank you bye-bye Battle Star Galactica is another one of those that they totally redid the series on you know you have the classic80s version with the the cute little robot dog thing D Dag is that right you know you have Starbuck and Apollo and oh my God they changed the gender on you know on one of those characters um so yeah but it seemed that the the new series seemed to be pretty popular too from tell and what about what's the other one uh Danger real Robinson oh utter space Oh I know I can't think of the name of it but the new series on Netflix I loved like I didn't really watch the original one too much and just seen it the outside it seems corny but I'm sure it was good it's good uh but Vicky your face says you don't like the new one no I'm trying

2:32:27 to think of the name and I hate it when my brain won't let me know I I'll search it up while we yes what I've heard go ahead Jackson sorry from what I've heard the only people who cannot ever be allowed to make remakes but they still keep making remakes is Disney I've heard to many bad things about that when it comes to remakes but well Lost in Space Lost in Space see I I was almost there yeah oh yeah supp we could ask Jacob about the Disney thing what do you what is your I was gonna put that out to anybody are there any sequels that Disney made that were any good I guess the remix I I don't know I didn't mind I didn't mind The Little Mermaid I thought that remake was fun but it got a lot of controversy I think they got away with it with Parent Trap the second one was just as good as the first one that's real people that one was a really good I love that one Disney might be crippled by the fact that you know

2:33:42 historically when you think of Disney you think of kids you know you don't look at Disney with adult movies necessarily you know I think Bambi is one of the you know top things and and Bambi has some pretty tragic stuff happening in it right the beginning I was traumatized I Bambi as a child but I mean you know you think kids and um so you're thinking you're trying so hard to appeal to kids you sometimes forget that the success of the movie depends on making it something that the adults want to watch too yes so like they're one of they did one movie The Great Mouse Detective which didn't it was a animated movie it didn't get much um I don't think it was very popular but laugh through the whole thing because all the jokes they put in it were ones that would go right over the kids heads the adult laughing like crazy in the aisles you know and um when you can do that kind of thing to a kids's movie then I

2:34:38 think it's um it's helpful but you know Disney sometimes tries so hard to fit within this little framework of we have to stay a kids movie um that miss out on the the essence of the story a lot of the movies they did um kind of really from that time onward it's kind of like from 60s 7s certainly to the 80s 90s when you get into what we call the Disney Renaissance stuff I think they were they weren't um when they really hit their stride a lot of that stuff they weren't quite as worried about appealing to kids I mean look at stuff like The Lion King and um or hun of NRE Dame or hunch back of NRE Dam which yeah I mean I mean yeah is a movie that I mean was deeply kind of it wasn't popular unpopular at the time because oh it's so it's too dark but it it's aged extremely well I mean um I mean they they they were willing they were willing to go places I think uh um um 20 30 years ago especially that um they're a bit more

2:35:48 reluctant to to go now um but yeah it's hard for them to remake their own stuff in a way that and it's i l they doing you know it's very kind of a cynical thing that just kind of like oh it's time for us to to remake this stuff it's getting old and they they see it as kind of like an easy cash cow because then there's a built-in market for it but and the thing is like like you said it's the built-in Market where I think like if you say people are you g to go watch this or you going to go watch this thing that has Nostalgia and the name you recognize attached to it and they're like most people do choose that and you're like no but yeah I think uh your choice of Lion King was awesome because that's actually Hamlet bringing Hamlet to Children it is it's literally Hamlet yeah and the sequel if you've seen that which um is probably one of the only halfway decent Disney sequels is is it's Rome and Juliet

2:36:44 fundamentally um so they they they're going back into the Shakespeare well for that but on the subject of Just Like Remix in general I'm surprised nobody's mentioned it we were talking about all this 80 stuff it completely slipped my mind because we have a b pretty big one coming up a couple months and that's uh Beetle Juice sequel after all this time after the fact it's like is that gonna do that well I mean may I mean outside of people who loved the original I don't know it'll be it'll be interesting to see I think I think it helps that it has the musical it has an amazing movie True um the musical is right now it seems at least I'm I just finished a musical and everybody was talking about Beetlejuice I swear never left like we had a karaoke night all we sang was bee songs like it's so popular right now I think it's good to capitalize on that when they did or at least it seems as a the Geeks in the behind the stage what

2:37:52 we music does seem really popular now yeah that that's that's a good point I've never seen juice oh your Miss told you big rock big rock I mean it is a unique style it's a unique type of movie so yeah yeah it's okay you're forgiven you're forgiven but yeah know it is so much I love it and I um I think also it helps that the music uh the person who plays be juice in the musical is like expanding all over the internet right now so people are hearing his voice and are like what is that from oh where is some of his other things so I think if I'm not wrong it's Alex Brightman who does the Beetle Juice of the original casting and he's been all over the animated internet right now for shows and all that so I think that also helps publish Beetle Juice as like oh my gosh this whole new generation this whole new generation is gonna be like why wasn't it that actor why is it this Michael Keaton Guy what's he because

2:39:03 they know the musical guy as juice but I think it's great that go ahead sorry no I was just I was saying I was just saying what you said yeah yeah kind of like they do with like the flash or whatever like why isn't the TV actor the Flash and it's oh yeah that's that's older can worms but yeah it's the same kind of thing like why is it the same guy should be should be the same guy some people think that way but yeah it's funny it's funny thinking out I guess in the last when the beers come out 86 ' 87 oh my gosh yeah it's um um that within that amount of time yeah they're um they're probably are people yeah who have never saw like Michael Keaton ases Beetlejuice or or Monona Ryder yeah it's kind it's in that movie is it's weird to think that but yeah aren't there some people coming back from like original casting coming back for the second one I thought well Rona Ryder and and Michael of course I

2:40:10 thought so I was like I was pretty sure that they're coming back to reprise it and we had a few there couple actors they wanted to bring back who passed away which is I mean one of the one of the things that when you re when you revive something after 38 years that's gonna happen although it's modern technology sometimes that doesn't necessarily make a difference I mean well one yeah like some of the stuff that Disney you're going back to Disney yeah they sure love to bring people back from the dead with technology nowadays yeah show off that they can but of krie Fisher at the end of Rogue one you know and looking like she did just right in in the original Star Wars obviously doesn't I'm like how how did they do that they did it in Rogue one they did it um the other actor Mandalorian they did it yeah they in the Mandalorian they did it they recreated young Luke yeah also the other one with Peter

2:41:19 Cushing I think that's his name yes and Peter Cushing as grandma talking yeah him too also yeah I watch it with my dad he's all it looks like it but I know it can't be because he's dead like how like yeah he was like how what no like yeah it helps a lot that AI technology is growing and growing and growing does it does it does it help I'm just kidding well it helps them make their lives a lot easier because all they need is just some samples of their voice and boom you got that yeah yeah a lot of ethical things there oh my oh so much yeah I I joined the union last year because I did not want to deal with that ever again I lost I lost a job to Ai and just like nope nope nope I I see where things are going so yeah I need some kind of of legal protection Beyond me having conversations with people and dealing with word of mouth and course shortly after that was when the strike started so um yeah I ended up joining

2:42:25 the Union in the middle of the strike and want strike pretty much immediately it was it was definitely a time yeah the industry still in tatters now it's like yeah I mean who knows what yeah the future is gonna hold but we'll see yeah video video game contract is still in limbo over this and we're I mean those of us in voice over still kind of waiting on pins and needles there because it seems very likely at this point that's probably going to fall through and we're going to go on strike but yeah it's it's been in negotiations for two years like over two years now it's not a good sign sorry the cat in I know we appreciate their um background rolls during the table read that was funny I heing this cat yeah it was amazing there they are well when you have seven of them you know it's that the lik one of them not meowing is pretty small very low it still it still won't be the time where we just had to listen in pain for you as

2:43:38 things just kept getting knocked down in the back and breaking as we're trying to read this script and there's just so many glass and stuff shatter that was the wasn't it quite fitting we needed that yep thankfully they didn't break too much so they knocked the jar off the thing and broke the lid but not the jar so oh that's interesting yeah today they've been mostly well behaved but yeah a mute button you know only works when you don't have a line so oh well we've been chatting for like another 48 or so minutes um so we should probably wrap this up and I'll put another event page up for next week see if we get other signups and then after that we have only in the building should be shorter because it's a pilot episode of a television series so I haven't looked at the script yet but um I'm so sad I'll have to miss that one comedy mystery murder mystery supposedly so whatever that in tals well it was an

2:44:51 excellent after talk yeah it it was hopefully I'll see most of you next week or the week after or in the weeks coming thereof um and do some more reading this is fun it's always fun thank you so much for offering this thank you Cat and everyone yes thank just taking over from Jacob he's a your uh instigator it was great having your contribution Skyler excellent yes yes it was a lot I loved your characters oh my go a lot of fun yeah I don't know I don't know I don't know when I'll be back whenever my schedule permits and I see something that's like oh um that'd be fun to do kill some time I mean it's possible I yeah I I'll keep my I'll just keep my eyes out and uh yeah we'll see how it goes yep same with Shakespeare on Saturdays so yeah same with Shakespeare I mean yeah for Shakespeare um yeah I'm considering I'm considering um directing Lear whenever you do that maybe yeah mid mid somewhere down

2:46:11 halfway down the schedule wherever that is because if if the time if the timing works out because that that is my favorite but cool all right well we'll say good night to you all and have a great night yep we will see you soon see you soon bye bye have fun

Questions about this episode

Who speaks in "THE GOONIES--PART 1"?

Cat Wilson (Host), Jacob Patrick (Guest), Tamir (Guest), Vicky Dikes (Guest), Jackson Gray (Guest), Courtney Burmac (Guest), Skylar Silver Lake (Guest), Aubrey McCoy (Guest).

What is "THE GOONIES--PART 1" about?

The content focuses on an engaging reading of "The Goonies," highlighting introductions of various participants who share their names, roles, and locations. Each individual outlines their character assignments, expresses enthusiasm for the collaborative performance, and mentions their social media presence.

What is mentioned in this Table Read Tuesdays episode?

18 people, works and ideas are mentioned, including Chris Columbus, Data Wang, Mama Fratelli, Pirate Gold, Troy Perkins, Andy Carmichael. Each one on this page links to its own page with every episode that mentions it.

How long is "THE GOONIES--PART 1"?

The episode runs 2 h 47 min; the transcript is about 23,727 words in 138 timestamped sections.

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